Tanguy

'Tanguy' is a nice French comedy, although it does not start that funny. It tells about a 28-year old guy named Tanguy (Eric Berger) who still lives with his parents. At first everything seems normal, but we slowly learn that especially his mother Edith (Sabine Azéma) wants him out of there. His father Paul (André Dussloier) basically wants the same thing, but at any cost. Tanguy himself has not a clue. Here the movie becomes funnier. The parents decide to make their house a terrible place for Tanguy; he must get annoyed of the place. Things do not work out as planned and slowly Paul becomes more and more upset with his son, especially after Tanguy has tried living on his own for a couple of days.

The story becomes darker and therefore funnier. Tanguy seems a lovable person at first but slowly we come to understand the parents. His mother is truly a nice person, but too nice when Tanguy is around. Instead of being honest with him she constantly makes sure Tanguy does not want to move away. When the father starts losing it the best parts of 'Tanguy' arrive. It is too bad that the movie is already playing for an hour and a half; this is where conclusions should have been made.

Another complaint I have is the save turn the movie takes near the end. Since both parents really started hating their son, certain other events help you understand why, you wish the screenplay kept following that path. The happy ending could have been the parents being really happy, butt the turn here is even saver. Not that it's really a big deal, I enjoyed everything that leads up to the ending. Not great, but certainly entertaining.

Enjoyable French comedy with funny scenario and inspiring cast. In a way, it reminds me Danny De Vito's "The war of the roses": how a simple idea (there, a case of divorce; here, dad and mom wanting to get rid of his 28 year old son) can be handled with such a black sense of humor, mixing fun and fierce satire at the same time. Unfortunately (and without giving much away), "Tanguy" resents a little from his length and refuses to go further on his almost surreal developed premise taking a kind and conformist turn in the end. Nevertheless, it's much more than entertainment: you'll be amused and will think about its subject after leaving the cinema.

I did not find the story unrealistic as other users have commented. Actually I know quite a few guys and girls -of different nationalities- that live or have lived with their parents not because they could not afford to live on their own but also because it is... convenient.

It is not difficult to understand why someone would still prefer to live with his parents under these circumstances - he lives as he would in an expensive and comfortable hotel (minus the bill!). Everything is taken care of by somebody else (cleaning up after him in the bathroom, laundry & ironing, bills, shopping, preparing dinner etc), he does not have to buy a car since he can use his parents' cars, he does not have to spend his money on everyday's life necessities and he can concentrate without a single worry in his mind on whatever pleases him (e.g. being an eternal student and having a different girl every night in his bed). In a few words : he's just spoiled. You can see when he tries to live on his own that he does not even make an effort, and immediately pre-judges that he could not possibly make it on his own. He does not want to live on his own and lose all the comforts he currently enjoys.

Plausibility of the story apart, I've seen the movie three times and each time I found it equally laugh-out-loud funny - a very successful combination of well-written dialogues and very good performances by the three lead actors (especially Sabine Azema and Andre Dussolier who are playing the two parents).

This film is hilarious--I saw it just today in Germany (in French with German subtitles). The first part goes into broad comedy, with the parents scheming to find ways to get their son to leave the nest. This film is just as much about the parents--even more--than the son.

i noticed that someone else commented about the Asian aspects of the film. At first, it really doesn't make sense, except to show Tanguy's fascination with the country, and almost as a goal (for the parents)--have him go to Peking as soon as possible. By the end, it's wonderful because there is a subtle comparison (that the audience must make) about the family situation. That is--the Chinese filial responsibility, love, and respect--and yes, there were three generations living under one roof. And in the Guetz household--all three generations have, at one point or another, lived under the same roof. That's just one way of looking at it. If you see it and go in with that idea of comparing cultural aspects of families, then maybe that would make better sense.

Tanguy Guetz is the single child of boomer parents (represented in a way far different from the buttoned-down standard model of US movies, but probably a whole lot closer to the American boomers who'll actually see the movie). At 28, Tanguy is staying home with his parents, and intends to go on staying home for a year or two, because he's extremely comfortable there, never has to pick up anything or handle any bills, and lives with the two people he loves most. The feeling of comfort is definitely not mutual.

But, as his parents mobilize for a get-out-of-here campaign, they meet the perfect stonewall. Tanguy is a major specialist of traditional Chinese thought, and he faces everything with an equanimity that a hundred-year-old sage would envy. The one-sided war escalates to the point where Tanguy sues his parents for bed and board, and wins. Eventually, he does fly off for a long stay in Beijing, and then, of course, the parents discover what it means to be the sandwich generation: Tanguy's grandmother breaks a hip.

The blows are softened by the fact that the Guetz are quite well off. Else the movie would cut too close to the bone to be the uproarious farce that it is. The main actors, Eric Berger (Tanguy) and Sabine Azéma (his mother) play their characters with contagious fun.