Stuart Little 2

While I thoroughly enjoyed this movie, I hold with the minority opinion that it isn't up to the standards of the original. The first movie succeeded in being sweet and charming without being the least bit sugary. Alas, the sequel doesn't entirely avoid this pitfall (that "little high, little low" business is just a little gagging). Also, the plot is too predictable, although that probably won't matter much to children, who are, after all, the film's target audience.

These are really minor quibbles, though. "Stuart 2" is a fine movie, both for kids and adults. The special effects are well-done, all the actors do a good job in their roles, and the dialogue has some real gems. Particularly noteworthy is Snowbell, the cat (voiced to hilarious perfection by Nathan Lane). He gets all the best lines, and steals every scene he's in--he even upstages Stuart himself! Verdict: Good movie. Go see.

While less isn't always more, the makers of "Stuart Little 2" resisted the temptation to pad it out from its shorthand running time, meaning it goes by quickly and painlessly. Not that the actual plot of this followup to the original charmer is hard to take in itself (Stuart is starting to feel a bit left out, and when Margalo the wren literally drops into his life he gets a new dimension).

In terms of technical levels it's only slightly easier to fault (Margalo looks a bit too cartoonish to be real, unlike Stuart Little himself and the falcon that's the movie's villain - but then again, Melanie Griffith [the voice of Margalo] always seems like a cartoon anyway), but the story by screenwriter Bruce Joel Rubin and the movie's producer Douglas Wick is what makes this ultimately inferior to its predecessor; what helped drive "Stuart Little" was our hero's wish to be accepted by his human brother and by the cat - sneer all you want, but the family message was hard to ignore. For the sequel it's more standard - the friend who's acting out of ulterior motives at first but then turns out to be a real friend, etc. Stuart isn't so much the protagonist this time, and it hurts a little.

So the freshness is reduced, but this still isn't stale - the charm and humour of the first movie remains, Michael J. Fox and Nathan Lane are as adept as ever as Stuart and Snowbell ("This better be important." "Margalo is missing." "I'd better be more specific - I meant important to ME."), and the human Littles remain just right - loving but not without making you want to slit your own throats. HBO Family has recently aired an animated version with all the principals except Hugh Laurie absent - it'll have to go a long way to live up to the two movies. (In-joke for score fans: Alan Silvestri slips in a quote from his "Back to the Future" theme in the climax.)

But I can see why this didn't do as well at the box-office as it should have - having a soccer match plus including Gilbert O'Sullivan AND Celine Dion on the soundtrack was asking for trouble...

Sure, this is a kid's movie, but it's sufficiently engaging to hold mom and dad's attention, even through repeated viewings. Little touches like having tiny Stuart wear a NY (football) Giants t-shirt and clever, and the highly stylized look of the film is just fun. The costume designer should get an award for making the costumes look sort of contemporary and "Miracle on 34th Street" at the same time. And while the plot is predictable and telegraphs its punches, it's also gentle and doesn't drag out the scary stuff too long, which makes this a good movie for kids. A lot better than a lot of the kids movies you will run across at Blockbuster.

As of present (May 2010), I have never read the E.B. White classic "Stuart Little," however I have had the delightful privilege to see the two films based loosely upon its content. The first "Stuart Little," released in 1999, was a very sweet and charming little family picture that I enjoyed immensely as a kid and still do to this day. I remember I also enjoyed the sequel, "Stuart Little 2" when I was younger, but now having re-watched the film for the first time in a long time, I discover that a rare instance has occurred: I enjoy the movie more now as an adult than I did when I was eleven. Perhaps it's because I now understand the adult humor and Snowbell's hilarious lines better, but overall, "Stuart Little 2" is a very good picture.

In the sequel, Stuart Little (voiced by Michael J. Fox) now has a quintessential relationship to his family. His human brother George has accepted him as a sibling and the cat Snowbell is now his pal instead of his enemy. However, poor Stuart feels a little left-out in the world because of his small size and his lack of real friends. That is until a little bird named Margolo (voiced by Melanie Griffith) literally drops into his life (from the sky), pursued by a vicious falcon. When they are clear of the evil bird's talons, Stuart and Margolo develop a very strong, very heart-warming friendship while teaching to the younger audience members very important lessons about life and friendship.

Those messages were communicated to be very well when I was younger and they still are today. I'm not exactly sure why I like "Stuart Little 2" more as an adult than I did as a kid, but maybe it's because I can understand the full extent of it. The filmmakers made the right choice to film it as a family picture, incorporating elements that children can understand but leaving in great moments of comedy to keep the adults interested. More so than in the first one, the picture is kept upbeat by the hilarious presence of Snowbell the cat, voiced by Nathan Lane, who has one terrific one-liner after another. A favorite moment of mine is when Snowbell is serving as a tool so Stuart can speak into a payphone. Their time runs out and he asks Snowbell for more change. The cat looks at the mouse standing on his head and cackles out: "What do I look like? A fanny pack?" "Stuart Little 2" is a real treat to look at with some gorgeous cinematography and a deliberately over-painted New York City with everybody in the movie wearing extravagant outfits. The special effects used for Stuart, Margolo, Snowbell, the falcon, and the other animated characters in the film is very good, best exemplified by the eyes of Stuart and Margolo. Their eyes are solid black with no visible pupils, but the animators carefully manipulate the characters' expressions to mirror every emotion that could be asked for from a real-life performer.

Perhaps the best element of "Stuart Little 2" is the change of point-of-view from the first one. In the original film, most of the plot involved the Littles' difficulties in adopting a talking mouse as a child and a great portion of the film was people looking down upon little Stuart. Here, the story takes place on Stuart's level, from his point-of-view, and we come to associate and identify more with him this time around. I also really like Hugh Laurie, Geena Davis, and Jonathan Lipnicki as Stuart's adoptive family, who do a really good job at maintaining the illusion that they are communicating to a two-inch mouse adopted as their son and treating him with loving affection.

But the best scenes are the scenes of Margolo and Stuart, particularly a little scene where they are on a date at a makeshift drive-in movie theater: sitting in Stuart's model car in front of a television, watching Alfred Hitchcock's marvelous 1958 film "Vertigo" which we later learn is a poignant choice as there are some parallels in the relationship between Stuart and his avian companion.

"Stuart Little 2" is a wonderful family film. Some may question my judgment and wonder if I exaggerate just a little in shelling out my highest rating for this film. You may ask: maybe it's good, but is it *that* good? Well, maybe not on some critical scales. But the way I review movies, dissecting and analyzing but more or less reporting how I personally responded, than no, not in the least. I enjoyed "Stuart Little 2" so much, every little second of it was a gem for me, and I more than enthusiastically award it ten stars.

Stuart Little 2 is one of those children's films that appeals to both the children and those who must pay the ticket price. I thought those kinds of films only existed with the name "Pixar" stamped on them or the occasional "Dreamworks." The film largely compiles odds and ends from the first film to try and lift the sequel off its feet but its sweet, good-natured charisma and kinetic warmth make the seventy-eight minute endeavor worth it.

The "Little" family are still happy, vibrant, and warm in their quest to give their new mouse sibling, Stuart (voiced by Michael J. Fox) a home he can be proud of. Yet the mother (Geena Davis) still worries that Stuart's small stature gives him the unfair advantage in sports and life itself, while the father (Hugh Laurie) is more of an optimist and feels that if a Little applies himself, he can be quite the character.

The main themes Stuart Little 2 tries to explore, however, are not about doing anything you want to do and proving that being small isn't a limitation but a welcomed challenge, like the first film, but more about siblings that drift away from each other. Stuart's older brother, George (Jonathan Lipnicki) is beginning to spend more time with his friends rather than Stuart, and while this is a natural part of life, it is nonetheless heartbreaking to the mouse himself, who begins to view himself as just a pest (no pun intended).

Stuart begins to befriend a small yellow canary named Margalo (Melanie Griffith), who he rescued after seeing her being pursued by an ominous falcon in the sky. It turns out, Margalo is in cahoots with the falcon to steal valuables from homes all across New York City, but little Margalo keeps that secret away from Stuart when she discovers how kind and gentle he really is.

Stuart Little 2 isn't particularly compelling or a very life-affirming film, but it's a genial, warm picture, with great computer effects, wonderful yet subtle themes on sibling relationships, and a plethora of jokes that kids and adults will find pleasing and joyful.

Starring: Geena Davis, Hugh Laurie, and Jonathan Lipnicki. Voiced by: Michael J. Fox, Melanie Griffith, and Nathan Lane. Directed by: Rob Minkoff.