Spider

After seeing every single Cronenberg film I've been able to find, I've come to one simple conclusion: I've seen entirely too little of his works. I have yet to see one film of his that I found a complete waste of time(though I did not find much point in The Brood). This is quite possibly my favorite film of his yet, and I guess that says something about how few of his films I've seen(as this seems like one of his more unappreciated films). The film is quite dark and bleak. It has a fairly slow pace, but there's plenty of atmosphere and I never really felt like turning it off. The plot is very good, and I liked the way it developed somewhat out of joint, with little continuity other than the main plot-line. The acting is superb. One actress performs two roles, and does so with such talent that I never realized they were being portrayed by one and the same person. I only discovered this after checking out the cast list. Spider is a very unsettling film, but I suppose Cronenberg has done far better in other films. For some reason, I just found this the more easily accessible of his films, the one that requires least afterthought to be understood, to decipher what he wanted to say. All of the other films by him that I've seen, I've required to basically 'be told' what the film was about... with this one, I thought for a while after seeing it, and figured it out, put the pieces together myself, without much difficulty. Maybe that's a problem for the film... it's too simple. It's far more simple than the usual Cronenberg, and that is what makes me like it more, and his more experienced and analyzing fans like it less. I recommend this film to any fan of Cronenberg and/or dark films. Don't expect to be able to figure out the film from just one viewing, and don't take anything you see in it at face value. 8/10

This film is one of the most under-rated, I have to say. I know it takes awhile to get into and you have to use your mind while you watch it but it's not THAT complicated, is it? Especially if you watch this film more than once you really become to understand what it is it with Spider. I don't want to give away the plot, because you really have to see it for yourself. It's surprising and pleasantly different.

I have to highlight the acting in the film, it's that superb. All the actors are just simply amazing, taking the acting to a completely new level. So, if you want to try something that's not so mainstream film-making, watch Spider. I dare you.

SPIDER (2003) *** Ralph Fiennes, Miranda Richardson, Gabriel Byrne, Bradley Hall, Lynn Redgrave, John Neville. Filmmaker David Cronenberg does it again : mixing psychological drama with Gothic mystery with the cloak of violence in the air with Fiennes (in a brilliantly mannered near mute turn) as the titular character, a schizophrenic recently released to a halfway house, nicknamed in his youth by his mother (Richardson who gives an excellent turn to the third power; she inhibits three interlaced roles that act as the story's linchpin) for his cat's cradle yarn confections which sends his scattershot memories into overdrive as he attempts to connect the missing pieces of his life. Told in intersperses of flashback Cronenberg expertly uses his persuasive powers of dread eke out the thin plottings of Patrick McGrath's novel – who adapted the screenplay too – that can tax on the nerves in long, baroque stretches of near silence. Dank, rotting production design by Andrew Sanders, excellently lensed by Peter Suschitzky and the chamber music-like score by Howard Shore makes the most of its broken-minded protagonist's living nightmare.

There are always films that people will either see what the director was going for, or simply won't connect with the film. David Cronenberg's Spider is one of those films.

Many comparisons can be made between this film and the Ron Howard film A Beautiful Mind in that they both examine the complexities of mental illness. Whereas Howard took the glamorous Hollywood style approach -- complete with government agents and associated adventures -- Cronenberg continues to prove that less is more when it comes to film. Spider is significantly more effective in that it does not candy coat its subject, rather approaching the scenario with brute realism.

Cronenberg is certainly one of the most under-appreciated and misunderstood directors of our age in terms of popular appeal. His films are not for mass marketing and popcorn sales, but rather are psychologically and sociologically challenging to the viewer. Cronenberg films generally demand a surrender from the audience to an unsettling reality, and Spider is no different. The fractured perception offered by the protagonist as displayed through Cronenberg's eye is truly unique and refreshing.

If you are the type of person who is up for quick, easy entertainment, Spider is not your film. But, if you want to explore a brilliantly crafted submergence into the strange reality of a mentally ill person, Spider will leave you wanting more. Cronenberg has once again proved that there are few directors of his talent and skill. His ability to create a wholly original feel in film incomparable to any of his contemporaries is always welcomed by this viewer.

Spider is a wonderful entry into the Cronenberg cannon. I strikes me as Cronenberg trying to do a Ken Loachesque style movie with all of his usual hard philosophical questioning, sniping at your assumptions of what reality really is.

The overwhelming impression I was left with was the sheer creepiness of the film, highly appropriate in a film about a Spider. This impression is built up with wonderful cold and dismal sets and cinematography and a relentless slow pace that draws you in to the inevitably horrifying conclusion. There is always an undertone of the horrors that have driven the protagonist to his fate though you never really see that underlying terror. You almost feel as if his psychotic reaction to events was almost the only thing he could have done. The acting is first class all round I feel it would be unfair to single out any one of the stunning performances.

This film is really about growing up and how you cope with it. Everyone has to go through it and most seem to emerge the other side with only minor ticks and deviancies. Some people however are crushed by the terror of the things that come to light between the ages of 6 and 17 and this is the perfect illustration of this. This could have been you. More worryingly, if something really bad happens to you, this still could be you.

Are you so sure that everything you remember happening in your childhood really happened? Those little anecdotes you trot out when you're with friends? Are those memories coloured by how you saw the world when you were that age? What are childhood experiences are you hiding from yourself? In a sense these are all very Freudian concepts given life in a film that has as it's central plot a case of Oedipus twisted way beyond it's classical borders.

Some have found this boring, I didn't. I can understand that the slow pace and, for Cronenberg, the simplicity of the storyline might lead one to not engage with the film especially if you find the entire concept of mental illness alien. However, that feeling of wanting to run away from this film as fast as possible whilst screaming is one that should really recommend it to you in the strongest possible terms. Not all horror is jumps and monsters, some is atmosphere and the ordinary. And that's the scariest sort.