Inugami

I recently watched the Japanese film 🇯🇵 Inugami (2001) on Shudder. The story follows a schoolteacher who relocates to a quiet town, starts a new class, and begins a romance with a local woman. His new love interest, however, comes from a family with a mysterious past-one he initially brushes off, until strange occurrences begin to unravel both around him and throughout the town. Soon, he starts to question whether the old rumors might actually be true...

Directed by Masato Harada (Gunhed), the film stars Yûki Amami (Countdown), Shiho Fujimura (Zatoichi's Cane Sword), Atsurô Watabe (The Flowers of War), and Makoto Togashi (Cure).

This is definitely a film that won't be for everyone. It's a slow burn, with an eerie atmosphere and unique story elements. The world is well built and immersive, but the pacing can drag, and there's a sense that more could-and should-be happening. On the plus side, the corpse effects are creative and the autopsy scenes are particularly imaginative. The setting, especially the family home, becomes increasingly sinister as the film progresses, and there are some genuinely unsettling moments as the mystery unfolds.

The conclusion ties the mythology and plot together in a satisfying way, though it would've been stronger with a more engaging buildup.

In conclusion, Inugami offers enough intrigue and atmosphere to keep you curious, but not quite enough action or momentum to stand out in the genre. I'd give it a 6/10 and recommend it only if you're in the mood for a moody, measured supernatural drama.

Many may find this slow going, but it is beautifully shot, and compellingly strange. This kind of folk myth is not often seen on the screen, and hardly ever in such a low-key, erotic style. And there is nothing so terrible about the soundtrack, except perhaps to opera snobs who can't bear to hear Verdi put to use in such an out-of-context way. Not a great film, but above-average for this genre. The Japanese countryside is gorgeous, the atmospherics are evocative, and the actors, particularly the women, are all first rate. Throw in some fascinating scenes of paper making, and on the other hand, some beautifully framed sex scenes, and this is certainly much more watchable than many of its American equivalents.

This is a drama-fantasy about two Bonomiya families in the computer age, shunned by villagers because of the legendary curse of the Inugami (wild dog deities), supposedly borne by the women. It focuses on gentle spinster Miki Bonomiya (Yuki Amami). Her mother Tomiè (Shiho Fujimura) quietly/firmly rules the 'lower home'. She and surly/Internet-wise brother Takanao (Kazuhiro Yamaji) are strong believers of the curse. Miki and her younger sister Rika (Myu Watase) refute the curse. Takanao's oft-battered wife Sonoko (Shion Machida) and their children are innocent bystanders. Seiji Doi (Eugene Harada), from the 'main home', firmly sides with Miki.

Dramatic changes occur after a new teacher Akira Nutahara (Atsuro Watabe) meets Miki. He is entranced by her skill in fine paper-making (for calligraphy) and her placid beauty. Miki becomes suddenly youthful and sensuous as they begin a passionate affair. Villagers begin to gossip about their affair. Then, tension mounts as tragedies in the village are blamed on the curse of Inugami and long-hidden secrets, involving Miki and Takanao, are slowly revealed. The culmination is the annual ancestral Shinto rites in which Takanao decides on Miki as the human sacrifice to appease the dog deities.

Yuki Amami played the male roles in the decades-famous all-women Takarazuka Revue.

I can't really make a fair comment on this film as I wasn't giving it my full attention, and I gave up on it halfway through.

I liked the way it looked, the mystery, and the exploration of Japanese traditions, history and equivalent of karma. These are all rolled in quite nicely with the horror, in this movie.

Though it seemed like it had a lot of threads, I followed the main ones very easily. There were some threads which I couldn't follow at all, and that's probably why I gave up on it.

Again, I wasn't giving it my full attention, and I'm not a particular fan of horror, so it may not be the film's fault.

A mini-festival spared me the bother of buying this, and gave the opportunity of seeing it on a large screen. "Inugami" opens with an aerial shot of a two-lane following the low winding juncture of two lushly forested mountains. It's the kind of landscape that inspires Hayao Miyazaki. At the end of the line, find a small, insular, modern-day village, on whose outskirts a not-old old-maid follows generations-old traditions making very fine paper.

Our out-of-town protagonist falls in love with the paper-maker. Small town tensions, based both in the present and in the past, simmer, boil, explode.

Not great, but worth seeing for the scenery and paper-making alone. Put's me in mind of Mitsuo Yanagimachi's 1985 "Himatsuri."