Vacuuming Completely Nude in Paradise
- टीवी फ़िल्म
- 2001
- 1 घं 16 मि
अपनी भाषा में प्लॉट जोड़ेंPete has recently got a new job as a vacuum cleaner salesman. His mentor is the veteran Tommy, whose methods are rather rude; his sole target is to be the best salesman in his team and to re... सभी पढ़ेंPete has recently got a new job as a vacuum cleaner salesman. His mentor is the veteran Tommy, whose methods are rather rude; his sole target is to be the best salesman in his team and to receive the "Golden Hoover". Their temperaments are quite different and the apprentice days ... सभी पढ़ेंPete has recently got a new job as a vacuum cleaner salesman. His mentor is the veteran Tommy, whose methods are rather rude; his sole target is to be the best salesman in his team and to receive the "Golden Hoover". Their temperaments are quite different and the apprentice days turn wilder and wilder.
- 1 BAFTA अवार्ड के लिए नामांकित
- कुल 1 नामांकन
- Sheila
- (as Katy Cavanagh)
फ़ीचर्ड समीक्षाएं
particularly involving Pete.
And, there are some wonderful insights into to what makes this salesman's
character tick. Timothy Spall is brilliant, and his supporting cast members,
including Michael Begley and James Cartwright, are well suited for their roles.
Worth a look for its current take on salesmen, selling and the end of an era. A dark "Death of a Salesman", or darker "Oh Lucky Man" so to speak.
While its style of jump cuts, close-ups and abrupt, energetic camera movement is jarring, this is a deliberate ploy on behalf of Boyle to unsettle the audience. We are drawn in to the hectic and aggressive lifestyle of the salesmen by the in-your-face action and dialogue. The combination of Boyle's exciting camera-work and Cartwright's intelligent, dark, witty script is, in my mind, perfect. There is an amazing amount of humour interspersed in the poverty, destitution and desperation of the backdrop.
But what really sets this drama apart is the amazing performance of Timothy Spall as the obsessive salesman. Despite playing an unadulterated b**tard, you can still see some humanity in his bullying and ruthless behaviour, and even feel pity at the person he has become. A lesser actor would surely have struggled to show the two sides to his character but Spall is utterly convincing and compelling in his intensity.
And if you like this, be sure to watch the other Boyle/Cartwright collaboration, 'Strumpet'.
Unfortunately, the entertainment value of the film lulled a bit during the middle and end, as the film's characters' circumstances changed and a darker tone was taken. This in itself isn't a bad thing in a movie, but I just found the final two-thirds of the movie didn't match the very funny and entertaining first third.
3 stars/5
In a way that makes it an amazingly brash affair in a good way; we see these guys in their car or Spall making a sale or just Begley at home freaking out when his girlfriend leaves him as if it's all candid or on the run. He shoots with several little cameras in a car or shoots with a dirty filter in a dance hall, and if one has seen Slumdog Millionaire or 28 Days Later you may notice a similar lucid insanity (if that makes sense) of style. In another way it can be distracting to the actual plot, or whatever of it there is, but he thankfully allows his actors to take over much of the control throughout.
While Begley, a British TV actor I've never seen before and may not see again, was very good in that fresh-faced "what-is-this-world" perspective (with a breathless freak-out after finding a dead body that is priceless), it's Timothy Spall's show. An actor who's been in plenty of Mike Leigh films and some big blockbusters like Harry Potter, Spall imbues his character with purpose and drive and a deliberate knack for getting people with him killed while driving, playing outrageously simply and funny motivation tapes with hardcore music and "Sell! Sell! F***ing Sell!" blasting away, and acting totally out of control but devilishly in control at the same time. It's remarkable work considering it's just a TV movie, but any moment he's on screen, especially those last moments that (un)intentionally echo La Strada, you can't look away for the better.
क्या आपको पता है
- गूफ़Near the beginning, the chap with the glass eye proudly announces "Look at me, I made it. And I've got a glass eye". Both eyes then swivel to look at Pete, then away, showing us that it is a contact lens.
- भाव
Pete: The lady downstairs has collapsed - in there! She's in there all... collapsed! And then, there was fire, and I'm puttin' it out. I kicked a door. Oh god, I didn't know! She's still lying there! She's in there, dead, dead I tell ya! Sheila's gone. Oh, Sheila left me. I was in the street, I went in there
[Pete points to the old lady's room]
Pete: , you came; I don't know what's happening. Say something.
Tommy Rag: Supercalifragilisticexpialidocious. Say it.
Pete: No!
Tommy Rag: Go on! Say it! Docious-ali-expi-fragilistic-ali-super! You're late! And you've got a partial picture of the 1966 England Wall Cop Squad on your forehead...
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Att dammsuga helnäck i paradiset
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
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