Yamakasi - Les samouraïs des temps modernes

The action was fun to see, the stunts were interesting, especially after reading that they were supposed to be real... but it's a movie not really made for thinking people, since there are terrible flaws in the plot that renders the whole process ridiculous and casts a shadow on the hero's self righteous deeds.

Why is everyone (audience included) expected to blame the doctor for the price of the new heart! The movie attempts to show it as his fault! Or the fault of his social class! That's rediculous. He is simply stating the market price of the donor heart. It's probably being sold on the black market anyway, since I believe there are laws against such organ trading. It's then up to those RESPONSIBLE (and involved) to come up with the cash, if they want the transaction to go through. He does not make up this price, he is simply stating how much the people have to pay. - Think about it. What would happen if every doctor was made (forced / coerced) to pay the bill for patients requiring treatment? The price he quotes is the price that must be payed by those RESPONSIBLE for the boy's condition. Among those responsible were the terrible building climbing role models the boy was imitating in the first place. Which is why they got involved, right?

Also, all this intimidation and threats made to others is very much against the, apparently very superficial, chivalrous code that these climbers are supposed to embrace. They are made to appear hypocrites and their eventual deeds lower them below the status of the lower class, to the status of thieves, extortionists, and criminals. Which, I believe the film was not intended to do. What great role models they became to save the boy! Do they still want him to grow up to be just like them? Apparently.

Still there were some good suspense parts, like when they were stuck in the house and had to escape from the roof. One was left wondering how they were going to pull that off. Hopefully they didn't give too many burglars ideas. We don't need any more of that, thanks.

Similar movies include: Robin Hood and the Pink Panther, although these are both much more heroic thieves than the Yamakasi. Perhaps Kamakasi would have been a better name, given the film's great number of negative reviews.

Although i do not understand French, this movie has the ability to show that performing crazy stunts CAN be done without the use of Special effects and computer animations. This movie makes SPIDER-MAN and the MATRIX look realistic and without the millions of dollars used to actually make the visual effects.

Rating 10/10

I saw this movie in Hong Kong in October 2001 DUBBED by a famous (the only one in Hong Kong???) local Cantonese hip-hop collective called LMF (Lazy Muthaf*ckas) in Cantonese and I have never laughed so hard in my life. It was a brilliant move on the part of the distributers to wide-release it with an entirely redone script and was extremely popular for weeks. There were brilliant rhyme sequences on the part of the ensemble that could only be replicated in Cantonese. They also had a dubbed Mandarin version out in theatres but I don't think it could've measured up at all. My friend and I were curious to see how it was in French, and it sounds like it was really crap. Occasionally French films get wide release in Hong Kong, like The Crimson Rivers (Les rivières pourpres), but it's very badly dubbed in English and people are quite used to seeing subtitles at the bottom of the screen as it is. The dubbing for Yamakasi made a so-so movie into one of the must-sees that year, definitely the best comedy I saw all year.

In the bright lighted side, we could see the yamakasis, these stuntmen of cities in the luc Besson movie. In the shadowed side, there is parkour, that is also called the art of movement, and that most of the public doesn't know about, and it is understandable: these spider-men's reputation grew, and other young people wanted to practice. David and Sébastien share their passion with anybody who wants to know. The news is spreading: from neighbour cities of noisy and sarcelles, young people move to evry to learn the parkour. The rumour works well, and the show 'notre dame de Paris' offers them to go on a tour, but David and sébastien refuse: a two years tour across France would cut them from their base, and above all they don't want to abandon the other young people who need their help. Then luc besson comes up with a script for yamakasi. They refuse that too. The scenario presents them as revolted boys from housing estates who trick the police and use their skills to steal. Seb explains: 'us, that we don't want, it's to prostitute our art' chilling incorruptible ones. For how long? Seven of the newcomers - including David's cousin give in the temptation and play in the movie. They separate from the group of evry, and rename themselves the yamakasis (strong man, strong spirit). Once famous, they claim to have invented the Parkour, betraying the true parkourists. David, Seb and the others (Stéphane Vigroux, Yoann Vigroux, Jérome ben Aoues, Rudy Duong, Kazuma and Michael Ramdami) rename themselves the 'traceurs'. Irritated by this story, they tell me that: 'to anyone who want to learn the art of parkour, it's welcome, but for the media events, we reserve us the right to choose: now we know who come to train when there's a TV near, and who's really got the passion'. We understand them.

In the wonderful world of the well fed children who have nothing to fear but taxes when it comes to having to deal with the state there grows the fairy tale of the Yamakasi. It's fake. It lacks imagination unless for the idea of the tall building climbers. But that thing is going to be done far better in New Police Story three years later.

Probably the worse thing in this production is the scenario and the political goals. In a world where young people of low qualification and of foreign descent hardly gets any employment, in a world where most young people of that region can't find steady jobs even with good genes and an education, well, all the Yamakasi are employed if they don't have anything better to do. In this fantasy dimension the police knows them, wants them, yet they can't get them at home as they do in real life France.

And if the prototype of the idiot is the cop in most bad taste jokes, the maghrebin cop has no contact with the outside world. He's precisely the virgin who's trying, hard, to run a brothel.

Really, if there wasn't the purpose of propaganda nobody would have produced such junk. But, hey, the whole nation can see the darkies have it all: a fair chance for transplant, friendly police and jobs to choose from. It's only their evil nature that stands in the ways of friendship between the white majority and the others. And to keep things simple for the target audience to be able to follow the simple ideas they are fed all the targets live in the area of the same police district and the same cops are on duty on each event.

Myself, I'm disgusted.

Contact me with Questions, Comments or Suggestions ryitfork @ bitmail.ch