उपन्यास "श्रीमती" की कहानी। "डैलोवे" महिलाओं की तीन पीढ़ियों को प्रभावित करता है, जिनमें से सभी।उपन्यास "श्रीमती" की कहानी। "डैलोवे" महिलाओं की तीन पीढ़ियों को प्रभावित करता है, जिनमें से सभी।उपन्यास "श्रीमती" की कहानी। "डैलोवे" महिलाओं की तीन पीढ़ियों को प्रभावित करता है, जिनमें से सभी।
- 1 ऑस्कर जीते
- 43 जीत और कुल 126 नामांकन
Lyndsey Marshal
- Lottie Hope
- (as Lyndsay Marshal)
फ़ीचर्ड समीक्षाएं
Even if there is no apparent reason to the anguish. This movies tells us the different stories of three women living in different times but united by the same thread: the difficulty to harmonize the world that is within their heads with the world outside which is so much different from the former. The first one is a real character: the famous British novelist Virginia Woolf whose novels depict characters so much like the other two and who has ended up by committing suicide at the age of 58 by drowning herself in a river. There is one of her most famous novels, "Mrs. Dalloway" that is over present in the movie since the novelist is precisely writing it at the time and feeling greatly moved and even anguished by that creative work. Of the other two women who lived much later, one is reading the book and the other one is called Mrs. Dalloway by a friend who is a poet and dying of AIDS, probably because he thought that she was much like the character in the novel. Suicide is also present in the other stories in a dramatic way. The image sequences in the movie are constantly crossing themselves, telling the three stories simultaneously thus underlining the similitude of the episodes in the life of the three women and in their states of mind. To appreciate this movie you must be familiar with Virginia Woolf's peculiar sensitivity so well expressed in her novels and the characters she created. This is not a realist movie and rather a movie where just like in her novels the most important feature is the stream of consciousness within the women's minds sometimes shown in acts or words and sometimes by the silence or their face's expressions. The movie direction and the actresses' performance is rather successful in making us feel in tune with it all.
WARNING: This is an intensely depressing film and should not be seen by kids or the severely depressed. Additionally, if you just can't handle an unrelentingly dark and somber film, then you might want to look further.
"The Hours" is a very unusual film in that there completely separate but parallel stories that are interwoven throughout. While "Julie and Julia" did this with two, "The Hours" manages to do it with the lives of three women--three very, very, very depressed women who are suffering in silence.
I loved reading Claudio Carvalho's review. While short, it really summed up the film very well when "The Hours" was called 'A depressive and boring movie with outstanding cast'. I couldn't have said it any better. While there are three dynamite performances by three top actresses (one of which earned the Best Actress Oscar for this film), the film itself is all about depression and is a bit slow. Despite this, the writing IS good--and weaves together the disparate stories in a very unusual manner that is quite clever. So, it's a film I can respect but certainly didn't enjoy. After all, three ladies who have parallel stories who are fixated on suicide--this isn't exactly a comedy!! I see this film as one that is worth seeing for the performances and I can respect the way the film was constructed...but I just felt disconnected from the characters and didn't like the film. Well done but very inaccessible for most viewers--including me. If you are severely depressed, I sure DON'T recommend you watch it--it might just send you over the edge. Also, it's really NOT a film for kids...so think twice about having them watch it.
"The Hours" is a very unusual film in that there completely separate but parallel stories that are interwoven throughout. While "Julie and Julia" did this with two, "The Hours" manages to do it with the lives of three women--three very, very, very depressed women who are suffering in silence.
I loved reading Claudio Carvalho's review. While short, it really summed up the film very well when "The Hours" was called 'A depressive and boring movie with outstanding cast'. I couldn't have said it any better. While there are three dynamite performances by three top actresses (one of which earned the Best Actress Oscar for this film), the film itself is all about depression and is a bit slow. Despite this, the writing IS good--and weaves together the disparate stories in a very unusual manner that is quite clever. So, it's a film I can respect but certainly didn't enjoy. After all, three ladies who have parallel stories who are fixated on suicide--this isn't exactly a comedy!! I see this film as one that is worth seeing for the performances and I can respect the way the film was constructed...but I just felt disconnected from the characters and didn't like the film. Well done but very inaccessible for most viewers--including me. If you are severely depressed, I sure DON'T recommend you watch it--it might just send you over the edge. Also, it's really NOT a film for kids...so think twice about having them watch it.
"The Hours" is about time - time we have left to make our lives enjoyable or to spend it in misery. It features the lives of three women, which might explain why half the film-goers (the males) might not want to see it and why it was left out of Ebert and Roeper's Top 10 films. If that perception is true, that would be a shame. "The Hours" is a wonderfully crafted film about universal themes of life and death, suppression and freedom, and unresolved love. That it is told from the viewpoint of three women should not diminish any of its appeal. Virginia Woolf must combat her life long mental affliction even as husband Leonard tries to manage her condition. Using the novel, 'Mrs Dalloway', the film conveys the heartache of isolation and forlorn lives in two other women who are directly connected to the book. In 1951, we meet Laura and Dan who, with their young son, would seem an ideal family. But Laura yearns for freedom, much as Mrs. Dalloway, and she must choose between giving up her family or dying. Move to 2001, and there is yet another Mrs. Dalloway in Claire and her dogged responsibility toward her former lover, Richard, now dying of AIDS. The themes of liberation, lesbianism, and dying enthrall all three women, and one does die in order that those around her might value even more the living. You cannot find three better actresses to portray these very complex individuals, in Julianne Moore, Meryl Streep, and Nicole Kidman, any or all should be nominated for Oscars. An equally fine supporting cast of Ed Harris, John Reilly, Stephen Dillane, Claire Danes, and Allison Janey make "The Hours" one of the most interesting and intelligent melodramas to come along in a while.
When I asked him about this one, the young chap in the video rental shop said it was just about the best film on the shelves at the time. I had no idea about it whatsoever and just went with his recommendation. He wasn't wrong - it is impossible to fault at any level: Acting, dialogue, costumes, locations, soundtrack, scenery, settings or storyline.
Films like this don't come along too often - beautifully made in an almost understated way, it relates to no major event or cataclysm, it chronicles no turning-point in history and it poses no worrying conundrum for the future. It is simply a quietly-told story that will criss-cross between various points in time and take you deep into the characters' emotions and portray the effect that they have on their lives. When you have seen and come to understand the events that take place, by the time it concludes it will leave you feeling refreshed and perhaps a little better in touch with the emotions in your own life - just like good films should, but sadly, so rarely do...
Easily 9 out of 10 - If you watch this one, you will not regret the time spent.
Films like this don't come along too often - beautifully made in an almost understated way, it relates to no major event or cataclysm, it chronicles no turning-point in history and it poses no worrying conundrum for the future. It is simply a quietly-told story that will criss-cross between various points in time and take you deep into the characters' emotions and portray the effect that they have on their lives. When you have seen and come to understand the events that take place, by the time it concludes it will leave you feeling refreshed and perhaps a little better in touch with the emotions in your own life - just like good films should, but sadly, so rarely do...
Easily 9 out of 10 - If you watch this one, you will not regret the time spent.
I saw this film for the first time when I was fifteen and beginning to discover my own feminism.
Nicole Kidman plays Virginia Woolf writing her famous novel Mrs Dalloway, Julienne Moore is Laura Brown, a 1950 s housewife reading Mrs Dalloway and Meryl Streep is Clarissa Vaughan, a modern-day version of Mrs Dalloway. These three women, in their separate timelines, affect each other's day as they grapple with the threat of suicide (in one form or another) and the ghosts of their past.
One moment in particular that makes my heart ache every time I watch it is when Clarissa (Streep) is preparing the "crab thing" for a party for her writer friend Richard (who is battling AIDS). Streep has a wonderful way of using her body language to express more than words ever could. Clarissa stands over the sink and tries to hold back tears. In that moment, we know all that she has lost, all that she yearns for, all that she regrets all that she has laboured and all that she can never change.
In case you are wondering, I don t think it is necessary to read Mrs Dalloway or the novel The Hours before watching this movie. Although I strongly recommend an attempt on these masterpieces of literature, this film is a beauty on its own.
Stand outs: Despite being a male character in a female-centred film, Richard (Ed Harris) is a linchpin in this story. Harris manages to balance stubborn martyrdom and crippled pride. Toni Collette also delivers a powerhouse scene as Laura's neighbour Kitty. Overall, stellar performances from the entire cast.
Nicole Kidman plays Virginia Woolf writing her famous novel Mrs Dalloway, Julienne Moore is Laura Brown, a 1950 s housewife reading Mrs Dalloway and Meryl Streep is Clarissa Vaughan, a modern-day version of Mrs Dalloway. These three women, in their separate timelines, affect each other's day as they grapple with the threat of suicide (in one form or another) and the ghosts of their past.
One moment in particular that makes my heart ache every time I watch it is when Clarissa (Streep) is preparing the "crab thing" for a party for her writer friend Richard (who is battling AIDS). Streep has a wonderful way of using her body language to express more than words ever could. Clarissa stands over the sink and tries to hold back tears. In that moment, we know all that she has lost, all that she yearns for, all that she regrets all that she has laboured and all that she can never change.
In case you are wondering, I don t think it is necessary to read Mrs Dalloway or the novel The Hours before watching this movie. Although I strongly recommend an attempt on these masterpieces of literature, this film is a beauty on its own.
Stand outs: Despite being a male character in a female-centred film, Richard (Ed Harris) is a linchpin in this story. Harris manages to balance stubborn martyrdom and crippled pride. Toni Collette also delivers a powerhouse scene as Laura's neighbour Kitty. Overall, stellar performances from the entire cast.
क्या आपको पता है
- ट्रिविया"The Hours" was the original working title of Virginia Woolf's "Mrs. Dalloway".
- गूफ़In the Virginia Woolf segment, Leonard Woolf is shown setting type for their press, Hogarth Press. In fact, Leonard's hands shook so that he could not set type, and it was Virginia who did the typesetting. Virginia found setting type calming, and said that it shaped her feel for words on the page, influencing her approach to writing.
- भाव
Clarissa Vaughn: I remember one morning getting up at dawn, there was such a sense of possibility. You know, that feeling? And I remember thinking to myself: So, this is the beginning of happiness. This is where it starts. And of course there will always be more. It never occurred to me it wasn't the beginning. It *was* happiness. It was the moment. Right then.
- कनेक्शनFeatured in The 60th Annual Golden Globe Awards (2003)
- साउंडट्रैकBeim Schlafengehen
from "Four Last Songs"
Music by Richard Strauss
Text by Hermann Hesse
Performed by Jessye Norman, Soprano, Gewandhausorchester Leipzig (as Gewandhaus Orchestra,
Leipzig)
Kurt Masur, Conductor
Courtesy of Decca Music Group Limited
Under license from Universal Music Enterprises
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Hours?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Las horas
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $4,16,75,994
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $3,38,622
- 29 दिस॰ 2002
- दुनिया भर में सकल
- $10,88,46,217
- चलने की अवधि
- 1 घं 50 मि(110 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें