अपनी भाषा में प्लॉट जोड़ेंTrise Clarke, a loving but deluded single mother, unwittingly propels her 18-year-old son, John Paul,into a career as a male escort.Trise Clarke, a loving but deluded single mother, unwittingly propels her 18-year-old son, John Paul,into a career as a male escort.Trise Clarke, a loving but deluded single mother, unwittingly propels her 18-year-old son, John Paul,into a career as a male escort.
- पुरस्कार
- 5 जीत और कुल 1 नामांकन
फ़ोटो
फ़ीचर्ड समीक्षाएं
I was lucky enough to see this film at a festival last year and had half expected it to get a release. The fact that it was shot on a digital camcorder has surely inhibited its success, but as i understand it was never the intention of the film maker to make it LOOK LIKE FILM in the first place, it was more about the story the characters and their relationships. Is that not what films are supposed to be about!? But it did have a quality in the texture of its visual appearance that suggests May Thomas is onto something we should pay attention to. For independent film makers and producers alike who have a the talent and lacking the money and drive, a lot can be learned from watching this film, technically it has everything going for it, the use of light, music etc by far outweigh that of any other digital feature film i have ever seen and therefore it is worthy of much praise. The actors performances are believable to a point, if not slightly under played, i felt there was much more in there, more depth, in particular from the male lead John Paul Clarke. But one thing that really does bother me, as a film maker myself, is the film being in black and white a need to cover up a multitude of sins than if it was colour? Do we have more to learn in the progression of digital technology? Or is this the future of wonderful, affordable film making?
Hard up, No proper jobs going down at the pit, why not rent your kids! DIY pimp story without the gratuitous sex scenes, either hard core or soft core, therefore reads like a public information film from the fifties, give this a wide miss, use a barge pole if you can.
I saw One Life Stand when it premiered at the 2000 Edinburgh International Film Festival and was blown away by it. Made on a micro budget, this black and white digital movie is very much a European film and succeeds brilliantly in spite of the limitations of DV. The film works because it's in the indie tradition - dealing with complex issues, yet moving and relieved by touches of understated humour. One Life Stand avoids falling into the trap of other UK realist films, with ordinary working people portrayed as either hopeless victims or comedic stereotypes. The performances are strong, particularly Maureen Carr as the mother, Trise. I understand the film has recently been released on DVD and I would definitely recommend it. The rating on this site is misleading, which is why I gave it a high score because the filmmaker, May Miles Thomas obviously put her heart and soul into it and deserves better than 2.8 for her amazing achievement.
This ultra-low budget kitchen-sink yawn is the kind of film that can only be made in the UK in that, anywhere else in the world the fact the a market would need to exist before a green-light would be given. Most probably self funded this is clearly an attempt to redress important issues but ultimately undermines its point of existence in that the question needs to be begged, who would ever put money into distributing this and secondly if a market audience doesn't exist to watch, buy or rent this film, why would anyone bother in the first place? My opinions may sound unfairly harsh on a first time director but, this is the kind of film that only goes to undermine the commercial viability and quality standards which have only just kept a British film industry in existence. Reviewed in Edinburgh. 2 out of 10.
I accept that this film is a grim portrayal of a tough family life, but sometimes family life is tough and the film, by portraying such a hard life, is good for that purpose. Anyway, there are moments of humour that lift the film from being simply a dark "grim up north" piece. It is a shame to write the film off just because its subject matter is fairly dark. The film is well put together and John Kielty for example is a young actor at the outset of his film career at the time. It may not be a blockbuster, but for a young Scottish actor it was the perfect entry into film. (I'm speaking here from my own point of view, and not necessarily representing John's own feelings or those of the rest of the cast). If you have the chance then go and see this film. You won't necessarily be blown away, but you might have your eyes opened to how tough life sometimes is.
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