Fah talai jone

Now where on earth did this movie come from? Why was there no warning? Shouldn't we have seen it coming somehow? Like PISTOL OPERA, TEARS OF THE BLACK TIGER boldly paints itself across the screen in bold bright colours as if to say to the rest of the movie making world "Are you so fresh out of ideas already?". Unlike PO though, TOTBT is not just utterly removed from filmic convention - it's just in utterly the wrong time and place.

The movie is basically a 1950's Hollywood Western/Melodrama... made in 21st Century Thailand (and with tongue firmly in cheek). The clothes, the hairstyles, the sets, the camerawork, the soundtrack, the acting, the script... all spot on for 50's America. The movie has even been bizarrely colourised in a way reminiscent of very early colour film stock, but obviously done digitally and deliberately, with an eye to the exact shifting of colours that best suits each shot. Hues are shifted to colours the world is not meant to be, and saturation is selectively ramped up to 1000 to create lurid pinks and shocking yellows and an absolutely unique look to the film. It looks weird, but fantastic.

TEARS OF THE BLACK TIGER has two major advantages over PISTOL OPERA. Firstly, they remembered to include a story. And it's a really good one... a melodrama in the finest tradition, featuring love and loss and friendship and rivalry and hatred and sorrow and jealousy and heroism and good and evil and all the finest things in life. The script is very well thought out, full of lots of details that are woven together in a way that keeps you on your toes.

The mood is definitely spoof, and absolutely pitch perfect. I haven't laughed out loud so much since SHAOLIN SOCCER, yet secretly really caring about what was going to happen to the characters. Acting is as over the top as the soundtrack, in permanent crescendo, delivered with a straight face and sincerity that would make the most melancholy of viewers at least giggle a bit.

I enjoyed this movie so much - so utterly out of nowhere, inexplicable, funny, sweet, moving,... where did these ideas come from? It all fits together and makes so much sense you think perhaps the idea was obvious all along, but I'm pretty sure that it was in exactly one persons head ever before he put it on film. And then there are few curveballs that are *definitely* ideas of an insane but brilliant mind .

Very highly recommended!

Version: Thai audio, English subtitles (by SBS)

There's something quite awesome about a movie that's advertised as a musical western that turns out to be a musical western in which the cowboys carry rocket launchers and wear very colourful shirts. Awesome.

In the rather colourful countryside of the rather colourful modern Thailand, a gang of horse-riding, machine-gun toting, Thai cowboys led the by the colourfully villainous Fai (Sombat Metanee). Dum (Chartchai Ngamsan), also known as the Black Tiger, is a member of Fai's gang, and obviously the fastest shot in all the (colourful) land. Dum is competing with fellow gangster Mahesuan the police captain Kumjorn for the affections of Rumpoey (Stella Malucchi), so naturally this leads to shootouts, exploding brains, and lots of evil laughs. How awesome.

'Tears of the Black Tiger' seems to be a combination of elements from 'Once Upon a Time in the West' and the 'The Quick and the Dead', only with a lot more comedy and melodrama. And colour. At times it may resemble 'Once Upon a Time in the the West', and then go into Sam Raimi mode during an action sequence, and then go into long scenes developing the melodramatic and colourful love story. Have I mentioned the colour yet? This one colourful movie, and will often induce a visual overload of pinkness. Is that even a word?

'Tears of the Black Tiger' can go from melodramatic romance scenes, to the cheap violence that you might expect from Sam Raim or an early Peter Jackson movie (read: 'exploding heads') very quickly. I'm pretty sure this film could set a record in that department. Its a funny movie, and the action scenes are generally very exciting. I'm also convinced that the creators of this film took on a bet to discover just how much of the colour pink can be displayed in one movie. I never knew pink-shirted cowboys could be so tough.

'Tears of the Black Tiger' is generally entertaining. I thought it was a little long, but I think most people should enjoy this - 8/10

I've borrowed this DVD from the library twice before, but never had the chance to watch it, until now. The appeal is actually to see some of Thai director Wisit Sasanatieng's past works, before his up and coming made-in-Singapore flick called Armful. And I've heard some good things about this movie too.

The story combines two different genres into one, the first being a cowboy western, (set in Thailand no less!) and the usual star-crossed lover romance. Perhaps the novelty of the first genre type is having Thai folks dress up as cowboys, riding on their steed and somehow, becoming the villains as they plunder and kill. Yup, they're not the good guys, against the usual stereotype. Here, the cowboys are bandits, and the good folks are naturally, the cops.

But amongst all the bad hats (pardon the pun), there's always the hero who's forced by circumstances to join the group. Dum (Chartchai Ngamsan), also known as the notorious Black Tiger, renowned fastest and deadliest draw in all of Thailand, has a childhood sweetheart in Rumpoey (Sttella Malucchi). However, their difference in status (he's the son of a servant, while she, the daughter of the governor) meant that it's a forbidden romance to begin with. Knowing his place in her world, he could only admire from afar, becoming her protector, shielding her from harm (like numerous approaches by lechers and bandits).

A man gotta do what a man gotta do, and during one of his missions, he failed to meet up with Rumpoey presumably to elope, while she took it as a sign that he didn't want to. Like Romeo and Juliet, she's betrothed to Kumjorn (Arawat Ruangyuth), a police captain captured by Dum's notorious gangster boss Fai (Sombat Metanee). And like all star crossed lovers whose lives are played by Fate, these events start to spin and take on a life of its own, changing the course of our characters lives forever.

It's a beautifully shot movie, with plenty of pastel colours draping the sets, which at times make you cringe and beg for it to stop. As if to complement its saccharine sweet and sentimental love story, it elevates the movie to a surreal dream like level. The action sequences can be quite cheesy, with the reminiscence of old spaghetti cowboy western gun fights. But the best bits about the film, are the songs. I don't understand Thai, but even if without the subtitles interpreting the lyrics, I thought that they were beautiful enough to accentuate scenes in the movie.

Perhaps my only gripe about the movie in this version of the DVD, is that the bloody violence had been censored, depriving me the bloody glee of watching the Black Tiger dispatch his opponents with his accuracy. There were scenes where footsoldiers bled by the bucketloads of ketchup, but the crucial one-on-ones were totally censored, and you wouldn't know the nitty gritty details of the death. Truly marred my enjoyment of the movie. What gives?

Code 3 DVD contains some extras, like Extracts from the Book - Black Tiger's Philosophy and Rumpoey's Guilt, explaining a bit more about the lead characters, Insights into the Film Aesthetic takes a look at the Sala Raw Nang, or "Awaiting the Maiden", the quintessential Thai shelter, and how Rattana Pestonji (indie Thai filmmaker) had influenced the set design, especially the colours. The extras is topped off with a one static screen Director's Inspiration, and the list of awards which this film has won.

Harvey Weinstein famously used to buy up foreign films and then would refuse to distribute them to American theaters, thus reducing competition in the arthouses for the films he actually decided to release. Tears of the Black Tiger was one of those films. Now Magnolia Films got it away from him and has it available. It's a Thai Western, with some of the weirdest and wildest production design to be seen. Unfortunately, it doesn't live up to that amazing trailer that played the art-house circuit back in January. While it certainly is a lot of fun in parts, the pacing is poor and the story gets so bogged down in romantic melodrama that at times it's downright boring. Still, those fun parts make it worth sitting through. When the Sergio Leone-esquire violence begins, it's always entertaining. And it has a couple of the best movie deaths ever.

Having been in love since a young age, Dum and Rumpoey are destined to be together and arrange to meet and marry. However Dum (aka The Black Tiger) is held up in a large gunfight and misses her. Tragically her father has her married off to a police chief while Dum remains with his gang, run by boss Fai and including his own blood brother Mahesuan. Dum hopes to still find his true love but suspicion from Tai leads to betrayal by Mahesuan and Dum finds fate stacked against him as he tries to reunite with Rumpoey and keep his word of years ago.

Recently I watched Sin City and one of my criticism of that film was that it seem to be a lot of visual style without a great deal of substance and, although I liked this film more, I could not shake the feeling that the style and homage elements were more important to the director than the story and the characters. With Sin City the homage was noir, with this film it was the Thai films of twenty years ago and a form of hyper-homage to westerns in general. In regards the former we have hammy acting, bright colours and imaginative backdrops. These all work and even viewers unfamiliar with the style of the genre will take something from it because it is still recognisable (to a lesser extent) in more modern Bollywood films (and some Thai movies!). In regards a western, the hyper-violent style will certainly appeal to modern audiences with its comic presentation and bloody set pieces.

However, as I said, my problem with this film is more that the substance is not quite all it could be. Although the film has some beautifully observed moments, the characters and their emotions are not as well developed as they could have been and I didn't find myself as emotionally involved in the people as I was in the style. The acting is pretty wooden but I think that is deliberate. Specifically Kitsuwon's makeup, facial expressions and hammy laugh all hark back to a different period of making films (like I said – it can still be seen in some Bollywood films) and it is matched by the performances from Ngamsan, Malucchi and Metanee. They are enjoyable in terms of continuing the tone and style set by the director.

Overall this is an interesting and engaging film, mostly thanks to the homages, visual style and real experience of watching a rather unique film. The substance in regards characters and stories is not all it could have been but the plot is still good enough to keep you interesting. A strange mix of styles and genres it may be but it works well and is worth trying to find despite the inherent weaknesses.