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This movie would never be allowed to release in today's world, but it was a hit when it came out in 2001, and it's because it really is a funny, sweet movie. What could be a crude and offensive movie is thoughtful and even deep at moments while being laugh-out-loud hilarious. Jack Black plays the same lovable goofball as always, except this time, his character struggles with only caring about a person's appearance and his particular expectations on how they should look. But as the movie progresses, Hal grows and matures, discovering the beauty in everyone, both inside and out. Shallow Hal ultimately shares a meaningful message while also pouring on the laughs and poking fun at every character in the film. So don't balk at the premise of the movie. Instead, give it a shot, and you might just enjoy it.

Do you judge a person - particularly a woman - by her outward appearance? If you do, you're "shallow" and that's the message played out in this comedy.

The humor in here is good, very funny in spots. There are plenty of jokes and sight gags. If you are obese and very sensitive, then skip this film because you won't appreciate some of the humor in this film. But, if you can laugh at yourself, you'll enjoy it too - and especially the message this film brings.

Jack Black was pretty much of an unknown actor when this came out, but he's well-known now after School Of Rock, King Kong and other films. Gwyneth Paltrow everyone knows. She looked very pretty in here, maybe the best I've ever seen her. Jason Alexander and Joe Viterelli provide good supporting help. By the way, it was strange hearing Viterelli with an Irish accent. This is a guy who almost always plays Mafia types.

The only thing offensive to me was the beginning with some irreverent humor that was not needed, not part of the story, just a cheap shot against ministers. Also, for a lightweight comedy, the profanity could have been less. Can't someone make a modern-day comedy without language and sex issues? I wish someone would at least try. It can be done - just look at the classics!

Anyway, this is still a pretty funny story with, of course, a good message about judging a book by its cover.

Don't be confused by the subject matter of this comedy, this is a very touching movie.

A Shallow man (Jack Black) is obsessed with only dating beautiful women, until he is hypnotised in to only seeing the inner beauty of people he meets. He then meets Rosemarie (Gwyneth Paltrow) and falls in love

This was Jack Blacks first lead role. After roles in 'Cable Guy' and 'Enemy Of The State' and a very good supporting role in 'High Fidelity and he is perfectly cast as the title character. Until 'School Of Rock' two years later, this was his best performance. Oscar winner Gwyneth Paltrow seems to be having fun, and she looks great in a thong. However for me I would have preferred to see her in the fat suit more, to highlight what everyone else was seeing.... But I suppose you don't pay millions to have Gwyneth Paltrow in a movie, and have her hide in a fat suit for the majority of the movie.

Jason Alexender is very annoying (as Blacks bitter best friend, who is annoyed at losing his wing man on nights out) and distracting with his bizarre hairline.

It's silly if course (it's a Farrelly brothers movie) but it's also very very sweet!!

My problem with this movie is that the two male leads are so spectacularly unattractive. The whole message is that we shouldn't judge people by their appearances, fat people are good, etc. etc. blah blah blah. Okay, fine, whatever.

But this only seems to apply to the womenfolk. Jack Black is short and pudgy with bulldog features, and Jason Alexander looks like something that's been boiled and painted. Why is their lack of attractiveness never part of the plot? Good Lord, they roam around the movie looking for babes as if they were a couple of Adonises. Both of these distinctly not good-looking guys get pursued by attractive women, and what's more, the squat four-eyes actually turns down his dolly on the grounds that she's got a long toe. (All this is later justified by his inner hurt feeling...awwwww!!)

Another sign that the movie was put together by a couple of cases of arrested development: Rosemary never stops talking about her low self-esteem, can't handle compliments, etc. yet in every second scene she's wearing something short and tight. This way Gwyneth Paltrow gets to prance around in her skimpies, and yet then we're supposed to get a big yuk-yuk when her fat body double is shown falling out of the same outfit.

I would love to see a female director redo this movie using a couple of ugly women as the leads, and then have attractive men pursue them, just as they are. Wait, I guess no one would buy that.

And one final thing: just because Rosemary was fat, they didn't have to show her constantly stuffing her face. It got to the point where she's grabbing half a cake at a time. That was just pointless and mean, and it was way beyond even a juvenile chuckle.

It's easy to laugh at this film, because the jokes are so broad, but it's equally easy to be offended. The issue I have with the movie is that, in the course of making the point that we should see the inner-beauty in fat people, the Farrellys are implying that by being overweight you are universally ugly. In fact, in the world of Shallow Hal, if you are fat, you are a well-meaning mammoth who couldn't possibly be fancied unless under hypnosis or after an epiphany.

The movie also seems to suggest that the friends of fat people are ugly, and that uglies keep each other's company because no one else will want to associate with them, which is another reinforcement of social divisions. All of Rosemary's (Paltrow) friends are, as we see at the end, equally fat or gross or otherwise physically undesirable. Most disturbingly, the Farrellys undermine the inner-beauty point they've spent $40 million trying to make through Hal, because Hal's friends betray the judgmental reality. When his buddies see Rosemary for what she is, i.e. grossly fat, they are universally horrified in a "what are you doing with her?" way, which carries a more powerful punch than any of the tepid attempts to suggest she's beautiful because of her personality (moulded, we are told, by years of personal abuse because of her size).

The overall message is correct - inner beauty is ultimately what counts, because a sparkling character will outlast youthful good looks by decades. But the Farrelly's have approached the subject in a way that actually insults, rather than genuinely educates. It's not going to uplift anyone who's overweight, it'll just depress them. The majority of the film perpetuates the idea that being fat or ugly makes you a pariah or the object of sympathy or vulgar fascination.

There are some sweet moments, and a few laughs, so the movie's not a wholly worthless experience. But in the process of making its (valid) point it reinforces, rather than rejects, stereotypes.