Grégoire Moulin contre l'humanité

It's a comedy and, well, it is funny !!! I mean, really funny ! It's one of the fastest French comedies I've seen this year. The story is not very important - the struggle of a shy french guy to get to his date, braving all sorts of "bad" people, catastrophies and accidents - but the treatment is. Great, great actors, a never-ending stream of gags, a very naive love story... I just loved it. Imagine an "After Hours", written by the Monty Python. Great !

Kind of bizarre, the film seems to be a real bad one (when i see the trailer), but from the beginning til the end I had a lot of fun! For me some scenes are really really cult! It s the first time that the actor Didier Benureau (french comic) had a really interresting character as a perverse bisexual "bourgeois". the realisator of this movie play also in "le fabuleux destin d amelie poulain" .. he played the writer who had never been published....!

I caught this film by accident during a bout of insomnia and thought it side-splittingly funny. Reminded ever so slightly of "After Hours", a Martin Scorsese black comedy where a young man goes out one night and endures a series of misadventures before turning up in a full body cast at his office next morning. This, however, is lighter, funnier and definitely more entertaining as Gregoire gets into some far fetched but equally dangerous situations when everyone around him seems to be on drugs, armed and dangerous. These include a taxi driver whose German Shepherd takes the wheel. A few of the incidents could happen and have happened to all of us, such as the attempt to get photo copies or a call for telephone information form a coin operated call box.

This movie deserves a 10. Although it is a comedy with a simple story, nearly every line in the script tries to generate a comic situation or mock about something. Even when a wit remark isn't at hand, you can laugh at certain situations, like a dog driving a car or a goalkeeper without an arm in a soccer match. Yes, the movie has a gallery of particular characters. Also, the director knows how to exploit certain camera angles to give you meaningful details.

The only people who should not watch this excellent movie are those who: don't like foreign movies, don't want to read subtitles, don't understand soccer, don't take life with a grain of salt. If you are none of them, just give it a try. I did, and I ended watching it twice.

I'll make this short: it was excellent and I haven't laughed so hard in a while. As one reviewer wrote: it's a French 'After Hours' only better and is whimsically hysterical start to finish. While it's at it, it has some sweet poignancy mixed in - something only the French are able to accomplish without kitsch. I loved it. Make a point of looking for this one. Every single performance is stellar and never over the top yet totally over the top. I don't know but it just works.

The plot: a shy guy who works a dull job observes a ballet teacher across the street for weeks. Since he can't muster up enough courage to ask her out, he manages to steal her wallet which he intends to return to her - as the hero who found her purse. They arrange to meet on the night of a big football game in a café. While Odile (the woman) waits, she reads Madame Bovary. Like i said, After Hours with a sprinkle of Amelie mixed in.

Gregoire Moulin contre L'Humanité.