Dark Blue

LAPD. For many years, Eldon Perry(Russell, giving a great deal of charm to a scumbag) has handled the streets the old-fashioned way, like he prefers to. But things might be changing soon. Arthur(Rhames, refreshingly not seeming like he could explode into violence at any point) wants to clean up the force. And it seems like it's just a matter of time.

This is pretty good as a companion piece to Training Day. In a few ways it is superior to that, in most ways, it is slightly inferior to it. The acting tends to be great. This is not an action movie. It's currently listed as being a crime-drama-thriller, which I agree with. With that said, there are a handful of tense and suspenseful scenes, and the climax is decent. It's cliched. The pacing is overall too slow, and is perhaps the main place where you can really see that Ron Shelton is not used to this kind of film. The fact that, despite fitting with the movies themes of corruption in law enforcement, ultimately the LA riots are background only, and that some of the depiction of the riots is problematic, is one element of this being exploitative.

This contains a little nudity and sexuality, and a bit of strong, bloody violence. I recommend it to big fans of Movies about crooked cops. 7/10

1st watched 8/21/2003 - 7 out of 10(Dir-Ron Shelton): Well done good cop/bad cop movie that works because the good & the bad are basically caught in the same trap and some of the characters change from one to the other during the film. Kurt Russell's character is one of them that changes. He is bad with a capital `B' in the beginning. He's foul-mouthed, racist and doesn't care much for justice but wants to cover the good guys' behind whenever possible. He is totally believable as this redneck character. His partner is being taught to lie in what they call a `shooting trial' where they question the cop on a convict-shooting to make sure it was the `only' option. The setting for the film is a few days before the `non-guilty' Rodney King verdict in L.A., but this is only a backdrop to the movie's story. There is typical corruption in the police ranks but in this one, the star is involved in the corruption. Without giving away too much of the story, basically the cops are involved in another shooting and the partner decides to tell the truth which leads to other events that bring about the much-hoped-for ending. It's neat the way the filmmaker uses the Rodney King fiasco to blend in with the action of the story which kind of adds a separate element that everyone is quietly following as they do their jobs. The acting, the direction and the story blend together for a very satisfying and watchable movie despite the typical bad cop/good cop genre that the story is based on. Hooray for all involved on this one!!

DARK BLUE (2003) ***1/2 Kurt Russell, Scott Speedman, Ving Rhames, Michael Michele, Lola Davidovich, Brendan Gleeson, Jonathan Banks. Russell gives the performance of his career as morally corrupt LA cop Eldin Perry, assigned to a special forces unit, who uses his power to put the screws to the animals he patrols by any means necessary , instructing his rookie partner Speedman , until things come to a bloody head in the shadow of the Rodney King trial. Rhames as the deputy chief of police determined to bring Perry down provides the missing social backbone to this insightfully gritty look at bad cops gone wild. Filmmaker Ron Shelton affectively uses the historic time setting perfectly in capturing the tempest in a teacup that acts as a perfect metaphor for the screenplay written by David Ayer based on James Ellroy's story.

As the trial of the officers accused of beating Rodney King occurs in the background, LA sits on a knife's edge of tension. Meanwhile hard-line cop Eldon Perry celebrates his partner being cleared of operating outside of procedure and the pair go back to work. When they are put on a robbery homicide case all the evidence points to a couple of informants used by Captain Jack Van Meter, however he assures them it wasn't them and tells them to find someone else to pin it on. However Perry's partner Bobby Keough has a change of heart and the cracks start to show as LA bursts into flames.

This film was slightly over-hyped when it came out. I agree that it is a solid cop thriller that rises above recent offerings from the genre but to give it as much praise as it garnered at the time is to give it more than it deserves. The basic plot is on two levels. On the first level the film is about police corruption and sees a corrupt house of cards teetering on the brink of collapse. This bit works well and the cop thriller element works well even if it treads familiar ground. The second level is the background of the Rodney King trial and the LA riots. This aspect is very much wallpaper and I didn't really feel it was necessary for the main narrative to work. At best it complimented the ongoing tensions between community and cops, at worst it distracts from the main thrust.

Russell does give one of his strongest performances in recent years and is not afraid to be an unsympathetic lead character. However the rest of the cast are either not as good or not as well used. Speedman has to carry most of the moral weight of the film and it is clearly too heavy for him and can't do it convincingly. Rhames is simply not used very well and is almost supplementary to requirements. Gleeson is miscast - he is an able actor but the film required him to be a generation older than Perry, in reality they were the same age more or less. Michele is sexy and is reasonably well used for a support character and Kurupt is good even if he is playing the character that he plays daily in his rapper personae.

Overall this was a superior cop thriller that was enjoyable as same. It did a reasonable job looking at the real life issues of corruption in the LAPD but not as well as perhaps other reviews would have led you to believe - it is more a wallpaper or just a theme that is used to prop up the narrative rather than a real good historic look at the time.

About halfway through this movie, I realized I hadn't blinked once. That's when I knew that I was watching a really good film. Kurt Russell is no slouch of an actor. He was riveting. This was a well crafted cop flick where everyone seems to have dirt on someone else, and meanwhile, there are crimes being committed, and L.A. is about to erupt in rioting.

The great thing about this flick is that it doesn't try to be more than it is. Which is just a very entertaining, suspenseful cop movie.

Well worth a watch.

Or two.