IMDb रेटिंग
5.6/10
2.7 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA female marriage counselor and a male depression expert try to solve the marital problems of a troubled couple.A female marriage counselor and a male depression expert try to solve the marital problems of a troubled couple.A female marriage counselor and a male depression expert try to solve the marital problems of a troubled couple.
फ़ीचर्ड समीक्षाएं
This is a sex farce where the actual sex is by far superior to the rest of the movie. The title tipped me off, it's too on the nose and unsubtle. The script is entirely about sex. That usually would be very much in my "pro" column. The sex scenes and quick cuts are by far the funniest things in the movie. The problem is, the movie is ENTIRELY about sex. Next to nothing about the characters, the setting, nothing. There are no characters to connect to. Nothing to root for or care about. The plot is incoherent. The acting is broad and unfunny. In a later interview, the director said he wished he had told his actors to play it straight. Amen to that! James Spader, as Roger Klink (har har), gives a jittery, gaspy performance. Talk about playing against type. As the film went on, it bugged me that he never seemed to speak in complete sentences. Spader, Bill Murray and Catherine O'Hara, all excellent comic performers, are weighed down by the clumsy script and terrible pacing. In the small part of Dr. Klink's ex-wife, Megan Mullalley gives by far the best performance, in part because she has the most rounded, interesting character. You know there's something wrong with a film when a minor character is better written than the leads. Lara Flynn Boyle as Dr. Paige, an unstable marriage counselor is awful. The rest of the cast is capable, nothing special.
If you have nothing better to do, this movie is an okay diversion, but don't go out of your way.
If you have nothing better to do, this movie is an okay diversion, but don't go out of your way.
This movie was similar in many ways to a French sex farce. So I guess you'll have to call this an American sex farce. The script was well thought-out, though there were a few characters which didn't get enough air time.
James Spader played a neurotically geeky psychiatrist, which is a bit of a different character for him, as he usually plays sexual deviants. Good manic performances by Jay Mohr, Melora Walters, and Lara Flynn Boyle. Bill Murray and Catherine O'Hara also shown in their supporting roles. Phil Lamarr had a hilarious line, despite being only a cameo appearance.
There were several intermingled stories playing all at once. It was well done because if one story started to drag, they could switch to another story to keep the interest fresh. This is really light-hearted stuff, but it did have some very subtle comic moments in places that you might miss if you don't watch it more than a couple of times, so watch it at least a couple of times.
James Spader played a neurotically geeky psychiatrist, which is a bit of a different character for him, as he usually plays sexual deviants. Good manic performances by Jay Mohr, Melora Walters, and Lara Flynn Boyle. Bill Murray and Catherine O'Hara also shown in their supporting roles. Phil Lamarr had a hilarious line, despite being only a cameo appearance.
There were several intermingled stories playing all at once. It was well done because if one story started to drag, they could switch to another story to keep the interest fresh. This is really light-hearted stuff, but it did have some very subtle comic moments in places that you might miss if you don't watch it more than a couple of times, so watch it at least a couple of times.
What's the deal with James Spader? Why does he always end up playing the incompetent boob with weird sexual fetishes?
This superbly cast film is well-written and well-directed. The thing is, it doesn't really have any zingers, any defining moments. The talented James Spader (Crash) and Lara Flynn Boyle (The Practice) are two therapists that get emotionally involved with a troubled couple, the talented Melora Walters (Being John Malkovich) and a very down-to-earth Jay Mohr (SNL). Spader is particularly gifted through his mannerisms and uncomfortable demeanor, although Walters' performance as a simple and emotionally confused woman is equally amusing. As things between characters get complicated, the director does an excellent job of keeping the pacing going; the film never really loses momentum. The writing is based mostly on the situation, yet a couple of twists and subtleties really keep the viewer enguaged. Especially brilliant is Bill Murrary (Groundhog Day) who steals scenes from Phil LaMarr (MAD TV) and Catherine O'Hara (SCTV) with his exaggerated delivery. Furthermore, the director uses several manic cuts and tricks to keep the images fresh. The only real sore points stem from the fact that there isn't much TO the movie. It's hard to find an emotional connection with any one character, such that by the end, you're more interested in seeing what will happen as opposed to hoping for happy fates. Furthermore, the script's humour is mostly character-based; there aren't really any lines that bowl you over or stick in your head. But the dialogue is well-scripted and well-delivered. This movie isn't really a romantic comedy; but a piece of good entertainment for several demographics. It's got a Snatch feel with a Zoolander comedic touch. Great entertainment for an afternoon and a definite renter if you want to laugh a bit. James Spader forever.
This superbly cast film is well-written and well-directed. The thing is, it doesn't really have any zingers, any defining moments. The talented James Spader (Crash) and Lara Flynn Boyle (The Practice) are two therapists that get emotionally involved with a troubled couple, the talented Melora Walters (Being John Malkovich) and a very down-to-earth Jay Mohr (SNL). Spader is particularly gifted through his mannerisms and uncomfortable demeanor, although Walters' performance as a simple and emotionally confused woman is equally amusing. As things between characters get complicated, the director does an excellent job of keeping the pacing going; the film never really loses momentum. The writing is based mostly on the situation, yet a couple of twists and subtleties really keep the viewer enguaged. Especially brilliant is Bill Murrary (Groundhog Day) who steals scenes from Phil LaMarr (MAD TV) and Catherine O'Hara (SCTV) with his exaggerated delivery. Furthermore, the director uses several manic cuts and tricks to keep the images fresh. The only real sore points stem from the fact that there isn't much TO the movie. It's hard to find an emotional connection with any one character, such that by the end, you're more interested in seeing what will happen as opposed to hoping for happy fates. Furthermore, the script's humour is mostly character-based; there aren't really any lines that bowl you over or stick in your head. But the dialogue is well-scripted and well-delivered. This movie isn't really a romantic comedy; but a piece of good entertainment for several demographics. It's got a Snatch feel with a Zoolander comedic touch. Great entertainment for an afternoon and a definite renter if you want to laugh a bit. James Spader forever.
Good production quality with some some really decent funny acting by almost every character.
i never seen james spader doing comedy but he did this very well. he is funny. the plot is simple but it keep getting complicated later but still its easy to understand. im really glad that it wasnt serious movie, otherwise it would be a disaster.
i never seen james spader doing comedy but he did this very well. he is funny. the plot is simple but it keep getting complicated later but still its easy to understand. im really glad that it wasnt serious movie, otherwise it would be a disaster.
Oh c'mon. What were you expecting? Gone with the wind? Some of my favorite stars. Some cast against type (James Spader, Jay Mohr, Lara Flynn Boyle). Bill Murray is ALWAYS watchable and here makes a delicious pairing with Catherine O'Hara. Situations are wacky but plot can be easily followed. This is one of those movies that is like a feature length SNL sketch, only this is actually funny (in most parts). RECOMMENDED.
क्या आपको पता है
- ट्रिवियाDuring an interview of Jay Mohr he stated that during take #2 of a court room scene where he was to choke James Spader, Bill Murray challenged him, "I bet you can't clear that table, you got your feet on the table. Impress me." So during take #3 Mohr jumps and clears the table. After the scene Murray told him very calmly, "I knew you could do it, good job".
- भाव
Dan: [reading from the pamphlet Dr. Paige handed him] Mas--mastering masturbation?
Dr. Emily Paige: Oh, it's a wonderful guide. Techniques, fantasy games, lubricants, all in historical context. Did you know that Edison was an avid masturbator? It's where he got his best ideas.
Dan: No, Edison stole his best ideas.
Dr. Emily Paige: Whatever. Maybe it was Einstein.
- कनेक्शनReferences Annie Hall (1977)
- साउंडट्रैकPeppermint Twist
Written by Joey Dee (as Joseph DiNicola) & Henry Glover
Published by EMI Longitude Music (BMI)
Used by Permission
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Speaking of Sex?Alexa द्वारा संचालित
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