Up Against Amanda

This movie was released by Roger Corman, so you know that the filmmakers didn't have much money to work with.

Although, some viewers may miss the subtleties in this movie because of the very typical "obsessed killer" type marketing approach, there are unique differences about this movie.

AMANDA, as played by the obviously talented Justine Priestley, is a complex character. Some people like these movies precisely because the violence can seem random, but here the ramifications of past abuse (dealt with in a realistic but tasteful manner) are what shape the psychosis of AMANDA. Surprisingly, Amanda redeems herself at the end with an act of love, where most of these movies turn into the typical, all out fight to the death and the evil character dies just as evil in the end as to begin with.

Some rough edges in this picture, but I have to give it 7 out of 10 stars based on its thoughtfulness and yes, originality as compared to the usual -- especially on a budget.

Edge of your seat...hold on ! Smart, sexy and compelling. Fabulous performance from Justine Priestley as Amanda. Prepare to be hypnotized by her. Sex oozes from her like molten lava. She grips you immediately...very tightly, and never let's go until the finish. She is so likeable and drop dead gorgeous ....you'll never take your eyes off her throughout. What a babe!!! You'll want her in every scene and then some. She twists you hard, leaving you feeling good about her evil exploits. Sweet, sinister and boldly intoxicating. Absolutely positively leaves you wanting more and more !Watch it twice!!

Up Against Amanda is your typical "Hell hath no fury like a woman scorned" movie. Amanda (Justine Priestley) was an abused child by her sexually deviant step-father. Eventually, she ended up institutionalized, where she ended up being abused by a sexually deviant doctor. The doctor, named Dr. Arnold (John Alan Richards), arranged to have Amanda released in exchange for a few "favors", which would continue forever. Amanda is forced to get the evil doctor out of the way in order to have an ordinary life. She falls for her neighbor, Richard (David DeWitt), who is having problems due to his wife touring on the road with no end in site.

Amanda continues to work on seducing Richard, knowing he is having problems and preys on his weaknesses. After getting him drunk, she turns it up a notch in the hot tub and finally gets Richard to give in, which was not a good move on his part. He finds that this was not a normal one-night-stand, as Amanda was willing to exploit it and him to get what she wanted, which was to take him away from his wife, Laurie (Karen Grosso).

Justine Priestley reminds me of Jaime Pressley in a way. She was beautiful, stunning at times, but her acting was a little off when she had to do the crazy bit. She had a hint of humor during her first few murders but lacked something overall. She was not all that bad, just not great. I would not hesitate to watch something she stars in again.

David DeWitt played Richard Pierce all right, but he seemed like a bit of a wimp. I did not buy the fact that he was this semi-macho guy and he runs like a girl from Amanda, especially without really knowing what she was truly capable of.

This movie was pretty much in the middle of the road. Definitely something for a rainy day or when you are bored out of your mind. Don't expect anything new and hopefully, you will not figure out where the movie is going to end up after the first 5 minutes or so. 5/10

The quality of this movie sort of sucked, but Justine's performance was to die for. She played an excellent psycho seductress

As one other IMDB reviewer has remarked, this movie starts a bit slow, but gets considerably better as it goes along. Yes, it is released by Roger Corman, and yes, it goes over some of the same thematic ground as much higher budget predecessors such as FATAL ATTRACTION and POISON IVY. However, the juxtapositioning of the wife's career as a rising blues singer against the husband's gathering loneliness and his almost Freudian need for filling the emotional and physical "void" or "hole" while she's away along with the clever use of minimal effects and settings is nicely done. Utilizing a very small number of locations and characters, and also using water in almost every scene both as a cleansing and drowning metaphorical symbol throughout, this movie, though clearly suffering from a minuscule budget, reminds me in many ways of the more fully realized and more recent scenario, namely the French film "SWIMMING POOL" which it seems to me at least may have borrowed liberally some useful ideas from "UP AGAINST AMANDA." With a smaller tool set, UP AGAINST AMANDA maintains its suspense with a rudimentary, fatalistic view of surrendering to ones occasional lustful temptations, but accomplishes this as well or better as other films in this genre. The twist of the stepfather abuse of Amanda in the past (again, very Freudian) is also very unique in this genre and interesting. I agree with other viewers about the unexpected and sympathetic reaction for Amanda's plight this aspect of the story elicits. The cast is excellent I think.