The Majestic

I finally got to see this film tonight, long after its release, and as a big Jim Carrey fan, I was tremendously impressed with - and gratified by - his performance. I love him as a comic, there's no question he's a genius in that department, but I'm always pleased to see him do something 'real' - something where he displays genuine emotion, honest feeling, and in The Majestic, he does this brilliantly. Sure, the film is too long, too 'corny' in spots, blah blah blah, but ultimately the sheer force of Carrey's talent (and his deep commitment to the material) makes it work. Kudos as well to the great Martin Landau, who turns in yet another rich performance, giving his scenes with Carrey true poignancy.

There are a few distinct, primary issues with this film.

The first thing is its attempt to create a sort of modern day fairy tale with an atmosphere bound in high emotion, drama and something of an epic frame, the film being so long over 2hours30min, and quite eventful. The story and chief concept were very interesting, and there is a lot of philosophy and idea in them, but the film never quite takes advantage of the platform it makes for itself and the emotional intensity feels rather constructed than genuine. Towards the end especially, it's just pushed down our throats too much and doesn't feel natural, or credible, and the most essential quality of emotion in cinema is credibility.

Another thing about it is its over-the-top political/philosophical message, the whole bit about the legal system; that element seems overdone too, a bit of a sidetrack to the plot, and not necessarily inevitable.

There's a taste of unfinished business, mismanaged tension, misused potential for emotion, and good plot elements that do not resolve into the anticipated climax. But it's a fine story, a fairly pleasant film to watch with good values, a certain essential candor, it is quite well played out considering the difficult premise, and then there's Jim Carey always there as the lead to help make any film more believable and endearing.

6.5 or 7/10.

This is a nice film. A movie that will make you laugh. I smiled most of the movie, and may be that was too long (146 minutes), I enjoyed it all. The story (a man with amnesia is seen as a long lost son in a small town) is not that special, but it has some nice things to avoid the bigger cliches. Jim Carrey is great as he was in The Truman Show. The movie is very well made, and in the end you will have a nice feeling about it.

I admit I only saw this film recently, many years after its release. Unlike some early reviewers, I wasn't surprised that Jim Carrey could do a dramatic role, as I'd seen a very early film of his, "Doin' Time on Maple Drive," as well as "The Truman Show" and "Man in the Moon." This film is directed by Frank Darabont, who has directed two wonderful films I've seen - The Green Mile and Shawshank Redemption. Here he channels Frank Capra for a feel-good film that takes place in the 1950s. A blacklisted writer, Peter Appleton, gets drunk, has an accident, and washes up on the beach of a town called Lawson. And he can't remember a thing about who he is. In Lawson, he is mistaken for a World War II soldier believed dead, Luke Trimble, to whom he bears a resemblance. Luke's grief-stricken father Harry (Martin Landau), having not seen his son for some years, accepts Peter as Luke, and Peter believes that's his identity.

The town is excited that Luke is back, and Harry decides to bring back his movie theater, the Majestic, to its former glory with Luke's help. Luke becomes involved with the town and its people; and Luke's old girlfriend Adele (Laurie Holden) is back on the scene. Little does Peter know, but the FBI is looking for him. One of his old films jogs his memory, and Peter realizes that he's not Luke after all. And he's wanted in Los Angeles to testify about whether or not he's a Communist.

This is a beautifully done film, released three months after 9/1/2001 and very relevant when seen today. It's about standing up for what you believe in, the power of love, and what's really important in life. Jim Carrey is marvelous as an ambitious young man who finds his heart in Lawson; Martin Landau gives a magnificent performance as Harry, a man who finds a new lease on life.

The Majestic stands as a symbol of a time when we walked into glamorous theaters to attend movies; when we sat wide-eyed in the dark; when films were more of a family affair; when life was more high touch than high tech; and when a person's principles and integrity were more important than anything else. It's good to be reminded of all of that once in a while.

I often wondered how Carrey would handle a drama and now I know. Totally enjoyed this trip through nostalgiatown as Carrey rejuvenated a town with his infectious personality. Heavily dramatic at times but always with an undercurrent of jollity running through it. I especially appreciated Carrey's dead on comments in the military graveyard.