भविष्य में, जापानी सरकार नौवीं कक्षा के छात्रों के एक वर्ग को पकड़ती है और उन्हें क्रांतिकारी बैटल रॉयल अधिनियम के तहत एक दूसरे को मारने के लिए मजबूर करती है.भविष्य में, जापानी सरकार नौवीं कक्षा के छात्रों के एक वर्ग को पकड़ती है और उन्हें क्रांतिकारी बैटल रॉयल अधिनियम के तहत एक दूसरे को मारने के लिए मजबूर करती है.भविष्य में, जापानी सरकार नौवीं कक्षा के छात्रों के एक वर्ग को पकड़ती है और उन्हें क्रांतिकारी बैटल रॉयल अधिनियम के तहत एक दूसरे को मारने के लिए मजबूर करती है.
- पुरस्कार
- 7 जीत और कुल 8 नामांकन
फ़ीचर्ड समीक्षाएं
Firstly to get it out of the way I will say that I loved this movie, although at no point did I feel comfortable while watching it. It had the power and emotional content, that while not necessarily apparent in the dialogue was visible on screen at all times.
I am truly glad that this film has come out of mainstream Japanese cinema. It would have only been made in the US by independent film-makers who would have basked in the glory of its controversy and felt oh-so-smug that they had created it, while shoving a moral in your face. While I actually have no problem with US Indie film I do feel that a Western background would have comprised on visceral content, and upped the content of cheap moral points.
For those who say the violence was "cartoon-style" and laughable must have been watching a different film. Whilst this film is heavy in black humour I can clearly say that the deaths are shocking in the extreme, and there is no relenting from the beginning to the end. Only occasionally does the camera pan away from the final deed. The only deaths that have a dark humour content to them, are those involving Kitano (Beat Takeshi) and the "lone" vigilante (those who have seen the film will know what I am talking about). Other sections, such as the "Training Video" are equally comedic, and absurd. Yet other deaths are shocking in the extreme, and show how the slightest suspicion can have disastrous consequences for groups that only have trust to keep them together, a truly shocking scene in the Lighthouse reinforces this.
The fact that this film employs Children as the main protagonists of the story is the key to the whole impact of the film. We have all seen films like The Running Man where adults fight adults for survival and it seems that much less shocking, albeit that film was handled in a completely different manner. Children have the innocence that makes the brutality of this film that much more shocking, adults in the same situation would have had the reaction from audiences of cheering at the screen as the hero dispatches yet another victim. This could never and would never have been the case with this film.
To another commentator who felt that this film sticks with you less than Scream, I simply fail to find this to be anywhere close to the truth. The deaths in Scream although bloody are nothing but pastiche of those films that Scream is mimicking, ultimately throwaway deaths that up in brutality in order to out-do the last one that have one or two psychotic perpetrators, who eventually get their comeuppance. In this film their are no victims and besides one exception there are no villains amongst the children. They simply HAVE to play the game or die.
Well I encourage all those who feel they can stomach it to go and see this film or find it available somewhere (as I believe it has been banned in the US). It is not truly a film denouncing the evils of Reality TV or showing us the future of that trend of Broadcasting, that is merely a plot device to place the children in this situation. The nature of the film lies in its deconstruction of Friendships, Trust and our views on Innocence. Go and see it not as a spectator of this BR spectacle but as one of the participants and remember what was important to you when you were at school, and whether any of those rivalries, hatreds and friendships would have been enough for you to decide who deserves to die and who deserves to live.
The film is set in Japan and is in Japanese (and if you do come across a dubbed version, dispose of it immediately because it's only worth it to watch the original). It's hard to classify this film, as despite the extreme violence in it, it isn't action and despite its nightmarish feel, it isn't horror. It's just in between. There are many themes to this story; from to trust to complete selfishness (killing your best friend to save your own life) to suicide to disloyalty, and the list goes on.
The actors in Battle Royale were amazing. It is rare to find young talents like these, for instance, in Hollywood. These actors were by far the best young actors I have seen in all my life (though most of them weren't as young as their characters were). Tatsuya Fujiwara plays the main character, Shuya, a young man who is struck by tragedy when he becomes an orphan. All he has now is his best friend and the girl with whom he is madly in love. Fujiwara did a great job of transmitting the feel of despair that one would probably feel if he/she were to see his best friend die before their eyes, or to have to see classmates killing each other and then to portray that never-ending trust that two lovers share. The other actors all did a generally good job as well.
The first actor I'd like to criticize is Taro Yamamoto, who played the compassionate Shougo Kawada, who helps the protagonist and his girlfriend as the game of Battle Royale goes on. I thought that Yamamoto overplayed the character's casualty and I didn't feel as attached to him watching the movie as I did reading the comic book. The other actor I thought did a terrible job relative to the other actors was Masanobu Ando, who played the haunting character Kazuo Kiriyama, who basically seemed immune to everything. While reading the book, that guy really creeped the sh*t out of me. But in the movie, he just basically did the "undercover" thing and sort of leaped from place to place and tortured and killed people and that was it. You didn't feel anything, and in my opinion, that character was one of the most important so it was pretty disappointing. But putting those two aside, the acting WAS splendid, just as the directing of (sci-fi/Japanese gangster movie director) Kinji Fukasaku was.
I thought that the story was very haunting and compelling, and that you should read the novel or the comic book before watching the movie because just the use of your imagination and attachment to the characters while reading the books is so much more real. I really enjoyed the movie too, though, and would recommend it to anyone who has the stomach for constant shootings, hangings, blowing-up, abandoned corpses and a lot of blood squirting everywhere.
And so if it fits the shoe, rent it out. You probably won't regret it.
Highly disturbing. Rated R-15 (forbidden to under 15), very, very violent, but nonetheless interesting.
The premise of the movie is that, due to escalating violence in schools, a law is passed which allows the military, or some kind of militia, to take one troubled class and turn them all loose on an island with the object of killing each other until one is standing. They have 3 days to complete their objective or they all die.
As the game begins, every 6 hours there is an update on which classmates were killed and how many were left. These updates also alert the students to danger zones, which are just places you do not want to be when the time comes. The students are all issued a survival pack and a random weapon as well. Some weapons are horrible and useless and some would be great to have in a situation of this kind.
The main characters are Shuya Nanahara (Tatsuya Fujiwara) & Noriko Nakagawa (Aki Maeda) who are close friends and refuse to kill each other. The game is also somewhat rigged with the addition of two "ringers". One of whom plays for fun, another who has another reason. Basically, one good and one evil. The good one is named Shougo Kawada (Taro Yamamoto) and helps the students who he does not find a threat. Also, Chiaki Kuriyama (Gogo Yubari from Kill Bill) puts in an amazing performance. I can see why Quentin Tarantino chose her for his movie based on this part here.
Overall, I really liked this movie - violence, action, humor and all with very few complaints or annoyances. I can recommend this movie with a clear conscience. 8.5/10
क्या आपको पता है
- ट्रिवियाMany members of the Japanese Parliament tried to get the novel banned, but to no avail. When the film was released, they attempted to ban it also. Both efforts resulted in the novel and film becoming even more successful as people bought the book and went to the movie to see what the fuss was all about.
- गूफ़When characters stab or shoot each other through clothing, there are bloodstains but no holes where the bullets or knives go through.
- भाव
[Shougo has just finished bandaging Noriko's leg]
Shuya: You know a lot about medicine.
Shougo Kawada: Well, my father was a doctor.
[a few minutes later, Shougo serves Noriko and Shuya food]
Noriko Nakagawa: Wow! This is pretty good!
Shougo Kawada: It should be. My father was a chef.
[later, After escaping the island]
Shuya: You even know how to drive a boat?
Shougo Kawada: Hey, my father was a fisherman.
- क्रेज़ी क्रेडिटAs the credits roll, a class picture is displayed, showing all of the students that have been killed in the Battle Royale, including the two transfer students.
- इसके अलावा अन्य वर्जनThe Special Version includes the following:
- Redone opening titles
- Redone sound effects
- Added CGI blood to make the shootouts more graphic Also, many shots were added, deleted, reedited, and extended for pacing and clarity purposes, including the following:
- A longer basketball sequence
- Added reaction shots of the kids in the classroom to Kitano's "Do you know this law" question, and after Kuninobu's death.
- A flashback shot of Mizuho and Inada and Kaori Minami to remind us of who they were when we see their bodies.
- Closer shots of Takiguchi and Hatagami's corpses
- An additional shot of Nanahara weeping at the top of the lighthouse
- Additional shots of postcards from Mimura's uncle
- Kitano shutting down power to the computers and ordering the soldiers to reboot after the Third Man attack
- A scene with Mitsuko as a 9-year-old coming home to find a pedophile in her house.
- An additional shot of Mimura triggering the explosives on the truck
- Requiems that show the real flashbacks, and we hear the dialog during Noriko's dream.
- कनेक्शनFeatured in Japanorama: एपिसोड #1.2 (2002)
- साउंडट्रैकShizuka na hibi no kaidan wo
(Stairway of Quiet Everyday Life)
Performed by Dragon Ash
Courtesy of Victor Entertainment, Inc.
टॉप पसंद
विवरण
बॉक्स ऑफ़िस
- बजट
- $45,00,000(अनुमानित)
- दुनिया भर में सकल
- $13,46,583
- चलने की अवधि1 घंटा 54 मिनट
- रंग
- ध्वनि मिश्रण