[go: up one dir, main page]

    कैलेंडर रिलीज़ करेंटॉप 250 फ़िल्मेंसबसे लोकप्रिय फ़िल्मेंज़ोनर के आधार पर फ़िल्में ब्राउज़ करेंटॉप बॉक्स ऑफ़िसशोटाइम और टिकटफ़िल्मी समाचारइंडिया मूवी स्पॉटलाइट
    TV और स्ट्रीमिंग पर क्या हैटॉप 250 टीवी शोसबसे लोकप्रिय TV शोशैली के अनुसार टीवी शो ब्राउज़ करेंTV की खबरें
    देखने के लिए क्या हैसबसे नए ट्रेलरIMDb ओरिजिनलIMDb की पसंदIMDb स्पॉटलाइटफैमिली एंटरटेनमेंट गाइडIMDb पॉडकास्ट
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter पुरस्कारअवार्ड्स सेंट्रलफ़ेस्टिवल सेंट्रलसभी इवेंट
    जिनका जन्म आज के दिन हुआ सबसे लोकप्रिय सेलिब्रिटीसेलिब्रिटी से जुड़ी खबरें
    मदद केंद्रयोगदानकर्ता क्षेत्रपॉल
उद्योग के पेशेवरों के लिए
  • भाषा
  • पूरी तरह से सपोर्टेड
  • English (United States)
    आंशिक रूप से सपोर्टेड
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
वॉचलिस्ट
साइन इन करें
  • पूरी तरह से सपोर्टेड
  • English (United States)
    आंशिक रूप से सपोर्टेड
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
ऐप का इस्तेमाल करें
  • कास्ट और क्रू
  • उपयोगकर्ता समीक्षाएं
  • ट्रिविया
  • अक्सर पूछे जाने वाला सवाल
IMDbPro

Road to Perdition

  • 2002
  • A
  • 1 घं 57 मि
IMDb रेटिंग
7.7/10
3 लाख
आपकी रेटिंग
लोकप्रियता
2,143
220
Tom Hanks and Tyler Hoechlin in Road to Perdition (2002)
Trailer for Road to Perdition
trailer प्ले करें2:45
3 वीडियो
99+ फ़ोटो
गैंगस्टरपीरियड ड्रामामनोवैज्ञानिक ड्रामामनोवैज्ञानिक रोमांचमहा गाथारोड ट्रिपअपराधड्रामाथ्रिलर

1930 के दशक में इलिनोइस में एक भीड़ का बेटा एक हत्या का गवाह बना।1930 के दशक में इलिनोइस में एक भीड़ का बेटा एक हत्या का गवाह बना।1930 के दशक में इलिनोइस में एक भीड़ का बेटा एक हत्या का गवाह बना।

  • निर्देशक
    • Sam Mendes
  • लेखक
    • Max Allan Collins
    • Richard Piers Rayner
    • David Self
  • स्टार
    • Tom Hanks
    • Tyler Hoechlin
    • Paul Newman
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.7/10
    3 लाख
    आपकी रेटिंग
    लोकप्रियता
    2,143
    220
    • निर्देशक
      • Sam Mendes
    • लेखक
      • Max Allan Collins
      • Richard Piers Rayner
      • David Self
    • स्टार
      • Tom Hanks
      • Tyler Hoechlin
      • Paul Newman
    • 1.1Kयूज़र समीक्षाएं
    • 195आलोचक समीक्षाएं
    • 72मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 1 ऑस्कर जीते
      • 23 जीत और कुल 82 नामांकन

    वीडियो3

    The Road to Perdition
    Trailer 2:45
    The Road to Perdition
    Road to Perdition
    Trailer 1:01
    Road to Perdition
    Road to Perdition
    Trailer 1:01
    Road to Perdition
    A Guide to the Films of Sam Mendes
    Clip 1:59
    A Guide to the Films of Sam Mendes

    फ़ोटो133

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 127
    पोस्टर देखें

    टॉप कलाकार69

    बदलाव करें
    Tom Hanks
    Tom Hanks
    • Michael Sullivan
    Tyler Hoechlin
    Tyler Hoechlin
    • Michael Sullivan Jr.
    Paul Newman
    Paul Newman
    • John Rooney
    Rob Maxey
    • Drugstore Owner
    Liam Aiken
    Liam Aiken
    • Peter Sullivan
    Jennifer Jason Leigh
    Jennifer Jason Leigh
    • Annie Sullivan
    Daniel Craig
    Daniel Craig
    • Connor Rooney
    Ciarán Hinds
    Ciarán Hinds
    • Finn McGovern
    Craig Spidle
    • Rooney's Henchman
    Ian Barford
    • Rooney's Henchman
    Stephen P. Dunn
    • Finn McGovern's Henchman
    • (as Stephen Dunn)
    Paul Turner
    Paul Turner
    • Finn McGovern's Henchman
    Kathleen Keane
    • Irish Musician
    Brendan McKinney
    • Irish Musician
    Jackie Moran
    • Irish Musician
    Kieran O'Hare
    • Irish Musician
    John M. Williams
    • Irish Musician
    Nicolas Cade
    • Boy Michael Fights
    • निर्देशक
      • Sam Mendes
    • लेखक
      • Max Allan Collins
      • Richard Piers Rayner
      • David Self
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं1.1K

    7.7295.3K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    9cardsrock

    Beautiful cinematography

    Road to Perdition is a classed-up mob story about revenge. With a stellar cast and Oscar-winning cinematography, the film is a dark meditation on vengeance and the fate of one's soul. Heavyweights Tom Hanks and Paul Newman anchor this film, with great support from Daniel Craig and Jude Law. This is a brooding film, but I think it does a great job of conveying its more hopeful messages through some stunning photography.
    9brooksmurphy-1

    A subtle masterwork of a great forthcoming director!

    This couldn't have been better. The strong restraints on Mike Sullivan's expressions couldn't have been portrayed in any other way. Tom Hanks delivers the best performance of his career. Young Tyler Hoechlin drives an emotional wheel; playing the basis character for the story. And veteran Paul Newman gives one of his best character performances in a long time.

    This film is based on a bold graphic novel by Max Allan Collins and Richard Piers Rayner. This is a father/son story which basically employs the two candidates solely unfit for the roles. Mike Sullivan had no father as a child, so John Rooney took him in. Although a generous man, Mr. Rooney involved himself in organized crime. Therefore, the debt of Sullivan was only to be paid off in involving himself in the business. Now, Sullivan has a wife and two children and is trying to keep his children safe, but at the same time pay back his boss. The events to follow, will test Sullivan's loyalty and embrace his family's fate.

    With a great adaptation by David Self, the dialogue comes out seldomly, but yet very virtuous. The story unfolds in a beautiful 1930's setting (Brilliant Art Direction by Richard L. Johnson & Nancy Haigh) covered with a dark rainy (snow on the ground) exterior. Driving the story, is Thomas Newman's wonderful Irish score, settling in only when necessary.

    But the most important technical element in the film is Conrad L. Hall's beautiful photography. This is some of the best cinematography I've seen; and I watch a lot of films. The scene when Mike and Michael are in the car, entering Chicago is quite impressive. The shot starts at the front of the car, revealing Mike(Hanks) through the windshield. It subsequently dollys around to the side of the car, to see Michael(Hoechlin) awakening and peering out his side window. As it continues, it trucks sideways and dollys back, completely around the car and reveals a gorgeous scenic 1930's Chicago.

    With a great cast and crew, the principle man creates a brazenly amazing film. I'm talking about Sam Mendes, who made his feature film debut in 1999 with American Beauty. (won him various awards) Before American Beauty, Mendes worked as a play director for the British Theater, but decided that he wanted to move on saying that there was nothing new for him in theater. With only two films, Sam Mendes has marked himself in my book as one of the great directors (In a list of about twenty-five).

    The film illuminates a brazen genre that has its hits and misses and expresses the true theme brilliantly. The photography, acting and story is phenominal. I'm still waiting for Scorcesee's Gangs of New York, but for now, I'm fully confident in saying that this is the "Best Film of the Year". Considering it's competition (Signs, Insomnia, Minority Report) thats a strong statement.
    JohnDeSando

    `Road to Perdition' is a rocky road of revenge and reconciliation, punctuated by some gorgeous Conrad Hall cinematography.

    `Road to Perdition' is a rocky road of revenge and reconciliation, punctuated by some gorgeous Conrad Hall cinematography. Tom Hanks is a 1930's mob hit man whose 12 year-old son sees him commit a murder. The rest of Director Sam Mendes' (`American Beauty') film is the boy's coming to terms with that knowledge. Paul Newman plays a `godfather,' a father to his errant son and like a father to Hanks.

    Laced throughout are 3 father-son relationships, which seem to move toward the violent ends reserved for mobsters. Hanks' son is ambivalent about his dad, whom he seems to adore yet hold accountable for his crimes. Newman's son is like Sonny Corleone, too loose to be in charge and no heir apparent; Hanks owes his lifestyle to Newman-all these relationships are subsumed by the business needs of the larger organization.

    This is noir with a dark palette, costuming in clothes metaphorically heavy, and sounding often as stylized and minimal as the murders Hanks commits. `Road to Perdition' lacks the grandeur of Coppola's `Godfather' epic, but it succeeds in evoking an old-testament judicial system where eye meets eye and tooth savages tooth. The revenge motif is too dominant to let the film rest on the promising father-son motif.

    Hanks' son learns about morality and decides about following in his father's footsteps. Hanks gives another controlled performance, and Paul Newman lets us know there is room for one more powerful screen godfather.
    10archienina99

    Simply Beautiful

    I loved so much about this movie...the time taken to develop the characters, the attention to detail, the superb performances, the stunning lighting and cinematography, the wonderful soundtrack...

    It has a combined intensity and lightness of touch that won't work for anyone who wants the typical fast-paced action flick. If we lived in Elizabethan days, I'd say this movie's a bit like a Shakespearean tragedy. But since we don't, let's say it's more like a Drama-Suspense movie.

    The plot is simple, but the story is complex. The movie is intelligent in the way relationships and issues are explored. Much of the story is shown rather than told, which I find makes it more subtle and moving - and which also works well for a story based on a comic book (or graphic novel). At times I felt I was actually there in the 1930s, part of this story - there was such a realistic yet dream-like quality in the style of its telling.

    I don't often prefer movies to the books they were based upon, but in this case I do. (Though I did enjoy the book too.) I've bought the DVD, which is great because it has some wonderful deleted scenes and insightful commentary.

    (I also took my little cousin, who's a little younger than the boy in the movie, to see it after I saw it for the first time, because he has issues at home and I wanted to use this as a way of starting a discussion on father-son issues with him. He loved it - and the discussion.)
    7dafuzzbudd

    Road to No Where

    Let me start this off by saying this movie is beautiful. By a technical standpoint, perfection was achieved. I'll remember this movie as proof of example; outstanding direction/cinematography cannot fully compensate for a lackluster plot.

    On paper, the plot is an average set up. Relationships in a crime family are tested, but none are ever stretched too far. In this sense it feels somewhat familiar and not very original.

    But what does keep this movie from being average-blah, is the care put into EVERY shot. I give a huge amount of credit to the cinematographer. A good amount of noticeable techniques were used. I particularly liked one symmetrical pillar shot that used a zoom in dolly in trick. A slight variation of the Vertigo introduced, zoom in dolly out.

    But with all of these wonderful shots I noticed something. There was so much technically stunning camera work, I found myself completely drawn out of the story. Was this done intentionally? To some degree I think so. This nicely compliments the dark and rainy 1930's settings.

    Noticing this I tried to put more thought into the plot. There basically was none. The characters were cold and lacked development. Any dialog is important and used sparingly. I couldn't stop myself from drawing comparison to The Godfather. What Road to Perdition lacks is any underlying intensity between the characters. I never feel like they were a tight-knit family and do feel as if I'm simply watching characters play their parts. The story has no poetry and feels more like a collection of parts that aren't worth its sum.

    I appreciate it in its stunning visuals, but once the credit rolled I felt nothing. And I find no reason to return back to it.

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      For the bank robberies sequence, Tyler Hoechlin (Michael Sullivan, Jr.) had to learn to drive, something he was only too happy to do. Hoechlin mastered it all easily, but, just to be on the safe side, a stunt driver was sitting in the back, with his own set of driving controls.
    • गूफ़
      In that era, gentlemen removed their hats indoors, particularly in places like diners. Even not-so gentlemen. To not do so would have attracted attention.
    • भाव

      Michael Sullivan, Jr.: So when do I get my share of the money?

      Michael Sullivan: Well... how much do you want?

      Michael Sullivan, Jr.: Two hundred dollars.

      Michael Sullivan: Okay. Deal.

      [Michael Jr. stops eating and thinks for awhile]

      Michael Sullivan, Jr.: Could I have had more?

      Michael Sullivan: You'll never know.

    • क्रेज़ी क्रेडिट
      Thanks to all at the Donmar Warehouse Theatre, London
    • कनेक्शन
      Featured in The Making of 'Road to Perdition' (2002)
    • साउंडट्रैक
      Whose Honey Are You?
      Music by J. Fred Coots (as Fred J. Coots)

      Lyrics by Haven Gillespie

      Performed by Ruth Etting

      Courtesy of Take Two Records

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल23

    • How long is Road to Perdition?Alexa द्वारा संचालित
    • What is Road to Perdition about?
    • Why is Tom Hanks using a nose prosthesis?
    • Is Road to Perdition a remake of Lone Wolf and Cub?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 12 जुलाई 2002 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • आधिकारिक साइट
      • Official Facebook
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Camino a la perdición
    • फ़िल्माने की जगहें
      • ग्रैंड रेपिड्स, मिशिगन, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनियां
      • DreamWorks Pictures
      • Twentieth Century Fox
      • The Zanuck Company
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $8,00,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $10,44,54,762
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $2,20,79,481
      • 14 जुल॰ 2002
    • दुनिया भर में सकल
      • $18,10,01,478
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 57 मि(117 min)
    • रंग
      • Color
    • ध्वनि मिश्रण
      • DTS
      • Dolby Digital
      • SDDS
    • पक्ष अनुपात
      • 2.35 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    • योगदान करने के बारे में और जानें
    पेज में बदलाव करें

    एक्सप्लोर करने के लिए और भी बहुत कुछ

    हाल ही में देखे गए

    कृपया इस फ़ीचर का इस्तेमाल करने के लिए ब्राउज़र कुकीज़ चालू करें. और जानें.
    IMDb ऐप पाएँ
    ज़्यादा एक्सेस के लिए साइन इन करेंज़्यादा एक्सेस के लिए साइन इन करें
    सोशल पर IMDb को फॉलो करें
    IMDb ऐप पाएँ
    Android और iOS के लिए
    IMDb ऐप पाएँ
    • सहायता
    • साइट इंडेक्स
    • IMDbPro
    • Box Office Mojo
    • IMDb डेटा लाइसेंस
    • प्रेस रूम
    • विज्ञापन
    • नौकरियाँ
    • उपयोग की शर्तें
    • गोपनीयता नीति
    • Your Ads Privacy Choices
    IMDb, एक Amazon कंपनी

    © 1990-2025 by IMDb.com, Inc.