रात

This is a classic early Indian horror much too advanced for its time in Indian cinema. A person watching this film in 2007 will inevitably have to bypass the trends and fashion which is can only be described as historic however horror fans will see Raat was a template for Ram Gopal Verma's later horror release of Bhoot.

I consider Raat to illustrate excellent example of direction and editing and production when obviously finances and resources may have been low. From excellent camera angles to inventive scare sequences this film in my view is a must to watch, I especially applaud the classic "cinema scene" in which the possessed character is involved.

Individuals looking for scare a moment action will be disappointed this is a thinking horror and watched intently through out will effect a lot more.

The film offers powerful atmosphere of unease throughout and although perhaps too long and involving an unnecessary cat, the film will leave one looking over ones shoulder at night.

I have recently been revisiting Bollywood because I felt I had been neglecting such a large and prestigious industry as a film fan. I first saw Raat with English subs on TV when I was on vacation in Bangalore, India, and was impressed by it, so impressed, in fact, that I went to the video store nearby and bought a VCD of the film. Years later, after much searching, I found a very scratched CD in my collection with no cover and it was "Raat", so I decided to watch it.

Ram Gopal Varma is apparently something of a legend over in Bollywood, but I've only seen two other films of his (Sarkar, the Indian remake of "The Godfather", and another very good horror film, "Kaun", which I have fond memories of), so I can't really vouch for that, but his direction here is stylish and he sets the mood perfectly. The movie itself reminded me a lot of several different Hollywood films, the possession scenes were reminiscent of "The Exorcist" and the majority of the opening half hour eerily reminiscent of "Evil Dead", but it has enough respect for those classics not to blatantly copy them, and it's successful because it learned from the very best, and applied it damn well.

9/10

'Raat' reeks atmosphere and is intense at several places. Revathi is brilliant and truly convincing in her efforts. This is one of the best horror movies and the milestone of Indian Cinema. Overall, this film will make you shiver for sure, the performances are very memorable.

This is one of the best horror movies and the milestone of Indian Cinema. Ram Gopal Verma is really a genius. Wonderful cast with wonderful acting. Om Puri is a well reputed theater artist of Indian Cinema. RAAT is the story of a family that moves into a haunted house, and the eventual possession of their daughter Minnie.

At the releasing time of RAAT people were fed up with Ramsay brothers types movies which contains several sex scenes, some dirty faces and some Haunted Hawelis but this movie gave audience new experience.

You will not see any high class special effects in this movie but the sound effect and acting are out of the world. Hats off to Ramu. I will give 10/10 to this. A must watch.

Raat review :

The Ramsays dominated the 80s so much that horror genre got synonymous with them. Scary movies meant Anirudh Agarwal with a mud pack on his face, a bath happy heroine and a religious symbol or idol which turned savior in the end.

Ram Gopal Varma (RGV) tried to do something different with Raat - a film having none of the above elements - which paved the way for the future horror movies in Bollywood.

Revathy played Mini who gets possessed when her family shifts to a new house. Without relying on a hideous looking ghost, RGV evoked tremendous fear in minds of viewer through effective camera angles and sound effects. Revathy was outstanding in the lead role and she reportedly, faced lot of anxiety issues during the filming.

Om Puri's tantrik was memorable too. He only appears at the end but makes his strong presence felt. "Darkness never vanishes, it's only diminished by light in a particular radius" is his interesting explanation to the paranormal.

Raat was released with much publicised 70MM print and 6 track stereophonic sound at Mumbai's New Excelsior cinema. Taking cue from a stunt employed by certain Hollywood film, the makers had parked an ambulance outside New Excelsior for any exigency emerging to weak hearted viewers while watching the film.

Sadly, the film didnt work at the box office but later caught on in the video circuit to emerge a cult classic. In one of his later interviews, RGV admitted that the publicity of film should've focused on its good content rather than the 70MM stereo. He remade Raat (with minor changes) as Bhoot in 2003 which became a super hit. But Raat will always remain special as the one which ushered in a new change in Hindi horror.

Regards, Sumeet Nadkarni.