Firetrap

Dean Cain, the one time Super-Man, plays Max Hooper the super-thief. He can break into any company and steal any thing for the right price. Unfortunately his latest heist ends him up in a high-rise in which someone else has set a fire to hide their own attempts to steal the product. Now the thief finds himself having to be the hero rescuing everyone in the building. Unfortunately the other thief is still in the building and the F.B.I. & C.I.A. are outside waiting for Max.

The movie is barely passable. Dean Cain is a fun actor and has done much better with more improved material but here he is saddled with a weak script and pretty poor direction.

Lori Petty clearly steals the show. Her best performance since "Tank Girl". Dean Cain acts with the quality normally associated with him. A lot of people get toasted. The fire is on people like monkeys on racehorses.

My hopes were raised significantly for "Firetrap" when the PM Entertainment logo came up, because PM Entertainment made some really good made-for-video action flicks. Sadly, several seconds later, my hopes were dashed when the names of Richard Pepin and Joseph Merhi (the honchos of PM Entertainment) were not listed in the credits. They were the driving force behind those great action flicks, and without them, what we have here is an extremely mediocre movie at its best, and a painfully predictable and flat movie at its worst. You'll be saying, "I've seen this before" throughout, even if you can't remember where you've seen it before. Dean Cain makes for a one-note hero, and none of the other performances are memorable as well. I guess some of the fire effects aren't bad for a low budget movie, but you can't make a good movie simply with good special effects. If it's raining outside and this is playing on TV, you'd be more entertained going outside and being soaked.

I was rather surprised how well Dean Cain fitted into this role. He seems to be growing from the caped avenger days and actually developed some good acting ability.

The effects in this film looked about as good as they cost. The plot was not thick, and information was crowbarred in occasionally. This film does do the No.1 job of keeping you interested.

It's by no means a clever plot and not a craft of film work, but it does the job for 90 mins.

"Firetrap" opens as a technological heist movie in the vein of "The Score" or "The Italian Job". Its an adequate enough "Mission Impossible"-inspired opener as Dean Cain squirrels his way through a highly survielled museum (?) to snatch a diamond. Of course he's being helped by the classic sidekick who eats chocolate in a truck and helps him with directions. He starts off as the irritating token black dude, and he only gets more and more annoying.

"Go on with your bad self," he says in one scene. No one can argue with me that he's not the token black dude after such a line. If anyone still should want to, here's some more evidence: "You da man!" So the heist opener is pleasant enough. It quickly shifts into an action picture with a fun shootout and a surprisingly well-done car chase. Heist thriller and action adventure can be a fun mix, so "Firetrap" caught my attention. Until...

After the attention-grabbing beginning, it's time for some good old-fashioned character exposition. This is where his boring, bland, Hallmark-ish family attachment is introduced. His bangin' wife divorced him because of his criminal involvement that led him straight to the slammer. Wanna hear something original? "Just one more job!" He imploringly says.

I can live with a couple clichés in a generic heist/action flick. So I kept watching. Dean and his token black friend for hire train and plan to knock off a company that is quickly going under. So off Dean goes for the score of his life, covertly dressed as a cop to get him in the building.

Then something unfortunate happens: it turns into a burning building escape movie "Inferno"-style. This threw my attention (and approval)off like a train being derailed. If there's one sure way to make a bad movie, it's to ineptly try to bind many genres together. The director whose name sounds a lot like Harry Dunn from "Dumb and Dumber" seemingly has a fitting name. His movie is a complete mess that starts off mildly entertaining, then goes up in flames with an unwatchable second half.