Napoléon

Not all movies have the BEST graphics, and maybe this one didn't have graphics that would blow you away, but that wasn't really the point, and it looked fine, to me.

I caught part of this on A&E, recently. I watched a few minutes, then turned the channel to watch a regular show. I came back to it, and watched the end of the first half. The next day, I ran into the second part. I missed quite a bit, but watched the last hour, or so. I started craving the rest of it. I got online and did a search, found it was out on DVD, and made a trip to my local video retailer. I got the 3-DVD set and have since made a website devoted to Christian Clavier because I thought he did a wonderful job, and this movie made me a fan almost instantly. I've always liked Isabella Rossellini, and her role as Josephine was very convincing.

I've always been a fan of Napoleon movies, and I've seen several, but this one has to be the best. The interaction between Napoleon and Josephine and the action during the war scenes had me on the edge of my seat. Most people know how the end turned out, but that didn't stop me from thinking that things would be different.

I highly recommend this movie, in DVD format for the "making of" section. I wish I had watched this in high school because I would have learned quite a bit.

Go watch this movie!

It is probably pointless recommending or not recommending this series as there are two types of people that are going to buy this: The Napoleon nuts like me and the period drama people. The latter will be in their element as the domestic sets are both lavish and authentic. There are also some remarkable likenesses such as Josephine, Murat and Caulencourt.

On first viewing I was left a little cold. I thought that at last a substantial amount of time had been allocated to this, perhaps the greatest of all individual subjects. However, if there is one thing that any expert on the subject will tell you, it is that there is no way that you can even begin to condense this subject into 60 hours, let alone 6. The worst mistake that this film makes is attempting to replicate the battles themselves. The camera angles pan across large expanses revealing (at best) eight or nine hundred extras. All this whilst regular references are made to 20,000 losses on each side (Austerlitz, Eylau, Essling and especially Waterloo). Sometimes, it is almost laughable and cheapens the rest of the film. The makers would have been much better off by excluding any military action and just leaving it to innuendo – after all, Borodino is just referred to by Caulencourt when in Moscow conversing with Murat.. Thank God they didn't try to replicate that terrible battle! So, the plus points: Napoleon: At first I thought that Clavier was miles off the mark. If, like me you have seen and were bowled over by Rod Steiger's rendition in Waterloo then this will get some getting used to. After all, Napoleon is a red-blooded Corsican genius, capable of flying off the handle at any time, exhausting his counterparts and friends alike. Not in this version. Yet, Clavier has one saving grace. He introduces a measured, human approach that we know Napoleon had to have had from time to time. Almost schizophrenic some might say (Megalomania is the preferred terminology). I don't prefer his interpretation of Napoleon's to Steiger, but it is warmer if not necessarily more Corsican. If we could introduce this to Steiger's approach you may have the perfect Napoleon.

The relationship between Napoleon and Josephine is also one of the better points of this series. Clavier's in-love out-of-love relationship is perfectly handled without the usual mushiness. Here is a relationship based on love, intensity, necessity and ultimately friendship and loss.

Finally, Caulencourt is dealt with in some depth, as is Fauche, Murat and Talleyrand. But where is Berthier, Bessieres, Augereau, Davout and Ney (who suddenly appears towards the end despite his Russian campaign heroics)? Holes? Yes. But unless we get someone with $500,000,000 willing to approach this subject with the endeavour it deserves then we are left with this kind of product. So overall, not too bad. Vive l'Emperor!

Christian Clavier gives a excellent performance. The sets and battle scenes are done well. There were times when I was not sure which city/location they were in.

I admit I found it a little hard to stomach Christian Clavier (Jacquouille la Fripouille from « Les Visiteurs » and Astérix from the Astérix films) as Napoléon, especially when that role has been interpreted in English by the likes of Marlon Brando, Charles Boyer, Herbert Lom and Rod Steiger and in French, by the likes of Albert Dieudonné, Daniel Gélin, Sacha Guitry, Raymond Pellegrin and Jean-Louis Barrault. Because of all those famous precedents, one has come to expect in the role a kind of forceful but graceful personality. Clavier plays him a little bit on the educated warthog side, but that's OK because so did Marlon Brando.

IMDb users seem to hate this TV movie for all the wrong reasons. It can't be faulted for historical accuracy. There is every indication that almost every single word spoken in this script was actually said by the protagonists. And here is at least one English-language movie that doesn't show Napoléon's soldiers taking aim at the Sphinx's nose for target practice (an English myth). The sets and costumes are magnificent. The action is a little simplified for my taste but it allows the viewer a more unencumbered comprehension of the timeline. I have seen many French movies that naturally expect their French audience to know all the dates and the battles by heart and take it from there, so to speak. I am sure that the DVD version, which is longer, will reconcile many critics with scenes that seemed a little too short on TV.

I only noticed two major goofs in the whole four hours. John Malkovitch seems to think he is too great an actor to accept suggestions as to the pronunciation of French names, either from his co-stars or from a French coach, which must be responsible for his coasting through every possible phonetic permutation of the words 'Duc d'Enghien' in the course of an hour, some of them successful. Also, the same character warns Joséphine not to go to Poland before Napoléon has even met Marie Waleska, which is mysterious indeed. Did he actually know they would meet and fall in love?

But, all in all, it is a magnificent effort in a TV series, one that is not without its artistic and poetic merits.

This is the first Napoleon epic where the chief speaks with a French accent; that is good. HIs words are his, many of the events are accurate. Because his life was crowded with events, all detail is left out except the love interest of Josephine.

This is a modern interpretation, so any glory of war is ruthlessly stamped out, to the point that great battles are always seen as useless slaughter with piles of corpses. Well, in part they are.

If you're looking for any of La Gloire, a big part of the period, you'll look in vain. The people rarely cheer Napoleon. We know his soldiers often shouted "Vive L'Empereur" as he passed. Instead, in the film, they barely notice him on the battlefield.

Isabel Rossellini as Josephine is seen too often, as (one of the) the women of his life. Murat stands in for all his Marshals, as a film can only pay so many actors. John Malkovich as Talleyrand is very good.

An interesting and intelligent film. Clavier plays the part of Napoleon well, although in the interests of covering all his life, he is a bit one dimensional. If you thirst for battlefield tactics, and scenes of battle, you'll be disappointed. Only one battle is covered in any detail is Austerlitz, his finest victory.

Napoleon was an extremely intelligent and relatively peaceful man. Most of the wars he fought were forced upon him by European nations in the pay of the English, who could not abide him. He was a better man than they were.