आइस एज के के दौरान, एक शांत बाघ, एक सुस्त और भ्रमित हाथी को एक खोया हुआ इंसानी बच्चा मिलता है, और वे उसे उसके कबिले में वापस भेजने की कोशिश करते हैं.आइस एज के के दौरान, एक शांत बाघ, एक सुस्त और भ्रमित हाथी को एक खोया हुआ इंसानी बच्चा मिलता है, और वे उसे उसके कबिले में वापस भेजने की कोशिश करते हैं.आइस एज के के दौरान, एक शांत बाघ, एक सुस्त और भ्रमित हाथी को एक खोया हुआ इंसानी बच्चा मिलता है, और वे उसे उसके कबिले में वापस भेजने की कोशिश करते हैं.
- 1 ऑस्कर के लिए नामांकित
- 5 जीत और कुल 30 नामांकन
Denis Leary
- Diego
- (वॉइस)
John Leguizamo
- Sid
- (वॉइस)
Ray Romano
- Manfred
- (वॉइस)
Goran Visnjic
- Soto
- (वॉइस)
Jack Black
- Zeke
- (वॉइस)
Cedric The Entertainer
- Carl
- (वॉइस)
- (as Cedric the Entertainer)
Stephen Root
- Frank
- (वॉइस)
- …
Diedrich Bader
- Oscar
- (वॉइस)
Alan Tudyk
- Lenny
- (वॉइस)
- …
Lorri Bagley
- Jennifer
- (वॉइस)
Jane Krakowski
- Rachel
- (वॉइस)
Peter Ackerman
- Dodo
- (वॉइस)
- …
P.J. Benjamin
- Dodo
- (वॉइस)
Josh Hamilton
- Dodo
- (वॉइस)
- …
Chris Wedge
- Dodo
- (वॉइस)
- …
Denny Dillon
- Glyptodon
- (वॉइस)
Mitzi McCall
- Glyptodont
- (वॉइस)
Tara Strong
- Roshan
- (वॉइस)
- …
फ़ीचर्ड समीक्षाएं
This was great. I liked it better than I did Shrek, by far. 'Manfred' and the Squirrel really take the cake here-excellant voice work, nice animation of the character faces, Denis Leary was a hoot too....with just the right amount of an edge, as is usual for him.
Some of the vignettes-the Dodos, (You've got three melons), etc are right up there with anything Pixar has done. I also thought that the little montage of Mannfred's parent's(cave drawings come to life) were done well too.
As for the messages-'Non-trad families are okay too-', people can work together, etc.-well, all are pretty obvious and all that-but it's not hammered home ala Disney, and you also don't have anyone breaking out into song, either.
See it for the Mammoth and the squirrel, though the Sloth is fun too. Cute kid baby too, not far removed from 'Boo' in Monsters Inc.
*** outta ****
Some of the vignettes-the Dodos, (You've got three melons), etc are right up there with anything Pixar has done. I also thought that the little montage of Mannfred's parent's(cave drawings come to life) were done well too.
As for the messages-'Non-trad families are okay too-', people can work together, etc.-well, all are pretty obvious and all that-but it's not hammered home ala Disney, and you also don't have anyone breaking out into song, either.
See it for the Mammoth and the squirrel, though the Sloth is fun too. Cute kid baby too, not far removed from 'Boo' in Monsters Inc.
*** outta ****
Just saw ICE AGE, a very funny and especially nice looking film. The story is simple but effective, the characters lovable and nicely fleshed out but what really shines is the digital set design.
More inspired by traditional animated movies than reality, the designs give you a really, really nice looking world in a astounding use of colour. Sometimes the touches of reality shine through (especially the water was impressive), but nonetheless, it's a fantasy-world based on reality. Including loads of vast landscapes especially helps to minimise the costs of rendering.
Pixar films shine with technical brilliance, this one shines with effective uses of technical know-how.
Enough technical babble, the film's entertaining, family-friendly and sometimes just hilariously funny.
More inspired by traditional animated movies than reality, the designs give you a really, really nice looking world in a astounding use of colour. Sometimes the touches of reality shine through (especially the water was impressive), but nonetheless, it's a fantasy-world based on reality. Including loads of vast landscapes especially helps to minimise the costs of rendering.
Pixar films shine with technical brilliance, this one shines with effective uses of technical know-how.
Enough technical babble, the film's entertaining, family-friendly and sometimes just hilariously funny.
`Ice Age' emerges as one of the better animated films of recent years, cleverly designed and even more cleverly written. Scenarists Michael Berg, Michael J. Wilson and Peter Ackerman have devised a story set 20,000 years ago about an unlikely trio of companions who find themselves making a long trek through a harsh environment in an effort, ostensibly, to return a baby human to the tribe from which he has become separated. The triumvirate is made up of a deadpan, cynical mammoth, a wisecracking, over-the-top sloth (whose mile-a-minute mouth more than makes up for his legendary slowness) and a malevolent saber-tooth tiger, who learns a thing or two about friendship and teamwork before the adventure is over.
`Ice Age' is at its most amusing in those scenes in which the characters make prescient jokes about their own place in the evolutionary scheme of things. One particularly clever scene involves the three travelers discovering what looks like an underground museum of natural history encased in ice, replete with ancient creatures caught in naturally occurring, chain-of-life exhibits. Like most animated films set in the past, `Ice Age' derives much of its humor through the use of anachronism. We chuckle to hear these creatures applying modern, scientific knowledge to the pre-scientific era in which they are living.
The animators and designers have done a beautiful job in achieving just the right look for this tale. The backgrounds have a colorful, clean, streamlined look to them, and the animals themselves, in their appearance and design, provide a witty commentary on evolutionary history. Ray Romano, John Leguizamo and Denis Leary do superb voiceover work, each achieving just the right tone for the character he has been assigned to play. One could wish, perhaps, for a bit less sentimentality at the end, but that is a minor quibble in a film that works so well for both children and adults. The kids will revel in the cuteness of the animals and the clever action sequences, while adults will savor the sly knowingness of the evolutionary and historical in-jokes. Not bad in an era when most films can't find a way to please even ONE audience demographic.
`Ice Age' is at its most amusing in those scenes in which the characters make prescient jokes about their own place in the evolutionary scheme of things. One particularly clever scene involves the three travelers discovering what looks like an underground museum of natural history encased in ice, replete with ancient creatures caught in naturally occurring, chain-of-life exhibits. Like most animated films set in the past, `Ice Age' derives much of its humor through the use of anachronism. We chuckle to hear these creatures applying modern, scientific knowledge to the pre-scientific era in which they are living.
The animators and designers have done a beautiful job in achieving just the right look for this tale. The backgrounds have a colorful, clean, streamlined look to them, and the animals themselves, in their appearance and design, provide a witty commentary on evolutionary history. Ray Romano, John Leguizamo and Denis Leary do superb voiceover work, each achieving just the right tone for the character he has been assigned to play. One could wish, perhaps, for a bit less sentimentality at the end, but that is a minor quibble in a film that works so well for both children and adults. The kids will revel in the cuteness of the animals and the clever action sequences, while adults will savor the sly knowingness of the evolutionary and historical in-jokes. Not bad in an era when most films can't find a way to please even ONE audience demographic.
In what amounts to a throw-back to the early, manually-animated cartoons, "Ice Age" chooses a very simple story around which is wrapped clever and exciting animation. Highly intelligent sabre-tooth tigers want to get revenge for the killing of one of their pack, so plot to steal the baby son of the human tribe leader. A goofy sloth (Lugiezamo) and a kind wooly mammoth (Ray Romano) rescue the child and attempt to find his parents, joined by a sly tiger (Denis Leary) who at first is planning to lead all of them into a corner so his tiger friends can help get the child back and eat the mammoth. But a series of events, and the tiger's being saved by the mammoth, causes all of them to "bond".
The DVD is flawless. The Dolby surround sound is remarkably good, truly surrounding you with sound. The direct digital to DVD video transfer is as good, colorful, and sharp as the other recent ones like "Toy Story 2", "Shrek", and "Monsters Inc." There is a whole second disk of "extras" which take you through the whole animated film-making process. Also a short animated film "Bunny" which won an oscar in 1998. Plus another "short" which shows the little squirrel, 20,000 years later, in an ice block drifting onto a deserted island, and his pounding of a coconut into the ground triggering the continental drift which resulted in the present day continents! Very inventive and funny.
Watching "Ice Age", my wife and I noticed that much of the action and pratfalls reminded us of the old "Roadrunner" cartoons. In the DVD extras the director mentions that those old cartoons of Chuck Jones were the insriration of many of the scenes. Yes, a throw-back to the old manually-animated cartoons, and a worthy tribute.
The DVD is flawless. The Dolby surround sound is remarkably good, truly surrounding you with sound. The direct digital to DVD video transfer is as good, colorful, and sharp as the other recent ones like "Toy Story 2", "Shrek", and "Monsters Inc." There is a whole second disk of "extras" which take you through the whole animated film-making process. Also a short animated film "Bunny" which won an oscar in 1998. Plus another "short" which shows the little squirrel, 20,000 years later, in an ice block drifting onto a deserted island, and his pounding of a coconut into the ground triggering the continental drift which resulted in the present day continents! Very inventive and funny.
Watching "Ice Age", my wife and I noticed that much of the action and pratfalls reminded us of the old "Roadrunner" cartoons. In the DVD extras the director mentions that those old cartoons of Chuck Jones were the insriration of many of the scenes. Yes, a throw-back to the old manually-animated cartoons, and a worthy tribute.
Excellent computer-generated animated feature that makes a case for one of the finest films of 2002. It is the frozen era and prehistoric animals try to find their way to land that is warmer and drier. An early group of human hunters become the hunted themselves as a group of sabertooth tigers begin to plot revenge. As an attack occurs, a small infant child is taken out of harm's way. Enter a kind wooly mammoth (voiced by the priceless Ray Romano) and a silly sloth (voiced by John Leguizamo) who find the young child and decide to return it to the humans. It appears that a sabertooth tiger (Denis Leary) is helping the duo, but his motives are devious as he is trying to lead them all into a trap of other sabertooth tigers. The film is another great animated piece of film-making that has important messages for the youngsters and is also highly entertaining for all audiences. 5 stars out of 5.
क्या आपको पता है
- ट्रिवियाThe drawings of characters during the end credit roll were all done by the children of the animators. The same is true of the picture that Sid draws of himself on a cave wall. Sid's drawing was done by 3 year old Will Shefelman, son of a story artist Dan Shefelman. The story artist working on the scene was having difficulty drawing like a 3 year old so he consulted an expert.
- गूफ़Animals, from many different epochs and continents, mingle in 10,000 B.C. North America.
- क्रेज़ी क्रेडिटDrawings of the creatures appear over the credits. Most drawings were done by children of Blue Sky Studios employees.
- इसके अलावा अन्य वर्जनAn alternate scene of Sid in the hottub with the ladies shows him saying to them "Let's jump in the gene pool and see what happens." Sid pinches one of the female sloths' butt and she then kicks him in the groin. This was cut because it was not suitable for children and may have gotten the film a PG-13. Other innuendos with Sid were also cut from the film.
- कनेक्शनFeatured in Siskel & Ebert & the Movies: Showtime/Ice Age/The Time Machine (2002)
- साउंडट्रैकSound Off (Duckworth Chant)
Written by Willie Lee Duckworth (as Willie Duckworth) and Bernard Lentz
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Ice Age?Alexa द्वारा संचालित
- Is "Ice Age" based on a book?
- What type of animal is Scrat?
विवरण
बॉक्स ऑफ़िस
- बजट
- $5,90,00,000(अनुमानित)
- US और कनाडा में सकल
- $17,63,87,405
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $4,63,12,454
- 17 मार्च 2002
- दुनिया भर में सकल
- $38,32,57,136
- चलने की अवधि1 घंटा 21 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 576i (SDTV)
- 1.85 : 1
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