The Testaments of One Fold and One Shepherd

I saw this film with a non-member friend at our local temple, and we were both touched so deeply. I don't cry often during movies, but The Testaments had tears literally streaming down my face, and my friend's as well! It was just so uplifting, so moving, and so emotional. It was beautifully filmed, with gorgeous settings and was very well acted. The actors portrayed the characters in a manner that made them so real. I felt the spirit so strongly while watching this. I can't recommend this movie enough, for both members of the LDS church and non-members as well. We liked it so much that we went to see it again with my three young daughters. They were all touched by the film, even my youngest who is only 6 years old. Even my non-member friend said that he could feel the presence of the spirit while watching the film, and he is now investigating the church. We can't wait to see this film again and I hope that I can add it to my home library someday.

Not to say that being a Mormon, or, more correctly, a member of The Church of Jesus Christ of Latter-day Saints is wrong; however, those not familiar with LDS tenets and fundamental doctrines journeying to see this film in Salt Lake City, Utah, or who potentially see it via LDS acquaintances will most likely not be as riveted by the emotionally charged film as those who are. It certainly is meant to rivet and inspire, not to prod our intellect or demand art house enthusiasts'attention, and as most transcendent works it will seem either too sentimental or downright saccharine, but it is so because it caters to an audience whose faith is cradled in its lofty content, such as the visit of Christ to the Americas. For those inclined to study LDS beliefs, and to grasp the exultant joy and adulation they feel for Jesus Christ, this film is a dramatic example of their faith. For those wanting to dive into intellectual quandaries and secular cinematic debate, there are more appropriate venues.

The Testaments: Of One Fold and One Shepherd is moving and beautiful. It is obviously designed to focus the viewer on Mormonism's focus on the Savior. Nevertheless, most of the acting is well done, the scenery is beautiful, and the story line is interesting. There are a few glitches (the Savior's feet don't seem to be pierced as he greets Mary on resurrection morning, for example) and some overly-dramatic attempts that fail just a bit (especially lines delivered by the father), but overall I believe the movie is compelling. After the movie the lights come half-way on while we hear a choir sing a hymn; it is interesting to me that nobody moves during this time - the audience just sits through the three (or so) minute hymn; I think that shows how evocative the movie is; the audience is glad to have some time to just contemplate, wipe tears away and prepare to leave the theater.

At the risk of being accused of speaking evil of the Lord's anointed, I have to say that this film represents poor judgment on the part of the LDS leaders who conceived and approved it.

Over the years, the LDS Church has made some fine missionary films: "Man's Search for Happiness," "Together Forever," "How Rare a Possession," "The Mountain of the Lord," "Legacy." True, these films are emotionally heavy-handed. They're not calculated to win praise for their subtlety, or irony, or ambiguity, or provocativeness, or originality, or any of the other qualities that make for great cinema by the standards of literary criticism. But these films aren't trying to meet those standards. They're proselyting tools. And judged by the standards of that genre, I think the films I've listed above are well-conceived and well-made.

I cannot say the same for "Testaments." This film is to the Book of Mormon what "The Ten Commandments" is to the Book of Exodus or what "Ben Hur" is to the Gospels--and I don't intend those to be flattering comparisons. I'm reminded of a comment made by a character in LDS playwright Eric Samuelsen's drama "Gadianton": "It is pretty awful. I mean, that book's supposed to be scripture, and they turn it into this cheesy melodrama."

In the south visitors center on Temple Square, they used to show a short film that, like "Testaments," set scenes from Christ's ministry in the Old World (as described in the Gospels) side-by-side with scenes from his ministry in the New World (as described in the Book of Mormon). The film was moving and did a fine job of presenting the Book of Mormon as Christ-centered and as a companion volume to the Bible. Most importantly, in my opinion, this film presented the Book of Mormon with the dignity owed to a sacred text.

In "Testaments," that dignity is seriously compromised. What we get in "Testaments" is part scripture, part romance, part courtroom thriller, part political thriller, part disaster flick, part family values entertainment, and part Indiana Jones-style adventure.

Dare I say that this film represents the literatures of men mingled with scripture?

Walking into "Testaments" today (my second viewing), I heard an LDS teenager ahead of me say that she's seen this film six times. Afterwards, I heard this same teenager and her mother commenting, between sniffles, on how the ending always "gets them." OK. So the film's a tear-jerker. If I want to see a good tear-jerker, I can go to my local cineplex or video rental store. A good missionary film has to do more than make people cry. What I want to know is: Does "Testaments" convince non-LDS viewers to take the Book of Mormon seriously as a sacred text? Does it inspire viewers--LDS or non-LDS--to live more Christlike lives?

Let me clarify: I have nothing per se against fictionalizations of scripture, and I believe that God is great enough to touch people's lives even through cheesy fictionalizations of scripture. I haven't heard any yet, but I'm sure testimonials are forthcoming from people whose lives were transformed by this film.

But a fictionalization of scripture is not scripture. "The Ten Commandments" is not the Book of Exodus. "Ben Hur" is not the Gospels. "Testaments" is not the Book of Mormon. It should therefore not be used in place of the Book of Mormon, which is exactly what's happening every time this film is screened. People who ought to be watching a film designed to showcase the spiritual power of the Book of Mormon are instead being shown a fictionalization of the Book of Mormon designed to make them cry. They're being cheated.

Whether or not it is spiritually uplifting is left to the viewer. However, as a film, everything about it is pretty mediocre, especially the acting. The music and sound design are nauseating too. It is a competent movie with pretty cool costumes and engaging sets, but I'm baffled as to how this has an 8.0 (at least rn).