The Testaments of One Fold and One Shepherd

The Testaments: Of One Fold and One Shepherd is moving and beautiful. It is obviously designed to focus the viewer on Mormonism's focus on the Savior. Nevertheless, most of the acting is well done, the scenery is beautiful, and the story line is interesting. There are a few glitches (the Savior's feet don't seem to be pierced as he greets Mary on resurrection morning, for example) and some overly-dramatic attempts that fail just a bit (especially lines delivered by the father), but overall I believe the movie is compelling. After the movie the lights come half-way on while we hear a choir sing a hymn; it is interesting to me that nobody moves during this time - the audience just sits through the three (or so) minute hymn; I think that shows how evocative the movie is; the audience is glad to have some time to just contemplate, wipe tears away and prepare to leave the theater.

I had heard a lot of things said about the movie before I saw it nearly two years after it opened, and so was wary of whether or not it would live up to its billing. The first 45 minutes of this hour-or-so long film are good, but nothing amazing. Then the action scene and then the scene where Christ comes takes you on an emotional roller-coaster and gets you thinking of what it would be like to be in that situation. It is very touching. Nobody moved for nearly 5 minutes after the film was over, many crying. As one who loves the Book of Mormon, I truly enjoyed how this movie brought to life the most important aspect of it.

This superb portrayal of Christ clearly sets Him on His throne for all the viewers to see. Several scenes suddenly take you inside a masterpiece of art (you think to yourself, I've seen this shot before!) posed as if a famous still-life of the Savior was expanded into a moving picture.

The Book of Mormon has intrigue, violence, deception, murder as well as repentance, patience and love. This film includes each of these elements, ending in the overwhelming message, that Christ is above all of it and God, our Heavenly Father sent Him as a gift "not. . . to condemn the world, but that the world through Him might be saved" Amen and amen!

I saw this film with a non-member friend at our local temple, and we were both touched so deeply. I don't cry often during movies, but The Testaments had tears literally streaming down my face, and my friend's as well! It was just so uplifting, so moving, and so emotional. It was beautifully filmed, with gorgeous settings and was very well acted. The actors portrayed the characters in a manner that made them so real. I felt the spirit so strongly while watching this. I can't recommend this movie enough, for both members of the LDS church and non-members as well. We liked it so much that we went to see it again with my three young daughters. They were all touched by the film, even my youngest who is only 6 years old. Even my non-member friend said that he could feel the presence of the spirit while watching the film, and he is now investigating the church. We can't wait to see this film again and I hope that I can add it to my home library someday.

Not to say that being a Mormon, or, more correctly, a member of The Church of Jesus Christ of Latter-day Saints is wrong; however, those not familiar with LDS tenets and fundamental doctrines journeying to see this film in Salt Lake City, Utah, or who potentially see it via LDS acquaintances will most likely not be as riveted by the emotionally charged film as those who are. It certainly is meant to rivet and inspire, not to prod our intellect or demand art house enthusiasts'attention, and as most transcendent works it will seem either too sentimental or downright saccharine, but it is so because it caters to an audience whose faith is cradled in its lofty content, such as the visit of Christ to the Americas. For those inclined to study LDS beliefs, and to grasp the exultant joy and adulation they feel for Jesus Christ, this film is a dramatic example of their faith. For those wanting to dive into intellectual quandaries and secular cinematic debate, there are more appropriate venues.