Tanguy

Tanguy Guetz is the single child of boomer parents (represented in a way far different from the buttoned-down standard model of US movies, but probably a whole lot closer to the American boomers who'll actually see the movie). At 28, Tanguy is staying home with his parents, and intends to go on staying home for a year or two, because he's extremely comfortable there, never has to pick up anything or handle any bills, and lives with the two people he loves most. The feeling of comfort is definitely not mutual.

But, as his parents mobilize for a get-out-of-here campaign, they meet the perfect stonewall. Tanguy is a major specialist of traditional Chinese thought, and he faces everything with an equanimity that a hundred-year-old sage would envy. The one-sided war escalates to the point where Tanguy sues his parents for bed and board, and wins. Eventually, he does fly off for a long stay in Beijing, and then, of course, the parents discover what it means to be the sandwich generation: Tanguy's grandmother breaks a hip.

The blows are softened by the fact that the Guetz are quite well off. Else the movie would cut too close to the bone to be the uproarious farce that it is. The main actors, Eric Berger (Tanguy) and Sabine Azéma (his mother) play their characters with contagious fun.

Enjoyable French comedy with funny scenario and inspiring cast. In a way, it reminds me Danny De Vito's "The war of the roses": how a simple idea (there, a case of divorce; here, dad and mom wanting to get rid of his 28 year old son) can be handled with such a black sense of humor, mixing fun and fierce satire at the same time. Unfortunately (and without giving much away), "Tanguy" resents a little from his length and refuses to go further on his almost surreal developed premise taking a kind and conformist turn in the end. Nevertheless, it's much more than entertainment: you'll be amused and will think about its subject after leaving the cinema.

Since I didn't enjoy "La vie est un long fleuve tranquille", I didn't expect too much from "Tanguy" when I went to the cinema. Surprisingly enough, the movie was good. I mean really good. Monsieur Chatiliez, the director of "La vie..." and "Tanguy", shows that french comedies can actually be a thousand times better than some modern American comedies. Because Tanguy has it all: this movie has a soul, charming and believable actors, a good script and well thought gags. The movie tells the story of Tanguy, a 28-year old guy who still lives with his parents. One day, his mother Edith can't take this situation any longer, and together with her husband she tries to get Tanguy out their home. It's easy to see that this storyline is a good basis for some great gags and funny situations; and the movie eventually succeeds. I left the cinema with satisfaction, because I saw one of the few intelligent - and most importantly funny - modern comedies. I recommend this gem to anyone who's tired of stupid and underwhelming American comedy-flicks like "Dumb and Dumber".

an ordinary problem of XXI century as subject of a nice French comedy. good actors, seductive situations, the fight to impose to your son to start be independent, out of the comfort of his childhood home. the only problem - Tanguy is too quite to be the bad guy and, in a society of Peter Pan syndrome, the ironic portrait of a nice boy- young man does him almost a hero. Tanguy uses same clichés of French cinema who, after decades, are the key of success. Sabine Azema and Andre Dussollier are victims of the same image of angry parents looking impose to the son the need of assume of real life.Eric Berger uses same traits of charming young man who has his person, too precise vision about existence, mixture of passion for exotic domain and sentimental affairs. so, nothing surprising.

This film is hilarious--I saw it just today in Germany (in French with German subtitles). The first part goes into broad comedy, with the parents scheming to find ways to get their son to leave the nest. This film is just as much about the parents--even more--than the son.

i noticed that someone else commented about the Asian aspects of the film. At first, it really doesn't make sense, except to show Tanguy's fascination with the country, and almost as a goal (for the parents)--have him go to Peking as soon as possible. By the end, it's wonderful because there is a subtle comparison (that the audience must make) about the family situation. That is--the Chinese filial responsibility, love, and respect--and yes, there were three generations living under one roof. And in the Guetz household--all three generations have, at one point or another, lived under the same roof. That's just one way of looking at it. If you see it and go in with that idea of comparing cultural aspects of families, then maybe that would make better sense.