अपनी भाषा में प्लॉट जोड़ेंA group of female friends in San Francisco investigate a serial killer targeting newlyweds.A group of female friends in San Francisco investigate a serial killer targeting newlyweds.A group of female friends in San Francisco investigate a serial killer targeting newlyweds.
John Reardon
- David Brandt
- (as John Henry Reardon)
फ़ीचर्ड समीक्षाएं
My wife wanted me to get this off Netflix on a recommendation.
Immediately I had a feeling it had been a TV movie. This must have been a very tedious experience watching this weak movie with commercials! Plus it was rate R for some reason. Why if it was on network TV?
Only Robert Patrick does a reasonable job as the villain. Even the reliable Pam Grier couldn't bring much to her role as the coroner. Tracy Pollan is really a subpar actress. Only the slight plot twists made this any small reason to waste 2 and half hours viewing this. Mitch Pileggi was very credible and Gil Bellows very disappointing. Don't was any time on this movie. There are so many other good movies to rent or purchase.
Immediately I had a feeling it had been a TV movie. This must have been a very tedious experience watching this weak movie with commercials! Plus it was rate R for some reason. Why if it was on network TV?
Only Robert Patrick does a reasonable job as the villain. Even the reliable Pam Grier couldn't bring much to her role as the coroner. Tracy Pollan is really a subpar actress. Only the slight plot twists made this any small reason to waste 2 and half hours viewing this. Mitch Pileggi was very credible and Gil Bellows very disappointing. Don't was any time on this movie. There are so many other good movies to rent or purchase.
I love the comments that I'm seeing on this board. I totally agree with most of the people here that 1st to Die was horrible. While it stayed pretty faithful to the book, it was still inexplicably horrible. I can't believe it was 3 hours long! I was so mad at the performances, I couldn't even watch half of it.
The book is spectacular like all of Patterson's novels but, like others have said... filmmakers have yet to make a decent adaptation of one of them... Mr Patterson, are you actually watching these movies? Aren't you mad at what hollywood is reducing them to? This movie was basically a sweeps ratings boost. You can't have it come out that fast and not think that. Sir, please ask these screenwriters... is it that hard to do this right???
The book is spectacular like all of Patterson's novels but, like others have said... filmmakers have yet to make a decent adaptation of one of them... Mr Patterson, are you actually watching these movies? Aren't you mad at what hollywood is reducing them to? This movie was basically a sweeps ratings boost. You can't have it come out that fast and not think that. Sir, please ask these screenwriters... is it that hard to do this right???
As a James Patterson fan, I was really interested in seeing how this film was adapted from the book. I also wanted to see Angie Everhart. I they knew she was in Bucket of Blood early in her career, it would have helped them solve the murders.
I liked all of the leads - Tracey Pollan as Inspector Boxer, Carly Pope as the reporter, Megan Gallagher as Jil, and, especially Pam Grier as Dr. Washburn.
Robert Patrick (The Marine, Flags of Our Fathers, Terminator 2: Judgment Day) was especially good as the suspected killer.
Fans of the new Women's Murder Club on TV will want to check this out.
I liked all of the leads - Tracey Pollan as Inspector Boxer, Carly Pope as the reporter, Megan Gallagher as Jil, and, especially Pam Grier as Dr. Washburn.
Robert Patrick (The Marine, Flags of Our Fathers, Terminator 2: Judgment Day) was especially good as the suspected killer.
Fans of the new Women's Murder Club on TV will want to check this out.
Having not read the novel, I can't tell how faithful this film is. The story is typical mystery material: killer targets newlyweds; woman investigator falls in love with her partner and is diagnosed with a fatal disease. Yes, it sounds like a soap opera and that's exactly how it plays. The first 2/3 are dull, save for the murders and the last 1/3 makes a partial comeback as it picks up speed toward its twisty conclusion.
Acting is strictly sub par, though it's hard to blame the actors alone: the screenplay is atrocious. During the last 1/3 you stop noticing because the film actually becomes interesting, but that's only the last 1/3. Director Russell Mulcahy is very much in his element, but there's only so much he can do with a TV budget and the network censors on his back. He's pretty much limited to quick cutting and distorted lenses, though he managed to squeeze in a couple "under the floor" shots during the murders in the club restroom. Unfortunately, as this is made for TV, the cool compositional details he uses so well with a wider image are nowhere to be found. Note to producers: give this man a reasonable budget and an anamorphic lens when you hire him.
Summing it up: this film is bad by cinema standards and mediocre by TV standards(watch CSI, instead). If you're in the mood for a film like this, I've some excellent suggestions: pick up a copy of Dario Argento's "Deep Red"(my highest recommendation; superb film), "Opera", or even "Tenebre". They're stronger in every category.
Acting is strictly sub par, though it's hard to blame the actors alone: the screenplay is atrocious. During the last 1/3 you stop noticing because the film actually becomes interesting, but that's only the last 1/3. Director Russell Mulcahy is very much in his element, but there's only so much he can do with a TV budget and the network censors on his back. He's pretty much limited to quick cutting and distorted lenses, though he managed to squeeze in a couple "under the floor" shots during the murders in the club restroom. Unfortunately, as this is made for TV, the cool compositional details he uses so well with a wider image are nowhere to be found. Note to producers: give this man a reasonable budget and an anamorphic lens when you hire him.
Summing it up: this film is bad by cinema standards and mediocre by TV standards(watch CSI, instead). If you're in the mood for a film like this, I've some excellent suggestions: pick up a copy of Dario Argento's "Deep Red"(my highest recommendation; superb film), "Opera", or even "Tenebre". They're stronger in every category.
...he has to be a better writer than this movie portrayed.
The actors and actresses were excellent. Especially noteworthy, as has already been mentioned, were Tracy Pollen and Robert Patrick.
But...by the time I got to the end of this movie, I was totally confused. Who did what/why/when/how?? I got what the final motive was supposed to be, but that was about all.
And could someone explain to me the meaning of the Russian roulette scene?
I guess I need to get one of Patterson's books to read before I sit through another Patterson adaptation. Usually seeing a good made-for-TV movie makes me want to go buy the writer's work for enjoyment. In this case, I feel the need to go read this book so I can understand what I just spent the last 2+ hours watching. I'm not so much intrigued as annoyed.
Five stars out of ten for casting. Nothing for storyline. What I got most from this movie was a frustrating headache...
The actors and actresses were excellent. Especially noteworthy, as has already been mentioned, were Tracy Pollen and Robert Patrick.
But...by the time I got to the end of this movie, I was totally confused. Who did what/why/when/how?? I got what the final motive was supposed to be, but that was about all.
And could someone explain to me the meaning of the Russian roulette scene?
I guess I need to get one of Patterson's books to read before I sit through another Patterson adaptation. Usually seeing a good made-for-TV movie makes me want to go buy the writer's work for enjoyment. In this case, I feel the need to go read this book so I can understand what I just spent the last 2+ hours watching. I'm not so much intrigued as annoyed.
Five stars out of ten for casting. Nothing for storyline. What I got most from this movie was a frustrating headache...
क्या आपको पता है
- गूफ़When Nicholas Jenks escapes from the Department of Corrections car, he kicks out the rear window in order to get out. When the police are at the crash scene, the window is back in place.
- कनेक्शनReferences The Fugitive (1963)
- साउंडट्रैकTell Me That You Love Me Tonight
Written by Joe Lervold , Larry Batiste & Dennis Wadlington
Courtesy of Master Source
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- चलने की अवधि
- 3 घं(180 min)
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.33 : 1
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