Bolivar soy yo

If you do not know much about Columbian history, this will spark your interest. The director, Jorge Alí Triana, has a knack for intriguing the viewer and making them want to research the life Simon Bolivar. When Santiago Miranda says that Simon Bolivar did not die the way that they depict in the soap opera that he plays a role in, it is intriguing. It forces the viewer to ask, how did he really die? That is a question that many have been asking for a long time. Also, the comedic relief in this film is genius. It keeps you on your toes, and it breaks up the dismal view that the viewer gets of Santiago, who seems insane at certain points in the movie. The viewers feel pity for him, mostly.

I saw the film "Bolívar soy yo" yesterday (October 2, 2002). It was shown in the 33rd International Film Festival of India. Jorge Ali Triana was present in the auditorium. I am moved. I have never dreamt that based on the life of the 'Great Liberator' of Latin America i.e. Simon Bolivar, a serious film like 'Bolívar soy yo' could be made. I am really moved.

A friend loaned me this film and I'm glad he did. I am not knowledgeable on either the history of Simon Bolivar or current day Columbia, but this was not a barrier to enjoying the story. The protagonist is a lead in a very popular historical soap opera in which he plays Simon Bolivar. It is clear that the TV show is not going for historical accuracy, but is content to focus on Bolivar's love affairs. The script calls for Bolivar to be shot before a firing squad. Our protagonist begins to identify strongly with the character, especially the latter's dreams of a unified Columbia. He bolts from the set just before he is shot and visits the current president of Columbia who is a fan and invites him attend a political rally, where he feels he can benefit from the actor's popularity. A series of adventures ensue in which the lead character fluctuates between his own identity and that of Bolivar, moving more toward the latter as the film progresses. The humorous situations that follow are able to show how Bolivar's dream of a united Columbia have been thwarted by selfish politicians on both the right and left. This type of film often unravels about half way through, but "Bolivar Is Me" manages to reach the ending with flying colors. Very enjoyable on several levels. 7 of 10.

The unique, borderline bizarre style of Bolivar was particularly entertaining, but the real value of the movie was its underlying political and cultural statement. The quotes that leap forcefully out of Robinson Díaz's mouth speak of a misused and abused cultural icon that has been used as a tool to sway the public. The icon of Bolivar, along with icons like Che Guevara and Salvador Allende, has taken on a life of its own, and has been used for purposes that the men themselves may have stood against. The ravings of a half-mad soap opera actor, the incredulity of a kidnapped president, and the cooing of the beautiful Amparo Grisales fully entertain while still conveying this important message.

Based on a real story, this awesome film is pure magic realism. It is one of those films that are able to mix tragedy and humor, something characteristic of Latin America. Being Colombian I think I find in this movie a vivid portrait of the reality of my country; it depicts the dreams of our liberator, the dreams the common people have about him, and the realities of an amazing and contradictory country. The humor in this film is not just about simple jokes, it is a social criticism. Perhaps the only thing that could make this movie a bad one is the viewer. Either if you are an expert of the Colombian conflict or someone who has no idea about it, I definitely recommend `Bolívar soy yo.'