अपनी भाषा में प्लॉट जोड़ेंA doctor's ex-wife dies of nicotine poison.A doctor's ex-wife dies of nicotine poison.A doctor's ex-wife dies of nicotine poison.
- निर्देशक
- लेखक
- स्टार
Bruce Beeby
- Sgt. Hawkins
- (बिना क्रेडिट के)
Robin Dowell
- Boy Patient
- (बिना क्रेडिट के)
Victor Harrington
- Cocktail Party Guest
- (बिना क्रेडिट के)
Aileen Lewis
- Cocktail Party Guest
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Dedicated research doctor has unhappy selfish wife. Sister of wife comes to visit and her and doctor were fated for each other. Wife gets divorce --and the plot's key is revealed : there is a law where a man cannot marry a wife's sister while wife still alive.
Wife is poisoned husband accused and condemned to death. Sister and husband's friend solve the murder.
Mind you all this happens in less than an hour so the action is fast.
The wife is far prettier than the sister thus seems somewhat miscast. You find yourself wanting to see more of her and less of the sister.
One reviewer called it a quota film....sounds reasonable. Grade B on the Hollywood scale...maybe even a C.
Still OK, if you are bored with little time.
RECOMMEND
Wife is poisoned husband accused and condemned to death. Sister and husband's friend solve the murder.
Mind you all this happens in less than an hour so the action is fast.
The wife is far prettier than the sister thus seems somewhat miscast. You find yourself wanting to see more of her and less of the sister.
One reviewer called it a quota film....sounds reasonable. Grade B on the Hollywood scale...maybe even a C.
Still OK, if you are bored with little time.
RECOMMEND
Research doctor Ronald Howard and his wife, Mary Laura Wood, are not getting along. Her sister, Olga Edwardes has his affection and Miss Wood bitterly accedes to a divorce... noting, when all is done, that the law prevents them from marrying while she lives. She is pretty shaky, so he gives her a draft of medicine, and she exits.... to stumble in front of a lorry that can't stop.
Now Howard and Miss Edwardes can marry, but a coroner's jury returns a finding of murder, and Howard's research with nicotine fits him for the noose by an uncaring police. Can Miss Edwardes and second lead John Bentley find out whodunnit before they use the gallows?
Charles Saunders directs this second feature in a manner that suggests Hitchcock's REBECCA, without a sense of humor, as the players stiff-upper-lip their ways through disasters of their own making. Worse, in many ways, the solution to the entire mystery element of the movie is presented in an obvious and clumsy manner, leading to a conclusion in which the real murderer is thwarted by the Mrs. Danvers character. Despite these rather stupid and tiresome characters, it's always watchable, but never particularly compelling.
Now Howard and Miss Edwardes can marry, but a coroner's jury returns a finding of murder, and Howard's research with nicotine fits him for the noose by an uncaring police. Can Miss Edwardes and second lead John Bentley find out whodunnit before they use the gallows?
Charles Saunders directs this second feature in a manner that suggests Hitchcock's REBECCA, without a sense of humor, as the players stiff-upper-lip their ways through disasters of their own making. Worse, in many ways, the solution to the entire mystery element of the movie is presented in an obvious and clumsy manner, leading to a conclusion in which the real murderer is thwarted by the Mrs. Danvers character. Despite these rather stupid and tiresome characters, it's always watchable, but never particularly compelling.
I will not deal about the plot, which you can easily pick up from elsewhere, and focus rather on my own critical impressions as a simple viewer.
To state it in a sentence: if you decide to abstain from more precise puncualizations you can still enjoy the film.
The main problem (minor flairs are also present) is: evidence is lacking, both when the first suspect is sentenced to death, and when, later, the two amateur detectives - by sheer luck - come across some clues that make them assume (without any certainty, again) who the real murderer might be. The filmmakers were undoubtely aware of that impasse, as the only way they could possibly conceive to make clear who really "did it" is the criminal's own confession.
To state it in a sentence: if you decide to abstain from more precise puncualizations you can still enjoy the film.
The main problem (minor flairs are also present) is: evidence is lacking, both when the first suspect is sentenced to death, and when, later, the two amateur detectives - by sheer luck - come across some clues that make them assume (without any certainty, again) who the real murderer might be. The filmmakers were undoubtely aware of that impasse, as the only way they could possibly conceive to make clear who really "did it" is the criminal's own confession.
Black Orchid (1953)
A smart, crisp, and very British kind of drama with a touch of murder thrown in. It has a flavor of a classic whodunit, but it's never quite seen from the point of view of someone who has to solve the crime. Rather, we are wrapped up in this upper class world (at one point a woman says, as an apology, that she has just one gardener), and the crossed loves of two or three or maybe four of the characters becomes the meat of it. It is a deceptively noir titled movie, directed by British workaday director Charles Saunders, but it's not a noir one bit.
For movie buffs there is the wonderful Leslie Howard's son, Ronald, who has an amazing resemblance (and something less of a presence) on the screen. Ronald Howard had a middling career, and many less than stellar performances on stage, and then screen, and then lots of telly, including a series of 39 episodes as Sherlock Holmes.
More impressive by far is his wife, played by Mary Laura Wood, an even lesser known actress of mostly 50s era dramas and some t.v. Here she is sharp and alive, so taut you are never sure what she's about to do or say next. And she was in almost nothing else you can get your hands on, so enjoy her for what she's worth. There are several good secondary performances, as well, and indeed, if anything lifts this movie up a bit, it's the committed, convincing acting all around.
And the clever, if formulaic, plot.
A smart, crisp, and very British kind of drama with a touch of murder thrown in. It has a flavor of a classic whodunit, but it's never quite seen from the point of view of someone who has to solve the crime. Rather, we are wrapped up in this upper class world (at one point a woman says, as an apology, that she has just one gardener), and the crossed loves of two or three or maybe four of the characters becomes the meat of it. It is a deceptively noir titled movie, directed by British workaday director Charles Saunders, but it's not a noir one bit.
For movie buffs there is the wonderful Leslie Howard's son, Ronald, who has an amazing resemblance (and something less of a presence) on the screen. Ronald Howard had a middling career, and many less than stellar performances on stage, and then screen, and then lots of telly, including a series of 39 episodes as Sherlock Holmes.
More impressive by far is his wife, played by Mary Laura Wood, an even lesser known actress of mostly 50s era dramas and some t.v. Here she is sharp and alive, so taut you are never sure what she's about to do or say next. And she was in almost nothing else you can get your hands on, so enjoy her for what she's worth. There are several good secondary performances, as well, and indeed, if anything lifts this movie up a bit, it's the committed, convincing acting all around.
And the clever, if formulaic, plot.
I caught this film late one night on the ABC and was pleasantly surprised to find Ronald Howard - best known for his role as Sherlock Holmes in the 1954 television series - playing the main character Dr.John Winnington, a kind hearted doctor who has the misfortune to stuck in a loveless marriage to a selfish woman, more interested in dinner parties than his work in curing disease.
I thought Black Orchid was a rather good film, short and sweet (running a little less than one hour). A neat little murder mystery in a who-dunnit structure. The audience is able to participate in attempting to pick who the "real" killer is, following Christine and John's friend Eric as they desperately try to clear Winnington's name and find her sister's "real" murderer, whoever that may be...
4 out of 5 stars.
I thought Black Orchid was a rather good film, short and sweet (running a little less than one hour). A neat little murder mystery in a who-dunnit structure. The audience is able to participate in attempting to pick who the "real" killer is, following Christine and John's friend Eric as they desperately try to clear Winnington's name and find her sister's "real" murderer, whoever that may be...
4 out of 5 stars.
क्या आपको पता है
- ट्रिवियाOne of the main characters is a writer named Eric Blair. "Eric Blair" was the real name of the author who wrote many books under the pen name George Orwell ('1984', 'Animal Farm', 'Down and Out in Paris and London' etc.).
टॉप पसंद
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- 1.37 : 1
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