IMDb रेटिंग
7.1/10
1.5 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंWhen the Sharmas move into their new house in the city, they start experiencing strange incidents. The family seeks the help of a priest when their daughter, Mini, gets possessed.When the Sharmas move into their new house in the city, they start experiencing strange incidents. The family seeks the help of a priest when their daughter, Mini, gets possessed.When the Sharmas move into their new house in the city, they start experiencing strange incidents. The family seeks the help of a priest when their daughter, Mini, gets possessed.
फ़ीचर्ड समीक्षाएं
I had started to become a fan of Ram Gopal Verma when I saw this movie. And I was all the more impressed by this talented film maker. The movie can remind us of Exorcist. But only as far as the main theme goes. Otherwise it is shot completely differently. Believe me, you will be kept on the edge of your seat if you see it in full attention. The atmosphere is kept tense all the time from beginning . The movie has many innovative scenes which I had never seen before (the one in the theater, and the one in the jungle off a road for e.g.). Not to mention, the background score, Revati's performance, and Om Puri's role. The possessed Revati's expressions really scared me.
Final note : See it !!
(Actually I was disappointed when I saw Bhoot recently. Why did he have to make a not-that-good horror movie when he had already accomplished more successfully in Raat ?)
Final note : See it !!
(Actually I was disappointed when I saw Bhoot recently. Why did he have to make a not-that-good horror movie when he had already accomplished more successfully in Raat ?)
Raat review :
The Ramsays dominated the 80s so much that horror genre got synonymous with them. Scary movies meant Anirudh Agarwal with a mud pack on his face, a bath happy heroine and a religious symbol or idol which turned savior in the end.
Ram Gopal Varma (RGV) tried to do something different with Raat - a film having none of the above elements - which paved the way for the future horror movies in Bollywood.
Revathy played Mini who gets possessed when her family shifts to a new house. Without relying on a hideous looking ghost, RGV evoked tremendous fear in minds of viewer through effective camera angles and sound effects. Revathy was outstanding in the lead role and she reportedly, faced lot of anxiety issues during the filming.
Om Puri's tantrik was memorable too. He only appears at the end but makes his strong presence felt. "Darkness never vanishes, it's only diminished by light in a particular radius" is his interesting explanation to the paranormal.
Raat was released with much publicised 70MM print and 6 track stereophonic sound at Mumbai's New Excelsior cinema. Taking cue from a stunt employed by certain Hollywood film, the makers had parked an ambulance outside New Excelsior for any exigency emerging to weak hearted viewers while watching the film.
Sadly, the film didnt work at the box office but later caught on in the video circuit to emerge a cult classic. In one of his later interviews, RGV admitted that the publicity of film should've focused on its good content rather than the 70MM stereo. He remade Raat (with minor changes) as Bhoot in 2003 which became a super hit. But Raat will always remain special as the one which ushered in a new change in Hindi horror.
Regards, Sumeet Nadkarni.
The Ramsays dominated the 80s so much that horror genre got synonymous with them. Scary movies meant Anirudh Agarwal with a mud pack on his face, a bath happy heroine and a religious symbol or idol which turned savior in the end.
Ram Gopal Varma (RGV) tried to do something different with Raat - a film having none of the above elements - which paved the way for the future horror movies in Bollywood.
Revathy played Mini who gets possessed when her family shifts to a new house. Without relying on a hideous looking ghost, RGV evoked tremendous fear in minds of viewer through effective camera angles and sound effects. Revathy was outstanding in the lead role and she reportedly, faced lot of anxiety issues during the filming.
Om Puri's tantrik was memorable too. He only appears at the end but makes his strong presence felt. "Darkness never vanishes, it's only diminished by light in a particular radius" is his interesting explanation to the paranormal.
Raat was released with much publicised 70MM print and 6 track stereophonic sound at Mumbai's New Excelsior cinema. Taking cue from a stunt employed by certain Hollywood film, the makers had parked an ambulance outside New Excelsior for any exigency emerging to weak hearted viewers while watching the film.
Sadly, the film didnt work at the box office but later caught on in the video circuit to emerge a cult classic. In one of his later interviews, RGV admitted that the publicity of film should've focused on its good content rather than the 70MM stereo. He remade Raat (with minor changes) as Bhoot in 2003 which became a super hit. But Raat will always remain special as the one which ushered in a new change in Hindi horror.
Regards, Sumeet Nadkarni.
This is a classic early Indian horror much too advanced for its time in Indian cinema. A person watching this film in 2007 will inevitably have to bypass the trends and fashion which is can only be described as historic however horror fans will see Raat was a template for Ram Gopal Verma's later horror release of Bhoot.
I consider Raat to illustrate excellent example of direction and editing and production when obviously finances and resources may have been low. From excellent camera angles to inventive scare sequences this film in my view is a must to watch, I especially applaud the classic "cinema scene" in which the possessed character is involved.
Individuals looking for scare a moment action will be disappointed this is a thinking horror and watched intently through out will effect a lot more.
The film offers powerful atmosphere of unease throughout and although perhaps too long and involving an unnecessary cat, the film will leave one looking over ones shoulder at night.
I consider Raat to illustrate excellent example of direction and editing and production when obviously finances and resources may have been low. From excellent camera angles to inventive scare sequences this film in my view is a must to watch, I especially applaud the classic "cinema scene" in which the possessed character is involved.
Individuals looking for scare a moment action will be disappointed this is a thinking horror and watched intently through out will effect a lot more.
The film offers powerful atmosphere of unease throughout and although perhaps too long and involving an unnecessary cat, the film will leave one looking over ones shoulder at night.
Normally, Indian films are anything but subtle. The horror films are even more crude, so it is a treat to watch something as well-made as this. Varma's direction is tight and stylistic, and the movie maintains suspense throughout this tale of the supernatural. Revathi's acting is especially fine. Recommended.
I remember seeing this the first time, when I was just seven years old and for some weeks, I couldn't sleep with the lights off. 'Raat' is undoubtedly one of the very rare genuine horror films of its time that can never be forgotten, because of quite a few reasons and a primary reason being it's impeccable cast performance, specially Revathi who gives a brilliant and effortless performance as the protagonist of the story. A fabulous performance from Om Puri as well, who breathes even more life into the story without a doubt. this is a film that always reminds us of of Ram Gopal Varma as one of the very few good directors of all time.
Overall, this film will make you shiver for sure, It is not a great film, but the performances are very memorable.
Overall, this film will make you shiver for sure, It is not a great film, but the performances are very memorable.
क्या आपको पता है
- ट्रिवियाThe cat ventures behind the Mini's father's car rear wheel and is killed accidentally while the car is reversed. The cat is buried in the backyard without the knowledge of Bunty. Bunty finds another cat which bears an uncanny resemblance to the dead cat. The scenario where dead cat came back alive inspired from Pet Sematary which came in 1991. At last scene you can see Bunty holding the cat in his room and the movie ending with spooky sounds.
- गूफ़When Manisha calls Dipak to wish him on his birthday, it is clearly visible that after he receives the call the cable is no more connected to the phone. At that point the call should be immediately disconnected but Dipak still manages to finish his conversation with Manisha.
- कनेक्शनFeatured in Fear Itself (2015)
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- How long is Raat?Alexa द्वारा संचालित
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