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Changing Lanes

  • 2002
  • R
  • 1 घं 38 मि
IMDb रेटिंग
6.5/10
77 हज़ार
आपकी रेटिंग
Samuel L. Jackson and Ben Affleck in Changing Lanes (2002)
Theatrical Trailer from Paramount
trailer प्ले करें2:24
1 वीडियो
68 फ़ोटो
कानूनी ड्रामामनोवैज्ञानिक ड्रामाड्रामाथ्रिलर

आधुनिक समाज सही और गलत, भले और बुरे, बदले और पश्चाताप के बीच लकीर खींच देता है। एक पल का स्वार्थ और गुस्से की एक चिंगारी दो लोगों को आमने-सामने ले आती है। हठ की यह लड़ाई दोनों की ज़िंदगी हमे... सभी पढ़ेंआधुनिक समाज सही और गलत, भले और बुरे, बदले और पश्चाताप के बीच लकीर खींच देता है। एक पल का स्वार्थ और गुस्से की एक चिंगारी दो लोगों को आमने-सामने ले आती है। हठ की यह लड़ाई दोनों की ज़िंदगी हमेशा के लिए बदल देती है।आधुनिक समाज सही और गलत, भले और बुरे, बदले और पश्चाताप के बीच लकीर खींच देता है। एक पल का स्वार्थ और गुस्से की एक चिंगारी दो लोगों को आमने-सामने ले आती है। हठ की यह लड़ाई दोनों की ज़िंदगी हमेशा के लिए बदल देती है।

  • निर्देशक
    • Roger Michell
  • लेखक
    • Chap Taylor
    • Michael Tolkin
  • स्टार
    • Ben Affleck
    • Samuel L. Jackson
    • Kim Staunton
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.5/10
    77 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Roger Michell
    • लेखक
      • Chap Taylor
      • Michael Tolkin
    • स्टार
      • Ben Affleck
      • Samuel L. Jackson
      • Kim Staunton
    • 390यूज़र समीक्षाएं
    • 144आलोचक समीक्षाएं
    • 69मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 7 कुल नामांकन

    वीडियो1

    Changing Lanes
    Trailer 2:24
    Changing Lanes

    फ़ोटो68

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 62
    पोस्टर देखें

    टॉप कलाकार96

    बदलाव करें
    Ben Affleck
    Ben Affleck
    • Gavin Banek
    Samuel L. Jackson
    Samuel L. Jackson
    • Doyle Gipson
    Kim Staunton
    Kim Staunton
    • Valerie Gipson
    Toni Collette
    Toni Collette
    • Michelle
    Sydney Pollack
    Sydney Pollack
    • Stephen Delano
    Tina Sloan
    Tina Sloan
    • Mrs. Delano
    Richard Jenkins
    Richard Jenkins
    • Walter Arnell
    Akil Walker
    • Stephen Gipson
    Cole Hawkins
    • Danny Gipson
    Ileen Getz
    Ileen Getz
    • Ellen
    Jennifer Dundas
    Jennifer Dundas
    • Mina Dunne
    • (as Jennifer Dundas Lowe)
    Matt Malloy
    Matt Malloy
    • Ron Cabot
    Amanda Peet
    Amanda Peet
    • Cynthia Delano Banek
    Myra Lucretia Taylor
    Myra Lucretia Taylor
    • Judge Frances Abarbanel
    Bruce Altman
    Bruce Altman
    • Terry Kaufman
    Joe Grifasi
    Joe Grifasi
    • Judge Cosell
    Lisa LeGuillou
    • Gina Gugliotta
    • (as Lisa Leguillou)
    Angela Goethals
    Angela Goethals
    • Sarah Windsor
    • निर्देशक
      • Roger Michell
    • लेखक
      • Chap Taylor
      • Michael Tolkin
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं390

    6.576.9K
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    फ़ीचर्ड समीक्षाएं

    8Josh357ca

    Very entertaining and unpredictable

    The movie does an excellent job of identifying the main characters and setting out their motivations for wanting to be in court on time . Their subsequent collision on the expressway as both are preoccupied with their respective priorities is both very abrupt and very realistic. This scenario is one that anyone of us could find ourselves in at any time. I found myself wondering what I would do in that situation.

    What happens next would depend on the individuals involved and given the volatile nature of these individuals , it seems inevitable that one or both will blame the other for their problems that result from the collision and seek to strike back at the other to get revenge. This may sound immature and childish, but it is also frighteningly believable.

    Most people may be very calm and rational most of the time, but when they believe that they have been provoked or wronged by another, reason and passion fly out the window and are replaced by anger, rage and throughts of revenge. Events quickly spiral out of control. Changing Lanes was very entertaining and very unpredictable in its depiction of the lengths that both characters go to in order to strike back at the other. Ben Affleck and Samuel Jackson give first rate performances.
    6whatch-17931

    Great movie knocked way down by Hollywood ending

    There is a lot great about this movie. Plausible plot, strong acting, alpha on alpha everyday Joes (vs superheroes or thugs or spys). The movie mostly avoids stereotypes, arguably completely avoids them because these are well drawn characters. Great, believable psychological thriller.

    High real world stakes.

    Until the last ten d*** minutes when Afleck becomes essentially a super hero and fixes all the consequences for Jackson, despite how clear it was made throughout that most of these things could not be fixed.

    Such an intelligent story ruined by one of the most careless yet brazen Hollywood endings in history.

    I know *why* they make Hollywood endings, but I strongly suspect anyone that sat through this disturbing tale could handle a real ending. This ending is tantamount to all the dead people in Alien or one of the Hannibal Lecter movies all being AOK at the end.
    8sumitagarwal

    Changing Lanes: A turn for Hollywood? (8 stars)

    When `Changing Lanes' first opens, the viewer is presented with a montage of jagged credits, trendy jerking photography cruising NYC streets, and electronic beats that are so cool they could be used for cryogenic freezing. It quickly seems apparent that this film is simply a star-vehicle for Ben Affleck and Samuel L. Jackson; it seems apparent that this is a cold and impersonal genre-exercise for a successful comedy director, Roger Michell (`Notting Hill'), to branch out; it seems to be all these things until the end of this sequence when the camera glances out the window of a school bus out onto the New York City skyline, and there we see it: the World Trade Center. Unlike Sam Raimi's upcoming `Spider-Man', delayed after September 11th so that the WTC could be digitally removed, this is a film unafraid to date itself, and unafraid to look at human truth.

    Affleck plays the role of the oddly named Gavin Banek (did they take the name ‘Ben Affleck', throw it in a blender, and add some new letters for good measure?), a high-power lawyer on the verge of becoming one of the partners at his law firm, alongside his father-in-law. Jackson is Doyle Gibson, a reforming alcoholic father of two clawing his way out of his hole and trying to save his marriage. On a critical day in both their lives, Doyle going to court to try winning joint-custody, and Gavin on his way to seal his career-making case, the two get into a minor accident on the FDR turnpike, causing Doyle to miss his hearing and Gavin to accidentally give Doyle a signed document that is critical to his case… and it all unravels from there.

    The two tumble in a daylong haze of malice and self-destruction, sabotaging each other's lives. Whenever either decides to throw in the towel and do the ‘right' thing, it is too late and the other has already escalated it to the next level. His life quickly falling down around him, Gavin begins to examine it for the first time, taking a deep look into his wife, his law firm, his boss/father-in-law, and himself… ultimately questioning his motivation for trying to retrieve the document in the first place.

    This is where the film really shines: many movies ask the question ‘what makes a man?' but `Changing Lanes' does it with honestly and authenticity. The screenplay, by Chap Taylor, asks if it is success, or if its providing for one's wife and kids, or if its true goodness, avoiding superficiality and delving into the motivations for each. In one telling monologue, Gavin's father-in-law, played with perfect tone by Sydney Pollack, says, `At the end of the day, I do more good than harm. What other standard have I got?' Unfortunately, the movie does not really ask the question of what makes a woman, even though both wives show real strength. The movie does not even seem to suggest that Gavin and Doyle's struggles could even be applied to women (obviously they could, had the movie explored that).

    Jackson, always an excellent actor, is great as Gibson even if he has performed better before. Surprisingly, in this film Affleck's acting actually seems to surpass Jackson's in this amazing performance that is probably the best we have seen from Affleck so far.

    All of the characters in the film, including minor-roles and extras, all exhibit a very human feel, and seeing real-feeling people on the screen has always been something rare and not to be taken for granted. The viewer comes to care about everyone in the picture: Gavin, Doyle, their wives, the guy at the bank, even the stranger at the bar.

    New York City itself is alive in this movie: it breathes, coughs, and gasps with Salvatore Totino's shaky, unsaturated, claustrophobic photography. Totino really looks at people and the city in the face, and does not try to make them prettier or uglier than they are. David Arnold's original electronic score is a refreshing change from the very poor attempts at orchestral music that most movies are now filled with. Arnold's score very effectively sets the mood and reinforces the tempo of the movie.

    `Changing Lanes' is a success for Roger Michell that shows us that a movie can have major stars, be entertaining, glossy, substantial, and pensive all-at-once.

    `Changing Lanes' is rated R for a fender-bender, destruction of office equipment, unseen infidelity, a shot of the World Trade Center, and honest depiction of the human condition.
    7mattymatt4ever

    Something different; Something good

    Now, I'm not going to slap this movie on my Top 10 list or say it deserves an Oscar nod, like many critics have exclaimed, but I will say it's something different. First of all, it's real. Not an artificial Hollywood shoot 'em up or disaster flick. This is a film about the human struggle. There's no violence or sex, and if it weren't for about 7 uses of the "f" word "Changing Lanes" could've easily earned a PG-13. So don't let the R-rating fool you.

    There are three main reasons why I checked out this movie: Samuel, L, Jackson. Needless to say, he's a terrific actor and worth seeing in whatever he does. He's one of my favorites, and he delivers another powerhouse performance, taking on a role somewhat different from his recent roles: he plays an average Joe. We're introduced to his character, Doyle Gibson, who's a very nice guy simply haunted by mistakes in his past, one being alcoholism, which led to a divorce. And now he's attending AA meetings and buying a house for his two kids, hoping he will attain custody of them. Ben Affleck is good and charismatic. I didn't sympathize as much with his character, but that doesn't make him an antagonist. Neither characters are saints, nor are they sinners. That's good, because it's never completely effective to include characters who are entirely sympathetic. They're both mature adults, but they resort to juvenile acts of revenge in hopes that they can undo what happened. Sydney Pollack is great, as Affleck's egotistical father-in-law, proving his talents in front of the camera are just as fine as his talents behind the camera. I wanted to see more of the beautiful Amanda Peet, but she only has approximately 7 minutes of screen time. So I'm guessing that topless scene I heard mentioned didn't make it to the final cut. Oh, well. William Hurt, who seems to do a movie every 5 years, unfortunately has a small, thankless role as an alcohol counselor.

    The script is well-written, and the film is a lot more character-driven than ones of recent years. I loved that scene in the bar where Sam Jackson sits in a lonely bar, listening in on two white guys badmouthing Tiger Woods. He lashes back with a terrific monologue, and later ends up punching them out. Some directors would've cut that scene out, overly concerned about the film's pacing, but I'm glad this time that wasn't the case. However, the ending seems a little fake. It's just too happy for its own good. But that's the only element of the movie I found forced.

    My score: 7 (out of 10)
    7gavin6942

    Back When I Loved Affleck As An Actor...

    The story of what happens one day in New York when a young lawyer (Ben Affleck) and a businessman (Sam Jackson) share a small automobile accident on F.D.R. Drive and their mutual road rage escalates into a feud.

    What I find interesting is that comments on this film tend to be regarding which side to take, with some saying Jackson is "vile" or Affleck is "selfish". And, really, that is part of the beauty of this movie -- we naturally want to pick a side, like one guy and dislike another. But they are both flawed people.

    Affleck is selfish, cheats on his wife, cuts off a guy's credit, flees an accident... his only redeeming quality is he is the only non-corrupt member of a law firm, though that hardly makes up for his failings. Jackson has a terrible temper, breaks things, has little self-control and is an alcoholic. Sure, he wants to reunite with his kids, which is noble, but maybe he should not be able to. Even if he had received Affleck's insurance card, he still would have been late for court...

    इस तरह के और

    The Score
    6.8
    The Score
    Paycheck
    6.3
    Paycheck
    The General's Daughter
    6.4
    The General's Daughter
    The Sum of All Fears
    6.5
    The Sum of All Fears
    Runaway Jury
    7.1
    Runaway Jury
    Shaft
    6.0
    Shaft
    सेंटीनल, द
    6.1
    सेंटीनल, द
    Reindeer Games
    5.8
    Reindeer Games
    Taxi No. 9 2 11: Nau Do Gyarah
    7.3
    Taxi No. 9 2 11: Nau Do Gyarah
    Changing Lanes
    5.6
    Changing Lanes
    Just Cause
    6.4
    Just Cause
    Rules of Engagement
    6.4
    Rules of Engagement

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      A day after the terrorist attacks of September 11, 2001, director Roger Michell had the World Trade Center towers digitally removed from the opening main title sequence in the film. In the DVD commentary, he admitted that it was a mistake to erase them, and make it appear as if they did not exist. During the re-editing of the film, Michell reinserted them as a tribute.
    • गूफ़
      When Gavin Lights the paper on fire and raises it to the sprinkler head, that type of sprinkler head would only discharge the water. No other heads would spray water. The reason for this is to minimize damage.
    • भाव

      Doyle Gipson: I hope you don't mind, but I was intrigued by your conversation. I just thought you were in advertising. So I want to give you my dream version of a Tiger Woods commercial, okay? There's this black guy on a golf course. And all these people are trying to get him to caddy for them, but he's not a caddy. He's just a guy trying to play a round of golf. And these guys give him a five-dollar bill and tell him to go the clubhouse and get them cigarettes and beer. So, off he goes, home, to his wife and to their little son, who he teaches to play golf. You see all the other little boys playing hopscotch while little Tiger practices on the putting green. You see all the other kids eating ice cream while Tiger practices hitting long balls in the rain while his father shows him how. And we fade up, to Tiger, winning four Grand Slams in a row, and becoming the greatest golfer to ever pick up a 9-iron. And we end on his father in the crowd, on the sidelines, and Tiger giving him the trophies. All because of a father's determination that no fat white man - like your fathers, probably - would ever send his son to the clubhouse for cigarettes and beer.

    • क्रेज़ी क्रेडिट
      Thanks to the staff and Militia Force members and veterans at the Marcy Avenue Armory, Brooklyn, New York.
    • इसके अलावा अन्य वर्जन
      There was an early review of the movie that contained a spoiler of the ending. The ending that was originally used involved Ben Affleck and Samuel L. Jackson getting into a fist fight that leads onto the balcony. They talk about right and wrong and Affleck takes the file and tears it up and the movie fades to credits. This ending was most likely cut because test audiences did not like it. It will most likely appear on the DVD. Also a small clip shown in the TV ads shows Affleck and Jackson fighting on the balcony. This was part of the original ending which explains why it was cut.
    • कनेक्शन
      Featured in Changing Lanes: The Writer's Perspective (2002)
    • साउंडट्रैक
      Ode to Joy
      (1826)

      by Ludwig van Beethoven (as L. Beethoven)

      Arranged by Sidney Carlin

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल19

    • How long is Changing Lanes?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 12 अप्रैल 2002 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Fuera de control
    • फ़िल्माने की जगहें
      • Puffy's Tavern - 81 Hudson St, मैनहटन, न्यूयॉर्क शहर, न्यूयॉर्क, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनियां
      • Paramount Pictures
      • Scott Rudin Productions
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $4,50,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $6,68,18,548
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $1,71,28,062
      • 14 अप्रैल 2002
    • दुनिया भर में सकल
      • $9,49,35,764
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 38 मि(98 min)
    • रंग
      • Color
    • ध्वनि मिश्रण
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      • Dolby Digital
    • पक्ष अनुपात
      • 2.35 : 1

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