Utharam

It may look ordinary movie to anyone. But it stand out as one of the most unique feature malayalam movies at all time. Because it has the realistic approach and fine finishing. A wonderful movie to watch with family.

Balu (mammootty) a well known journalist who has no family of his own, recollects best memories of his best friend (sukumaran) and his wife (who balu considered as his own sister and friend),a well known poet (suparna). His best friend and wife are the only family he had. But Balu's life was shattered to pieces by his sister's death. It was more heart breaking news for Balu as he finds out that his sister committed suicide.

But Balu's best friend insists an answer (utharam) for his wife's death, thereby leading balu to set his journey to find out the root cause of his sister's death.

On his journey of deep search he meets his sister's friend (parwathy) who was her childhood friend. On further step, balu finds out the most shocking and haunting secret he ever faced that led his sister to death.

A deep searching journey down the life and evolution of a poetess and wife who meets a sudden death which could be suicide or accident. Balu (mammmooty) starts the investigation down the lane of life. In his journey, he meets up with her childhood friend who lost track of her down the memory lane.. Recreating the past, the movie comes to a very satisfying end..

The high degree of practical improvisation ability of a journalist shows in Mammooty's character, implemented and presented seamlessly...

An awesome movie, with awesome revelations : "Irul veenoridavazhiyil evide vechaarente cheru kai vilakkum edutherinju.."

I cannot believe I am watching it only in 2019, better late than never. Sukumaran is fantastic in this film. A simple story told in a beautiful manner. Highly recommended.

While certain aspects of the film might feel dated, Utharam - scripted by M.T Vasudevan Nair and directed by Pavithran, is a solid mystery drama that still sends shivers down my spine, especially with its climax twist. Stellar performances from the likes of Mammootty, Sukumaran, Sankaradi, and Parvathy are certainly amongst the film's positives.

Based on the short story No Motive by Daphne du Maurier, the film will be remembered for how well M.T Vasudevan Nair tweaks it almost flawlessly for Malayali audiences. It's an elaborately structured screenplay with every character having a significant role to play in unraveling layers of the dead woman's past. The background score by Johnson adds to the film's overall intrigue. The supposed "answer" (as the title suggests) leaves room for a few minor fallacies, but it's a well-grounded film overall.

The movie will disturb you after you watch. Perfect screen play. Scenes are realistic especially in the beginning of the movie. The genre is investigative but runs on different track with respect to the contemporary Malayalam cinema of that time.

Sukumaran is just fantastic to watch and so real. Same with Sankarady. The movie begins with Suprana's death and subsequent scenes in which different characters remembers what all things happened around the same time when they heard the gun shot. The scenes of Sankaradi are very well taken.

The casting is unconventional and justified. One may surprise Suparna and Sukumaran as husband and wife but it is very well justified.

The movie depends mainly on the screenplay and the casting.