लॉस एंजिल्स के दो घातक जासूसों को एक स्थानीय किशोर की सोच-समझ कर की गई हत्या की जांच करने के लिए कभी नहीं सोने वाले उत्तरी शहर भेजा जाता है.लॉस एंजिल्स के दो घातक जासूसों को एक स्थानीय किशोर की सोच-समझ कर की गई हत्या की जांच करने के लिए कभी नहीं सोने वाले उत्तरी शहर भेजा जाता है.लॉस एंजिल्स के दो घातक जासूसों को एक स्थानीय किशोर की सोच-समझ कर की गई हत्या की जांच करने के लिए कभी नहीं सोने वाले उत्तरी शहर भेजा जाता है.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 1 जीत और कुल 11 नामांकन
Yan-Kay Crystal Lowe
- Kay Connell
- (as Crystal Lowe)
फ़ीचर्ड समीक्षाएं
I was really looking forward to this film, and I'm glad to say that I wasn't the least bit disappointed. First of all, I was glad to see Al Pacino on screen again. It seems like it's been a while since I've seen him on screen. I think the last film he was in was "Any Given Sunday." Pacino yet again delivers a brilliant performance, strapping the audience in for a wild ride through the emotionally scarred mind of Detective Will Dormer. It seemed like I could feel his every emotion throughout the course of the movie. Because this is a character-driven story that revolves around Dormer, his pain, anguish and guilt on account of accidentally taking his partner's life, constant insomnia and subsequent threats by his nemesis, played by Robin Williams as a writer of trashy detective novels who's fascinated by Dormer and blackmails him by threatening to spill out the secret of Dormer shooting his partner. As for Robin Williams, he is fully convincing as the reclusive novelist/murderer of a 17-year-old girl. I suspected, from the trailers, that he'd play a serial killer. I wouldn't exactly classify his character as a serial killer, but he is the antagonist and a murderer and Williams plays the role perfectly, never underplaying it and never overplaying it. He could've went over-the-top, playing a totally ruthless killer who cackles at the thought of murdering someone in cold blood. Though he's not our sympathetic character, you do feel sympathy for him at times. And I like how the story creates this little cat-and-mouse game between the two characters, each one plagued by skeletons in the closet. Oscar-winner Hilary Swank delivers another fine performance, and I was stunned to see how amazingly attractive she looks, after having seen her gender-bending role as Brandon Teena in "Boys Don't Cry."
Christopher Nolan is the acclaimed director of "Memento" and he scores yet again, with this beautifully constructed thriller. I was intrigued from start to finish. Nolan's use of lighting is dark and murky, wonderfully setting the noirish tone. Nolan shows great promise as an up-and-coming director, and with a good outlet he can possibly become the next Kubrick. I greatly look forward to seeing his next project, whenever that may be.
I recommend "Insomnia" to anyone who loved Nolan's previous "Memento" or anyone who simply enjoys a great, multi-faceted mystery/thriller that will keep you guessing at every turn. I think it's too early to vote this movie as one of the best films of 2002, but it's a possible candidate. We don't see too many "great" films anymore, and whenever they're out there it's good to take advantage.
My score: 9 (out of 10)
Christopher Nolan is the acclaimed director of "Memento" and he scores yet again, with this beautifully constructed thriller. I was intrigued from start to finish. Nolan's use of lighting is dark and murky, wonderfully setting the noirish tone. Nolan shows great promise as an up-and-coming director, and with a good outlet he can possibly become the next Kubrick. I greatly look forward to seeing his next project, whenever that may be.
I recommend "Insomnia" to anyone who loved Nolan's previous "Memento" or anyone who simply enjoys a great, multi-faceted mystery/thriller that will keep you guessing at every turn. I think it's too early to vote this movie as one of the best films of 2002, but it's a possible candidate. We don't see too many "great" films anymore, and whenever they're out there it's good to take advantage.
My score: 9 (out of 10)
Al Pacino's character looked tired when he arrived in the Alaskan town. As he attempts to reconcile a serious mistake, he grows wearier and wearier. Enter Robin Williams, a sociopath who plays a cat and mouse game with Pacino. Balance that against the perceptive and admiring Hillary Swank and a lot of baggage from Pacino, and you have the ingredients for a terrific thrill a minute film. I found myself rooting for the Pacino character even though there is a level of dishonesty that will be hard to reconcile. He must cover some huge tracks. There are some issues with Williams' ability to know things that are a little far fetched. Many villains fall into that gap, but that's OK. We take him for what he is. It's an engaging movie.
I used to think that nobody could come close to Robert De Niro when it comes to who was the best actor in Hollywood but as the years went by he started to pick some real Turkeys and a in the mean while an old hand was gradually taking the crown from De Niro and that is Al Pacino. In Insomnia he has picked another cracker of a film that although not fast paced is brilliantly acted and is very watchable. Hilary Swank is superb as is Robin Williams and its refreshing to see him taking a serious role instead of sentimental trash like Patch Adams but as per usual it is Al Pacino who steals the show. He plays an insomniac Cop who gets intangled in a murder case and gets into trouble after accidently killing his partner . I cant think of an actor who looks more tired than Pacino anyway so he was perfect for the role. The story is OK but to be honest the film is more about the performances than the plot. 8 out of 10
As said in my reviews for his masterpiece 'Memento' and the fascinating 'The Prestige', Christopher Nolan has always struck me as a very talented film-maker, and most of his films are ones that have impressed me a lot. Even weaker efforts, where his ambition can get in the way, have a good deal to admire. His films are all impeccably crafted technically, and often entertaining and thought-provoking, also knowing how to get good performances out of talented casts.
'Insomnia' is not one of Nolan's best films, but not his worst. For me it's somewhere in the middle if ranking his films, 'Memento' being his best and, while with a lot of impressive elements, 'Interstellar' being the one that impressed least. It shows fidelity to the Norwegian original, but doesn't go so far that it's a pale retread, in a way that is summed up very well by Roger Ebert.
Nolan directs with impeccable style and sense of atmosphere, as well as an ability to tell a potentially convoluted story with clarity without resorting to excess and over-ambition. Much of 'Insomnia' is exceptionally well made, while beautiful Alaska has rarely been more oppressive as well while the cinematography has grit and class. David Julyan's music score is not quite as complex as that for 'Memento', but has a very effective eeriness.
The script is tight and thoughtful, and the story, filled with neat twists and turns, is hugely compelling and atmospheric, never being too simple but complex enough to still be understandable and be respectful to the viewer. The cat and mouse stuff could have been predictable and convoluted but executed in masterly hair-raising but also quiet tension.
Performances are all strong across the board. While underused somewhat, Martin Donovan and especially Hilary Swank are great here. It is however Al Pacino and Robin Williams who are even better. Pacino gives perhaps his best performance since 'Heat' and he has to me definitely not been on this amount of blistering form as he is in 'Insomnia'. Williams is cast against type, and he plays a genuinely terrifying character with menace but also dignity and restraint.
Flaws are only a couple, with the film ending too conveniently and some of the editing being a touch too jumpy.
All in all, a gripping film and hardly a sleeper. 8/10 Bethany Cox
'Insomnia' is not one of Nolan's best films, but not his worst. For me it's somewhere in the middle if ranking his films, 'Memento' being his best and, while with a lot of impressive elements, 'Interstellar' being the one that impressed least. It shows fidelity to the Norwegian original, but doesn't go so far that it's a pale retread, in a way that is summed up very well by Roger Ebert.
Nolan directs with impeccable style and sense of atmosphere, as well as an ability to tell a potentially convoluted story with clarity without resorting to excess and over-ambition. Much of 'Insomnia' is exceptionally well made, while beautiful Alaska has rarely been more oppressive as well while the cinematography has grit and class. David Julyan's music score is not quite as complex as that for 'Memento', but has a very effective eeriness.
The script is tight and thoughtful, and the story, filled with neat twists and turns, is hugely compelling and atmospheric, never being too simple but complex enough to still be understandable and be respectful to the viewer. The cat and mouse stuff could have been predictable and convoluted but executed in masterly hair-raising but also quiet tension.
Performances are all strong across the board. While underused somewhat, Martin Donovan and especially Hilary Swank are great here. It is however Al Pacino and Robin Williams who are even better. Pacino gives perhaps his best performance since 'Heat' and he has to me definitely not been on this amount of blistering form as he is in 'Insomnia'. Williams is cast against type, and he plays a genuinely terrifying character with menace but also dignity and restraint.
Flaws are only a couple, with the film ending too conveniently and some of the editing being a touch too jumpy.
All in all, a gripping film and hardly a sleeper. 8/10 Bethany Cox
First off, Christopher Nolan is one of my biggest influences when it comes to film and screen writing. With films such as Following and Memento, both of which reached cult following levels, he is well on his way to a successful Hollywood career. Then, today came, his 3rd film was released, Insomnia. Based on a 1997 Norwegian film written by Nikolaj Frobenius and Erik Skjoldbjærg, Insomnia is a true work of art in the world of film.
Christopher Nolan takes all that was the 1997 film, and brings it to the next level, using his own style of directing, a musical score with shades of Memento, and an all star cast. Al Pacino and Robin Williams pulls out the greatest performances of their careers in the past decade, if not in their ENTIRE careers in my eyes.
Pacino once again excels in the role of master dective, while Williams takes this chance to show his "dark side", and he does it so well. I can only hope that this is a rebirth of Robin Williams, and as it stands with his upcoming film One Hour Photo (which he once again plays a dark, psychotic role), it seems to be just that! Hilary Swank also pulls out what is the greatest role of her career.
Insomnia brings you in as an audience, with it's perfectly woven plot, with a film noir feel to it, just as Nolan's first two films. It is a rollercoster ride of drama and suspense as you watch Al Pacino from the very beginning unravel, and the rest of the story and his past catches up with him. I can not say much more about it, as I do not wish to spoil anything about if for you, but I do want to say this... ...go see it, right now, and enjoy. If you love crime/mystery/drama films with that wonderful Film Noir feel to it, you will love this film. If that isn't your thing, then the performances of the three main actors are worth the price of a ticket in itself.
Finally I just want to say, that Insomnia proves once and for all that Christopher Nolan will indeed be a force to reckoned with in Hollywood. I've said it before, and I'll say it again... ...Christopher Nolan is well on his way to becoming the Hollywood legend which he proves he is capable of becoming.
Christopher Nolan takes all that was the 1997 film, and brings it to the next level, using his own style of directing, a musical score with shades of Memento, and an all star cast. Al Pacino and Robin Williams pulls out the greatest performances of their careers in the past decade, if not in their ENTIRE careers in my eyes.
Pacino once again excels in the role of master dective, while Williams takes this chance to show his "dark side", and he does it so well. I can only hope that this is a rebirth of Robin Williams, and as it stands with his upcoming film One Hour Photo (which he once again plays a dark, psychotic role), it seems to be just that! Hilary Swank also pulls out what is the greatest role of her career.
Insomnia brings you in as an audience, with it's perfectly woven plot, with a film noir feel to it, just as Nolan's first two films. It is a rollercoster ride of drama and suspense as you watch Al Pacino from the very beginning unravel, and the rest of the story and his past catches up with him. I can not say much more about it, as I do not wish to spoil anything about if for you, but I do want to say this... ...go see it, right now, and enjoy. If you love crime/mystery/drama films with that wonderful Film Noir feel to it, you will love this film. If that isn't your thing, then the performances of the three main actors are worth the price of a ticket in itself.
Finally I just want to say, that Insomnia proves once and for all that Christopher Nolan will indeed be a force to reckoned with in Hollywood. I've said it before, and I'll say it again... ...Christopher Nolan is well on his way to becoming the Hollywood legend which he proves he is capable of becoming.
क्या आपको पता है
- ट्रिवियाSir Christopher Nolan told TIME Magazine that he had to deal with leading actors with highly different approaches. Al Pacino insisted on meticulous preparation, serious talks about character motivation and lots of takes, Robin Williams preferred hardly any rehearsal, but many takes, and Hilary Swank wished to do just a few takes to stay completely focused. Nolan therefore let Pacino and Williams freely experiment and work things out together, in order to get attuned to each other.
- गूफ़After Will and Walter's conversation on the ferry, the officer who got shot in the leg earlier by Walter is shown walking normally at the police station. Later he's shown limping and using crutches.
- भाव
Ellie Burr: A good cop can't sleep because he's missing a piece of the puzzle. And a bad cop can't sleep because his conscience won't let him.
- कनेक्शनFeatured in Day for Night: The Making of 'Insomnia' (2002)
- साउंडट्रैकSparks
Written by Guy Berryman, Jon Buckland, Will Champion, Chris Martin
Performed by Coldplay
Courtesy of EMI Records Ltd.
Under license from EMI-Capitol Music Special Markets
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Insomnia?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $4,60,00,000(अनुमानित)
- US और कनाडा में सकल
- $6,73,55,513
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,09,30,169
- 26 मई 2002
- दुनिया भर में सकल
- $11,37,59,177
- चलने की अवधि
- 1 घं 58 मि(118 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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