Christmas Carol: The Movie

There is nothing wrong with changing a story so long as you admit to it. So unlike many children's films where a classic is ruined and the child grows up in ignorance and never knows the difference, this film has the charming idea of having live action Charles Dickens go to America and tell the story to an audience explaining it isn't quite the same as how he wrote it in the book, thus growing curiosity and encouraging children to read the true classics of this world. The only real fault with this film is its ghastly title (and possible when the child of ignorance disintegrates, being too scary for children). I admit as a film student I had very low expectations of ANOTHER adaption of A Christmas Carol but was for once very pleasantly surprised and refreshingly, no one bursts into song and no animals talk in this film. The acting is very good and the voice talents obviously cared about this job. How Scrooge acts after the ghost of Christmas Future and how he makes the Christmas miracles are more realistic than I've seen in any adaption for a long time. Things don't happen with a snap of the fingers and this children's film truly does give hope to the most desperate of souls.

Worthwhile adaptation about timeless and quintessential Christmas tale , it is definitely worth a look thanks to splendid animated images . It's fun , touching and different approach to the Christmas classic with acceptable effects by cartoon , dealing with the known story about an old bitter miser who makes excuses for his uncaring nature learns real compassion when three ghosts visit him on Christmas Eve . A Christmas Carol is an agreeable production , a wonderful and straight-forward approach to the Dickens's source material , being splendid but freely adapted . It stars with a live-action sequence set in Boston in 1857, the site of a live reading by renowned novelist Dickens played by Simon Callow. The production values & drawing are both adequate with just enough attractive to appeal to the tenderhearted , and with touching doses of horror , case of the potentially frightening elements the Ghosts of Past, Present and Future , adding sentiment ; all of them are blended into the mix , until , like a nice Christmas punch , the result appeals to all . Scrooge is a miserly old businessman in 1840's London . He displays no charity to mankind generally , and in particular , to his employee Bob Cratchett and his unfortunate son , Tiny Tim . One Christmas Eve he is visited by the ghost of Marley, his dead business partner. He is warned that he must change his miserly ways or face damnation . Marley foretells that Scrooge will be visited by three spirits , each of whom will attempt to show Scrooge the error of his ways . In Just One Night, He Has Seen His Past, His Present, And His Future. And They've All Come Back To Haunt Him Will Scrooge reform his ways in time to celebrate Christmas? . To his delight, the spirits complete their visits in one night giving him the opportunity to mend his ways. The first spirit, the Ghost of Christmas Past , shows Scrooge visions of his own past in which had spent much of his childhood neglected by his father over the holidays at boarding school until he was finally brought home by his loving sister Fan who died prematurely after giving birth to his nephew Fred . A past in which appears a young Scrooge and including a broken engagement to his girlfriend . In Just One Night , He Has Seen His Past, His Present, And His Future. And They've All Come Back To Haunt Him Will Scrooge reform his ways in time to celebrate Christmas? .

A marvelous recounting of a Christmas vintage classic , beginning with Dickens himself explains that the mouse, named Gabriel, carries a blaze of hope amidst the glaring co-existence of rich and poor in the streets of London in this retelling of Charles Dickens' immortal story . As throughout the subsequent unfolding of the famous tale a pair of mouse providing younger members of the audience with a point of childish style into the story . Decent and stirring rendition with top-notch animated drawings . Atmospherically, the movie is as comfortable and heartwarming as an old Christmas card , including potentially frightening aspects : the Ghosts of Past, Present and Future .The whole concept of looking at your life in the past, present and future is creative in and of itself . After watching the movie, you may look at your life from the same perspectives . And adding the pleasant voices from prestigious actors , such as : Simon Callow as Scrooge / Charles Dickens , Nicolas Cage , Kate Winslet , Jane Horrocks , Rhys Ifans , Juliet Stevenson , Robert Llewellyn and Michael Gambon who also played a Scrooge role in the Doctor Who (2005) episode and A Christmas Carol . Though most of us , if not all of us, have seen other adaptations in the past or read the story,and know already what to expect, director Jimmy Murakami manages to capture pure magic with this peculiar portrayal of main character Ebenezer Scrooge , and it is definitely worth a look . It's fun and different approach to the Christmas classic. A highly recommended film that nobody should miss it especially during Christmas time still ranks as one of the most enjoyable adaptations of the Dickens classic ever. This animated retelling of Charles Dickens' classic novel about a Victorian-era miser taken on a journey of self-redemption will appeal to Charles Dickens novel fans .

The motion picture was well directed by Jimmy T. Murakami . He was born on June 5, 1933 in San Jose, California, USA as Teruaki Murakami and died in Dublín , 2014 . He is known for his work on Breath (1967), Humanoids from the Deep (1980) , Heavy Metal (1981) , The Christmas Story Keepers (1998) , The Easter Story Keepers (1998) and Kate Bush: King of the Mountain (2005) . And When the wind blows (1986) that was his greatest hit along with a Sci-Fi movie titled Battle beyond the stars produced by Roger Corman .

Other versions about this stunning story courtesy of several mysterious Christmas apparitions are the following ones : The rather obscure 1935 version with Sir Seymour Hicks , the 1951 British production with Alastair Sim, Jack Warner , adaptation released by MGM in 1938 with Reginald Owen , Gene Lockhart , and the 1970 musical, with Albert Finney , Frank Finlay . Under the title of 'A Christmas Carol' a cartoon rendition (1997) by Stan Phillips and voiced by Tim Curry and another (1991) by Jimmy T Murakami with Simon Callow . The made-for-TV productions: 1984 with George C. Scott , 1999 with Patrick Stewart , Richard E. Grant , Saskia Reeves , Laura Fraser , Joel Grey and the 2004 musical, with Kelsey Grammer . Finally , ¨Robert Zemeckis's Christmas Carol¨ in which Jim Carrey demonstrates once again his versatility on screen ; it is given the full ¨Motion Capture¨ deluxe treatment in a superior film directed by Robert Zemeckis with Jim Carrey , Robin Wright , Colin Firth , Dominic West , adding stunning special effects with a nice little touch , but it is Carrey's interaction with the 'ghosts' and various characters that really steal the show ; including top-drawer effects by means of ¨Motion Capture¨, a technique developed by Robert Zemeckis in previous films as Beowulf and Polar Express .

This starts off with a live action sequence where Charles Dickens played by Simon Callow attends a venue in Boston where he relates the story of A Christmas CAROL . I wonder if Callow could have believed that a few years later he'd be reprising his role as Dickens where he attends a similar type of speaking tour in Cardiff in 1869 where one of the audience is a corpse taken over by a gaseous alien race called The Gelth ? Check out The DOCTOR WHO story The Unquiet Dead to see what I'm blabbering on about . It's certainly very interesting to see how the scenes from the two are very similar in atmosphere

As you might expect this a straight forward retelling of A Christmas CAROL in animated form so if you're expecting lines like " Pity The Gelth - We want your flesh " you're going to be bitterly disappointed . Some people may complain that the story concentrates far too much on a social political subtext but Dickens didn't write A Christmas CAROL as a ghost story , he wrote it as a story of redemption and this shines through , though perhaps a little too obviously to be truly successful . My only real complaint is that the mice are a serious distraction to the story telling

Darcel, Pam etc are - or were - the Solid Gold Dancers ("Solid Gold" was an American pop music show in the 1980s); in the movie "Scrooged" six of them (guess which two were absent) made a cameo appearance as part of the cast of Bill Murray's TV version of the classic Charles Dickens story... and there's the biggest problem with "Christmas Carol: The Movie" right there. Not the presence of leggy, gorgeous American girls in skimpy attire - such a thing could only have benefitted this movie - but the stunningly definitive and frankly ignorant title; so all the other versions of the novel (and there have been quite a few down the years, featuring casts from Alastair Sim through Henry Winkler [in the TV movie "An American Christmas Carol"] to Michael Caine in "The Muppet Christmas Carol" - not to mention the musical "Scrooge," at least two animated versions, and countless episodes of TV shows borrowing the whole story, like "WKRP In Cincinnati" and "The Odd Couple" to name but two) don't count then?

For a movie to live up to such a title, it would have to be the best version ever, and this isn't. It isn't helped by having live-action bookends of the great man (played here by Simon Callow, also the voice of Ebenezer Scrooge) performing a dramatic reading of his book in Boston. Or by having a pair of mice throughout the movie as the closest things to soulmates the man has (cute animals should be left to Disney and Disney alone). Or by animation that's depressingly crude for the most part (it all looks like a poor 1970s TV show, with the exception of the journeys the Ghosts of Christmas Past and Present take our "hero" on, where the movie really does come to life for a bit). Or by Piet Kroon and Robert "Kryten" Llewellyn's script, or Julian Nott's score (pains me to say it, but the songs from Kate Winslet and Charlotte Church are the highpoints).

And as for Nicolas Cage as Jacob Marley... not since the late lamented Lorenzo Music did Peter Venkman on "The Real Ghostbusters" has there been such a shockingly bad case of cartoon miscasting. And some people wonder why so many of us love Pixar.

I've probably seen every version of "A Christmas Carol" ever done. It's probably my favorite story. It's about pain and suffering and redemption. It's a wonderful ghost story. It has great characters and a great deal of sentimentality. It take a really good actor to pull off the character of Scrooge. Alaister Sim and George C. Scott are my favorites. The character has to have a link to an unhappy past. Cruelty is one thing, but we need some humanity as well. If he is not complex, he is nothing. This had potential. It has very nice animation. The problem, for me, is that Scrooge is too young. He has the angular face of a forty year old. His lines are delivered without any underlying emotion. I don't think the people doing the voices did much homework. Also, what's wrong with the original plot. Do people change it so they can put their own signature on it. This one isn't too bad, but it's so wooden. Those mice are also really annoying. If one wanted to take this to its logical end, London at that time, was overrun with disease ridden vermin, which did decrease the surplus population. Now, I know that's really harsh to these two little guys, but I would imagine that Scrooge would have as soon flattened them with a boot as look at them. You either make a commitment to tell the story, or you throw the whole thing out an ignore the elements. The mice should go. There's also a group of social issues that are just dropped in. All in all, however, it seems so lacking in pizazz. There is supposed to be elation at the end; even giddiness. There is nothing giddy about this film.