Putting It Together

Putting It Together has a wonderful cast of singer/actors. It is a funny piece of work that is fun to watch and very enjoyable. Now I can't just give applause to Carol Burnett for her performance, but to the rest of the actors:John Barrowman(The Fix, Sunset Boulevard, Miss Saigon), George Hearn, Ruthie Henshall(TAC Les Miserables, Hey, Mr. Producer!, She Loves Me, Chicago), and Bronson Pinchot(The Langoliers). All these actors make a wonderful performance. They hold their act together until...(well I won't give it away to those who've not seen it). All of these actors have great voices. This performance is undescribable. It is absolutely wonderful to watch. I recommend this to those who enjoy theatre or Stephen Sondheim. EponineFantine.

"Putting In Together" ,a tribute to the music and lyrics of the great Broadway writer Stephen Sondheim is so good,yet it only scratches the surface of his vast work. With the outstanding cast assembled for this review one wishes it could go on forever! It can't,but what we have are some wonderful actor/singers interpreting some of Sondheim's most brilliant songs.With a cast that includes Broadway Legend George Hearn, Comedianne Extrordaniare Carol Burnett and London's First Lady of The Musical Stage Ruthie Henshall you can miss. Hearn is dynamic and engaging,particularly in "Hello Little Girl","The Road You Didn't Take" and "Country house" (the latter sung and acted with Burnett). Burnett herself scores comedic high marks with "Could I Leave You" and "Ladies Who Lunch",in both of the songs she bring a unique blend of humor and pathos. The lovely,talented and sexy Ruthie Henshall sets the stage afire with "Sooner or Later" and her highly charged dance in the "Bang!" number. Bronson Pinchot and John Barrowman add their talented support as well. Sonheim's music works on so many levels..its introspective,touching,emotional and fun. This review is a great way to relive his work if you are a fan, or to get familiar with it if you are a newcomer. With a cast this good you can't go wrong!

Based on the 1998 Los Angeles production, this show ran for over 100 performances on Broadway.

Primarily a love-fest for Sondheim fans, this review was a big hit. From the authoritative baritone of George Hearn to the camp antics of Bronson Pinchot it's great fun.

There are many somewhat unusual numbers included amongst the justly famous ones. The opening number (Invocations and Instructions to the audience) comes from The Frogs, four of the five songs in the film 'Dick Tracy' are included, and a couple of numbers cut from 'A Little Night Music' are also present. Sondheim addicts will doubtless get great enjoyment from identifying what comes from where, so I won't go on. (It took me a while to get them all - my DVD does not have a listing!)

Carol Burnett is hilarious in 'Getting Married Today' and dramatically convincing in 'The Ladies who Lunch'. John Barrowman's stunning looks and equally stunning voice is put to good use in such numbers as 'Bang' – a duet with the glorious Ruthie Henshall – and 'Marry Me a Little'. Bronson Pinchot is a narrative link between scenes, and has his own moment of glory in 'Buddy's Blues', one of those tongue twisting numbers Sondheim revels in, executed with great panache.

The binding force in all this is, of course, George Hearn. Whether in solos, duets or just on stage listening (for example to Carol Burnett in 'Could I Leave You?' ) his presence is commanding and supportive.

There is not one part of this show that is less than totally enjoyable. All the extremely talented artists are having fun, and so are the audience. Join in.

This is the best filmed performance of a Broadway show that I've seen since Victor/Victoria. The music is fantastic, the story is what it needs to be, the performances are remarkable. Of course, I've always been a fan of John Barrowman, I think he was probably the best performer on the stage, with the exception, of course, to the great Carol Burnett. This was her show, even with Barrowman, Henshall, and Hearn, she made this her own. She is funny, but at the same time, I think a lot of people might be surprised at her incredible ability to truly act. The seriousness she provides in some of her songs is absolutely stunning and heart wrenching. My favorite song in the show was "Unworthy of your Love" I was very happy that they added that song to the show. However, I must say that I was a little disappointed in the changes in plot and songs. The original, with Julie Andrews, had a really great plot point where all of the guests at the cocktail party play games, and through the games, they are able to sing the songs connecting with the answers they gave to certain questions, and there were so many good songs that came out of it, among them, Love Takes Time, A Little Priest, The Gun Song, The Miller's Son, Sorry-Grateful, Remember, Impossible, and so many others that were switched out for other, not quite as good songs such as Ladies Who Lunch, More, It's Hot in Here, The Road You Didn't Take, There's Always a Woman, Buddy's Blues, and Good Thing Going. Still, great performances that will change your life.

This show is my favourite DVD - I've had to buy a new one to replace the old one which I pretty much wore out. There are 2 reasons this is the best: 1) Stephen Sondheim. The best musical theatre writer in history. His music is original, unexpected and really beautiful. But his lyrics are what set him apart from the others. One of the other comments mentions that his lyrics are "inane". Sorry that's just wrong. How can the following quotes, all from Sondheim musicals, be described as inane?: "Slow, love, slow! Time's so fast. Now goes quickly, see, now it's past. Soon will come, soon will last. Wait!"; "The history of the world, my sweet, is who gets eaten and who gets to eat. How gratifying for once to know that those above will serve those down below." (from Sweeney Todd). "There's another national anthem, and I think it just began, at the ballpark. Listen hard!... There's another national anthem, folks, for those who never win, for the suckers, for the pikers, for the ones who might have been." (from Assassins). 2) Ruthie Henshall. I have never quite understood why she hasn't made the big impact in other media that she has on the London stage. Over here she is the First Lady of musical theatre, and something of an iconic national treasure. I've had the pleasure of seeing her on stage in 'Chicago', and without doubt she is the most fully-rounded performer I've ever had a chance to watch. She has a voice that one reviewer described as "turning through all the colours of the rainbow", she trained as a dancer and has a grace and litheness that is all her own, and she is a rare commodity in the musical business as a woman who can actually act. All I can say is, if a young and not-that-well-known actress from England can steal a show from under the nose of one of the most successful American comediennes in showbiz history (Carol Burnett), she's got something. For these two very important reasons, this show is superlative.