Teknolust

First of all, you can't look at this movie in terms of realism, it's just a big psychadelic dream. Yes, we all know computer viruses and human viruses can't be transmitted to one another; but it's also not the point of this movie. This movie has to be looked upon as pure fantasy, not as a study of possible future reality. Hell, the solid red, green, and yellow color schemes should clue you in that this is more like 60's psychadelic dreams. Other clues that this is fantasy is that Rosetta talks to her clones, Ruby, Olive, and Marine through a microwave oven!

One great line in the movie that really got me rolling on the floor was when Olive tells Marine that a virus that she just eradicated was from an attachment, and Marine responds that "Rosetta was right attachments are dangerous". Of course, this was double entendre, one meaning of the word "attachment" meant email attachments, while the other one meant relationships. If you didn't understand this movie the first time, then you owe it to yourself to watch it again to catch all of these little pokes at modern life.

I rented this from my local video store. It was so surprising to see something like this available from them, as this movie is not their regular run of the mill movie they rent. I enjoyed it for it's originality. I haven't seen much with Tilda Swinton, but will be looking out for more of her movies in future.. PS. this site rocks, I find user comments more informative than any of the "critic" sites.

TEKNOLUST (3 outta 5 stars) Reading a synopsis of this movie you'd think it was some strange-sounding porno... or a wacky comedy. A lonely, nerdy female scientist replicates herself into a trio of cybernetic copies. In order to live, these "clones" need regular doses of male chromosomes, found only in male sperm. So the eldest copy goes out into the world, collecting samples for the sustenance of her and her "sisters". Yes, this definitely sounds like something that came out of the imagination of some sex-starved sci-fi nerd. Except... that the film was actually written and directed by a woman. So there is plenty of "subtext" and "symbolism" to "legitimize" a plot that sounds like it was dreamed up in "Letters to Penthouse". Tilda Swinton is the main reason to watch this movie... she plays the scientist and the three copies and she does a great job of making each one of them a different character. Also there is one wacky scene where the three "sisters" are doing some weird interpretive dance (all on screen at the same time) that is just sublime! Unfortunately, except for Swinton, the acting is pretty awful. Actually, Jeremy Davies is okay playing a lovelorn copy guy who falls in love with one of the copies but all he really gets to do is make cute puppy eyes at Tilda. For a comedy... the tone of this movie seems awfully sombre at times. A quicker pace and some livelier dialogue might have helped this movie become a classic. As it is, it's an okay movie enlivened by the talent of Tilda Swinton.

This sleeper entertains with Tilda Swinton's beauty, hyperbolic web-tech, and subtle-smart humor.

The "R"-rating is inexpilcable. Does a film get rated "R" for showing condoms? The "sexual" situations are all implied, there is no nudity and I cannot recall any harsh language or violence in the film.

The special-effects portraying souped-up computor interfaces are all part of the thin-guise of sci-fi genre and the film's humor. A microwave window doubles as a networked PC, "hard-drive crashes" pun erectile dysfunction.

Tilda is cast in the most lighthearted and cute role(s) that I have ever seen her play and her deadpan-pretty portrayal(s) delight the eye. Her three-way dance routine is very entertaining.

I felt that the theme of this film was the "joy of Life" intruding into and dominating technology.

I saw this film at the Seattle International Film Festival this year. It sounds cool when you read about it, but really it isn't.

Although Tilda Swinton's acting in this film is fantastic, the film itself left much to be desired for me. The script was really weak and the whole movie got bogged down in cheesiness. The production value of this picture was pretty impressive, though. All shot on digital video, it was amazingly clear and the computer effects were pretty impressive.

I would say to pass on this one, though.