एक गोलियों से छलनी और भूलने की बीमारी से पीड़ित आदमी को हत्यारों से बच निकलने और अपनी याददाश्त फिर से पाने का प्रयास करने से पहले ही फ़िशिंग बोट में पकड़ लिया जाता है.एक गोलियों से छलनी और भूलने की बीमारी से पीड़ित आदमी को हत्यारों से बच निकलने और अपनी याददाश्त फिर से पाने का प्रयास करने से पहले ही फ़िशिंग बोट में पकड़ लिया जाता है.एक गोलियों से छलनी और भूलने की बीमारी से पीड़ित आदमी को हत्यारों से बच निकलने और अपनी याददाश्त फिर से पाने का प्रयास करने से पहले ही फ़िशिंग बोट में पकड़ लिया जाता है.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 3 जीत और कुल 6 नामांकन
- Giancarlo
- (as Orso Maria-Guerrini)
- Castel
- (as Nicky Naude)
- Manheim
- (as Russel Levy)
फ़ीचर्ड समीक्षाएं
Matt Damon stars as the enigmatic assassin who just wants to figure out who he is. As he travels from city to city he's followed by CIA agents who want to dispose of him to save their own jobs. He's helped along the way by Marie played by the brilliant Franka Potente. Together they come face to face with the people that want them dead.
The cast is great and so is the story. This film should be on everyone's top ten list.
Not very many action flicks offer a spectacular mix of tense action and mystery like this action thriller. From the hyper-kinetic action sequences, to it's slick editing, to the highly compelling plot, to the overall likability of the lead character; this film stops at almost nothing to deliver the strong, visceral experience viewers come to root for. In an age where many films of the action genre struggle to find a solid balance of both action and coherent plot development, this one manages to stand out. The plot moves through the title character's search of his identity and the conspiracy that surrounds, and what ensues is a nice array of tension and unpredictable scenes. The fiercest moments show Jason Bourne engaging in brutal martial arts combat against the baddies, complete with stunning choreography and camera-work that, while a bit shaky, successfully express the intensity of the scenes. One of the most intense moments lies in a beautifully shot staircase shootouts scene. The film definitely has a sweet taste in action, and it delivers quite well especially with Matt Damon who's quite energizing vibrant in the lead role. Franka Potente is also very strong as her character who makes a competent supporting character rather than a typical damsel-in-distress. Praise can also be given to Chris Cooper as the main villain. He may not serve as a memorable antagonist, but that's not the point as the lead character's primary goal is not to capture or kill the villain but to search for the reason why he (the antagonist) trying to take him down.
The Bourne Identity is tense, thrilling, and purely entertaining experience for action fans everywhere. This film is easily a household name in Matt Damon's career as well as the action genre of the 2000s. For all looking for a great popcorn flick, this one is worth checking out.
Besides "The Bourne Identity," "Ronin" is the only other recent spy movie I can think of that didn't feature skydiving, bungie jumping, skiing downhill while shooting innumerable bad guys, laser pens, cars with ejection seats, or silicone breasted women with names you'd be vaguely embarrassed to say in front of your mother. Most of the crap that passes for an espionage film has no plot or reason for existing other than to meet a quota of explosions and cleavage in order to draw the summer action film crowd.
While "Bourne" does not have a particularly deep plot, it is consistent and focused. The focus is entirely upon Bourne and how he is to deal with having no memory of his past, being hunted without knowing why. Some people have complained about being confused by the movie. I for one, do not need to have everything spelled out since in many cases this smacks of unreality in the first place; the essence of espionage is drawing conclusions from very sketchy information. If you can't handle a little of that, you probably should stick to Disney films or TV's Scooby Doo where everything is explained in the end. We never find out about what is in the case in "Ronin" and I can live without some information being filled in about Bourne's past.
To those who have moaned about the incompatibility of the book and the movie, seek help. There are probably several things that work in the book that would either be boring and take too much screen time to explain, or would be viewed as cliche to modern screen audiences. As I remember, I liked the book, and I definitely like this movie. I view any movie adaptation as an interpretation of the book rather than a translation from words to pictures anyway.
As for realism, most of the action scenes are believable, no super-gadgets are to be seen, no incredibly lovely models fall madly in bed with Bourne, and the hero shows definite signs of physical vulnerability despite a very high level of training and competance. As someone who has trained in martial arts for over 10 years, unrealistic fight scenes are a pet peeve. The fights in "Bourne" are fast, nasty, and very realistic while still being entertaining for the layman. (And yes, taking a gun away from some idiot who is standing well within your striking radius without getting shot is definitely doable, though I had serious doubts until we tested it for ourselves with plastic dart guns in the dojo several years ago).
While not being perfect, "The Bourne Identity" is, simply put, several grades above the typical spy film. Being focused on an individual level rather than involving itself huge political ramifications lends it another layer of respectability rather than detracting from it as some comments have implied since it remains a human problem on a comprehensible scale. The mysteries that are left are bigger mysteries for Bourne than us, and I think should be viewed as intentional omissions rather than loose ends. The implausibilities are kept to a minimum and the realism to as high a level as possible while still being spectacular enough to meet the expectations of the genre.
I also like car chases through foreign cities, passports and accents. So with all that intact, I liked 'The Bourne Identity' very much. It has all the elements of the genre. You know what you're getting and you get what you want.
There is no point in going over the plot. It gets confusing about 3/4 in but it does not matter that much. Its fun for two hours and that's it.
I have been a huge fan of Franka Potente since becoming mildly obsessed with 'Run Lola Run' and she does not disappoint. She has some real chemistry with Matt Damon and has a very sweet, inviting way about her. She is not traditional leading actress material, thank God, and I credit the producers for hiring her. Even more so when you realize that Julia Stiles has a small part in this movie. I am sure someone wanted a bigger 'name' to be Matt's female lead and it might have occured to more than one exec to switch Franka and Julia, but obviously I am glad that did not happen.
Clive Owen adds another strong performance to his resume. He has only one big scene, really, but makes the most of it. Chris Cooper and Brian Cox are known for their sturdy work and they also deliver here.
Excellent, summertime entertainment. 8/10.
क्या आपको पता है
- ट्रिवियाThe name Bourne came from Ansel Bourne, a preacher in Rhode Island, the first documented case of "dissociative fugue", a condition not unlike dissociative amnesia or dissociative identity disorder (multiple personality disorder). One day in 1887 he forgot who he was, started a new life in Pennsylvania under the name Brown, and opened a convenience store. About three months later, he woke up and not only remembered his life as Bourne, but forgot all of his life as Brown, and was quite confused as to why he was in Pennsylvania.
- गूफ़Bourne arranges to meet his boss on the bridge at 5:30 p.m. The farmhouse decorations indicate it's around Christmas time. At 5:30 p.m. in Paris in mid-winter, it would be almost, if not completely, dark.
- भाव
Jason Bourne: Who has a safety deposit box full of money and six passports and a gun? Who has a bank account number in their hip? I come in here, and the first thing I'm doing is I'm catching the sightlines and looking for an exit.
Marie: I see the exit sign, too. I'm not worried. I mean, you were shot. People do all kinds of weird and amazing stuff when they are scared.
Jason Bourne: I can tell you the license plate numbers of all six cars outside. I can tell you that our waitress is left-handed and the guy sitting up at the counter weighs two hundred fifteen pounds and knows how to handle himself. I know the best place to look for a gun is the cab or the gray truck outside, and at this altitude, I can run flat out for a half mile before my hands start shaking. Now why would I know that? How can I know that and not know who I am?
- क्रेज़ी क्रेडिटA thunderstorm sounds in the background of the Universal logo.
- इसके अलावा अन्य वर्जनThe DVD contains an alternate (more Hollywood-like) ending: Jason looks down on Marie's scooter rental from a hill, then walks down to it. Marie comes out, sees him and goes towards him. Then they embrace and kiss with a glowing sun in the background...
- कनेक्शनEdited into द बॉर्न अल्टीमेटम (2007)
- साउंडट्रैकIt's Undeniable
Written by Robert Ellis Orrall, Shelly Peiken
Performed by Dave Gallagher
Courtesy of Infinity Cat Recordings and Peer-Southern Productions, Inc.
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Identidad desconocida
- फ़िल्माने की जगहें
- Mykonos, यूनान(final scenes)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $6,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $12,16,61,683
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,71,18,640
- 16 जून 2002
- दुनिया भर में सकल
- $21,40,34,224
- चलने की अवधि
- 1 घं 59 मि(119 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1