Bangkok Dangerous

I Really enjoyed this one. The imagery is beautiful and imaginative, excellent editing and vibrant colors.

The cast was good, especially the guy playing Kong, the deaf assassin, he did a fantastic job, showing a full range of emotion without uttering a word. I really felt for the guy. In fact, I completely fail to see how the characters are flat and undeveloped like someone said. True, we don't get their life story, but i found my self really caring for them, they felt sort of real even though you didn't get to know that much about them.

That, and the girl playing Kong's love interest is so cute it'll make your eyes hurt...

About the action. Some people complain about this not being up to par with John Woo's action choreography, but who said an action flick, just because it's from Asia should have to be about making every shoot-out look like the Swan Lake? This is grittier, more unrehearsed, it's not about looking good firing that gun (even though I'm a big fan of that too).I thought that there was some really smart stuff, where brains won over brawn, watch out for the scene with laser sights at the end. I went "ahhh - Clever!"

This is not a perfect movie, it has flaws. I felt the ending to be a bit formulaic, and the whole "violence begets more violence" concept surely is nothing new plotwise, but still, it's not dumb and full of holes like so many other action movies. And it's sooo pretty to watch...

This movie is like "Ghost Dog: The Way of the Samurai", in that they are both films where the anti-heroes are vicious professional killers, molded by the circumstances of their youth, both awakened to the possibility of love. But I liked Bangkok Dangerous much more, in that the grit seemed less contrived.

The reference to Charlie Chaplin is significant. In Thailand, Chaplin is revered even more than the French worship Jerry Lewis. To the Thai people, "The Little Tramp's" struggle against the domineering authority figures of his world is something that the average Thai relates to deeply. In Bangkok Dangerous, Kong, the killer, is a little guy buffetted by forces he doesn't fully understand -- but ultimately ones he fights back against.

Don't be too critical when watching this. Just settle back and enjoy it; and you will indeed.

From the first shot, I could tell that I have something in common with the directors. We're all very big Wong Kar Wai fans. Don't get me wrong, it's not just a big Wong Kar Wai imitation. There's some John Woo and Ringo Lam mixed in there too. The main problem is that the story and the characters aren't strong enough to carry the slow-moving method that they borrowed from Wong Kar Wai. Still, the intense violence works surprisingly well with that familiar quirky visual style, and some moments are really quite impressive. The Pangs should try this combination on a more fast-paced script, it might amount to a decent action movie.

Bangkok Dangerous is the story of a lonely mute who becomes a hit-man, partly to avenge himself upon the world that has alienated him. Only when he finds happiness does he realize the full horror of his life.

The film boasts some great performances, particularly by Pawalit Mongkolpisit as Kong, the main protagonist. His face is beautiful yet impassive, and his large eyes convey all the strangled emotions of a person unable to communicate with those around him.

There are many excellent moments to savour in this film, but the contrived way in which Kong's partner is forced out of retirement is ridiculous. However, despite the generic plot - which at times has a square-peg-round-hole forced feel to it - and the thoroughly predictable narrative progression, the film is actually pretty rewarding. It has a tender humanism at the centre, which gives the film real depth, and there are many moments worth savouring.

Score 7/10 (6 is too low, but 7's maybe a little too high)

"Bangkok Dangerous" reworks many familiar themes - doublecrossed hit-man in love - in a mishmash of imitation John Woo and Takashi Miike, this time in Thailand. All that's missing are the white birds flapping around. Woo and Miike need not worry. The film school cinematography is highly irritating and the first half is slow and filled with labored flashbacks. The second half, however, succeeds in building suspense and interest, thanks to the affecting performance of the guy who plays the deaf and dumb hit-man. There is a scene towards the end that is remarkably original and powerful - you'll know it when you see it. Uneven but worth seeing, if only for the novelty factor - how many Thai films have you seen?