अपनी भाषा में प्लॉट जोड़ेंAfter surviving prison, a man has to forge a career in the crime world.After surviving prison, a man has to forge a career in the crime world.After surviving prison, a man has to forge a career in the crime world.
- पुरस्कार
- 4 कुल नामांकन
Nicholas Lamont
- Paul
- (as Nick Lamont)
Nicholas Moss
- Charlie
- (as Nick Moss)
Vincent Maguire
- Uncle Harry
- (as Vincent McGuire)
फ़ीचर्ड समीक्षाएं
The best I can say about it is that it was OK. Not a huge plot, probably realistic (not being an expert on prison life or gangster culture) so whilst it wasn't gripping, it was ok as a "whilst I am doing something else" film.
Mercifully short.
Mercifully short.
Saw this film on late night TV the other night and was entranced by
its sheer awfulness. Alas it surely must be added to the future
cult movie genre 'bad British gangster films' .
Right from the word go it was terrible, the clichés coming thick and
fast. The strippers, the snorters, the shooters ('did you bring it ?'),
the pretty blond lawyer, the flashbacks, the jail, the bully, the wise
old con, the predatory homosexual, the fights, the rise to the top,
the gay crime lord, the thick coppers........it just went on and on... It
is a crime film where the writer has been influenced by the genre
rather than any real knowledge of - or insight into -criminal
behavior. The end result is a rubbish plot and bad dialogue. The title itself
is a clue. Very poor.
its sheer awfulness. Alas it surely must be added to the future
cult movie genre 'bad British gangster films' .
Right from the word go it was terrible, the clichés coming thick and
fast. The strippers, the snorters, the shooters ('did you bring it ?'),
the pretty blond lawyer, the flashbacks, the jail, the bully, the wise
old con, the predatory homosexual, the fights, the rise to the top,
the gay crime lord, the thick coppers........it just went on and on... It
is a crime film where the writer has been influenced by the genre
rather than any real knowledge of - or insight into -criminal
behavior. The end result is a rubbish plot and bad dialogue. The title itself
is a clue. Very poor.
The movie is a nice piece of art. Original not boring. Until the ending of this movie i would give it a 9, but when i saw the ending, I changed into a 7. It left a bitter taste in my mouth...
10empengi
This film is a very welcome break from big-budget silly pseudo gangster nonsense like Rocknrolla or the usual vacuous Hollywood fare that we've come to expect. With a refreshingly understated narration by the ever impressive Neil Fitzmaurice, the film is mostly a flashback, which makes you want to keep watching until the whole thing is 'resolved'. Good performances all the way through, the low budget is not too apparent, and there are some very memorable scenes, without the film trying to hard to impress. I would say that this film is well worth adding to your collection, and it's even watchable with your girlfriend, as its strengths are in the plot and atmosphere, rather than macho antics or mindless violence. After it's over, you are left thinking about it, which doesn't always happen with this kind of production. SEE IT!
Having endured the horrors of the recent spate of cockney crime capers I had equally low expectations of this scouse crime caper but it proved to be one of the best British films of the year.
Neil Fitzmaurice's screenplay doesn't do anything radically different, let's be honest, but he manages to bring a fresh eye to a tired genre. The film follows the life of an innocent who is transformed by prison. This is told in a narrated flashback - and you even get flashbacks within flashbacks - which is difficult to pull off but somehow Fitzmaurice manages it. This framing device is usually a lazy way of keeping the audience interested during the boring bits but each section of the film is interesting in its own right and leads logically to the conclusion. Although there are a couple of plot contrivances I had to take with a pinch of salt there is nothing that damages the movie too much. While I'm sure authentic Liverpool gangsters would have spotted lots of mistakes, to a law-abiding citizen like myself it seems quite realistic. And the screenplay does a better job than most of marrying the comedy with the drama.
Fitzmaurice also acts in the film in the lead and that's probably the key to its success. All drama should begin with believable strong characters and while writers often overlook this, actors are less likely to. So Going Off Big Time has the treat of character motivations you understand and can follow without being annoyed. And actors also know how to write dialogue, which in this movie is excellent. The dialogue manages to be authentic without alienating those from outside Liverpool, which is always a help.
The original release date was September, about the same time as Snatch, but only arrives in my local multiplex in November. Timing is obviously everything and while they had bad luck with the theatrical release it should prove a video rental hit. While this was always going to be second best to Snatch, it isn't as far behind in quality as one might think.
Neil Fitzmaurice's screenplay doesn't do anything radically different, let's be honest, but he manages to bring a fresh eye to a tired genre. The film follows the life of an innocent who is transformed by prison. This is told in a narrated flashback - and you even get flashbacks within flashbacks - which is difficult to pull off but somehow Fitzmaurice manages it. This framing device is usually a lazy way of keeping the audience interested during the boring bits but each section of the film is interesting in its own right and leads logically to the conclusion. Although there are a couple of plot contrivances I had to take with a pinch of salt there is nothing that damages the movie too much. While I'm sure authentic Liverpool gangsters would have spotted lots of mistakes, to a law-abiding citizen like myself it seems quite realistic. And the screenplay does a better job than most of marrying the comedy with the drama.
Fitzmaurice also acts in the film in the lead and that's probably the key to its success. All drama should begin with believable strong characters and while writers often overlook this, actors are less likely to. So Going Off Big Time has the treat of character motivations you understand and can follow without being annoyed. And actors also know how to write dialogue, which in this movie is excellent. The dialogue manages to be authentic without alienating those from outside Liverpool, which is always a help.
The original release date was September, about the same time as Snatch, but only arrives in my local multiplex in November. Timing is obviously everything and while they had bad luck with the theatrical release it should prove a video rental hit. While this was always going to be second best to Snatch, it isn't as far behind in quality as one might think.
क्या आपको पता है
- साउंडट्रैकOyster Heaven
Performed by Michael J. Moran & Laurence O'Toole
written by Michael J. Moran & Laurence O'Toole
recorded by triple.m.productions
courtesy of Triple M Productions
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Going Off Big Time?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Облажаться по-крупному
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि
- 1 घं 26 मि(86 min)
- रंग
- पक्ष अनुपात
- 2.35 : 1
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