Bolivar soy yo

Though the plot was often hard to follow the movie was funny and enjoyable to watch. Following Santiago through his "self-discovery" as Simón Bolívar is both saddening and uplifting as the plot unfolds. The fact that the Bolivar soy yo is filmed from the perspective of a movie about a soap opera adds an interesting twist. The plot often borders on ridiculousness and any important theme that may have been intended is lost in the shadows of the storyline. One leaves the movie having completely enjoyed themselves but feeling slightly confused as to what actually happened. I would recommend this movie to anyone, even if they did not speak Spanish.

Anyone with some interest in Colombia (or the region) would probably find this film worthwhile. Though comical, it does have serious undertones, but it is not political in a partisan sense. The perilous title role is handled deftly by Robinson Diaz and Amparo Grisales is lovely in a supporting role. I think the movie succeeds on its own terms. The filmmakers seem to have been seeking a certain tone, not so easy to do in this case, but I would say they got it right.

I saw the film "Bolívar soy yo" yesterday (October 2, 2002). It was shown in the 33rd International Film Festival of India. Jorge Ali Triana was present in the auditorium. I am moved. I have never dreamt that based on the life of the 'Great Liberator' of Latin America i.e. Simon Bolivar, a serious film like 'Bolívar soy yo' could be made. I am really moved.

A friend loaned me this film and I'm glad he did. I am not knowledgeable on either the history of Simon Bolivar or current day Columbia, but this was not a barrier to enjoying the story. The protagonist is a lead in a very popular historical soap opera in which he plays Simon Bolivar. It is clear that the TV show is not going for historical accuracy, but is content to focus on Bolivar's love affairs. The script calls for Bolivar to be shot before a firing squad. Our protagonist begins to identify strongly with the character, especially the latter's dreams of a unified Columbia. He bolts from the set just before he is shot and visits the current president of Columbia who is a fan and invites him attend a political rally, where he feels he can benefit from the actor's popularity. A series of adventures ensue in which the lead character fluctuates between his own identity and that of Bolivar, moving more toward the latter as the film progresses. The humorous situations that follow are able to show how Bolivar's dream of a united Columbia have been thwarted by selfish politicians on both the right and left. This type of film often unravels about half way through, but "Bolivar Is Me" manages to reach the ending with flying colors. Very enjoyable on several levels. 7 of 10.

The unique, borderline bizarre style of Bolivar was particularly entertaining, but the real value of the movie was its underlying political and cultural statement. The quotes that leap forcefully out of Robinson Díaz's mouth speak of a misused and abused cultural icon that has been used as a tool to sway the public. The icon of Bolivar, along with icons like Che Guevara and Salvador Allende, has taken on a life of its own, and has been used for purposes that the men themselves may have stood against. The ravings of a half-mad soap opera actor, the incredulity of a kidnapped president, and the cooing of the beautiful Amparo Grisales fully entertain while still conveying this important message.