Chocolat

I saw Chocolat again last night. I had forgotten how lovely a movie it is! People need stories like this these days.

Some other viewers have complained about the predictability of the plot. I don't think it's any more predictable than an average Hollywood film; I find most action films much more predictable and shallow.

The most beautiful thing about the movie (as about Hallström movies generally) is the wise, warm-hearted story about things that matter: love, sincerity, tolerance, standing up for the things you believe are righteous and good, and enjoying the simple pleasures in life, like a good dinner with friends, or like chocolate :) And Hallström tells his stories so delicately, in his very own style, with fine nuances and a twinkle of humour in his eye. Binoche, Dench, Depp, Molina, Thivisol etc. are fantastic.

I'm so glad I saw the movie. It always makes me think and feel a lot.

Chocolat

**** out of ****

Chocolat gives new meaning to one of my favorite film phrases… eye candy. As the title would suggest it is a very sweet film, and not only for the gobs and gobs of luscious, mouthwatering, little morsels. There are parts of the film that look like they could belong to a particularly delectable episode of `Martha Stewart Living', but if you can get past the pangs of hunger it will certainly inflict, you will find there is a lot more to this seemingly charming and simple story.

The film plays in the style of all whimsical children's fairy tales, while at the same time blending in a series of very serious adult themes. It chronicles the exploits of single mother Vianne Rocher, played as usual to a wonderful effect by Juliette Binoche, and her sugary but confused 6-year-old daughter Anouk (Victoire Thivisol), who blow in on a forceful winter wind to the small rural French town of Lansquenet-sous-Tannes. There they open a small chocolate shop. Now this seems innocent enough but the people of the town have different views. For one the shop has been opened at the very unwelcomed time of Lent (a religious fast), during which new temptations certainly aren't invited. Secondly the town's new residents refuse to attend the Sunday morning worship service. Vianne soon finds herself to be the center of the town gossip and distaste, led by the mayor (Alfred Molina). The battle heats up between allegedly pagan Vianne, and the highly conservative, stuffed-shirt townspeople. At start it seems the Rochers are losing, but the fight soon turns as the townsfolk begin to discover the mouth-melting effects of Vianne's wonderful taste-teasing treats.

Misadventure after misadventure occur as the couple come in contact with a wide array of colorful characters (just when you think he must be an extra in comes Johnny Depp), solving their problems while at the same time selling their chocolates. The moral is left fairly open, and can be interpreted in many ways. My personal views are these: That to be good and righteous, doesn't mean you can't be different, you should accept everyone, not necessarily for who they are, but for what they are, human beings. Everyone deserves a proper chance. In the end all characters realize the error of their ways and live together happily and harmoniously.

Chocolat has opened to mixed reviews. Some critics find it to be overly simple, but I think that it is the movie's simplicity that drives it to become so charmingly enthralling. Granted at times it does become at bit silly, but it all ends to a good warm effect. Apparently the Academy of Motion Picture Arts and Sciences share my views as the film was nominated for five academy awards, Best Picture, Best Actress (Binoche), Best Supporting Actress (Judi Dench), Best Adapted Screenplay, and Best Original Score.

Chocolat is a mouthwatering piece of movie magic. Definitely worth a look! It has it's flaws but they are easily covered up by it's great performances (particularly by Binoche), beautiful scenery, giddy musical score, and delightful story. Oh,… and those wonderful chocolates.

Chocolat is about the oddball in the village, the outsider bringing new perspective. It's presented to us as a tale told from mother to daughter, almost like a legend.

The photography is beautiful. The sets are very immersive and realistic, with fitting wardrobe. The story is interesting and light hearted, with some hit of drama and laughters. The characters are well built and very well played.

The most annoying thing about this film is the mix of accent, real or false. I admit it's probably because French is my mother tongue, but still. You eventually get used to it though. Also, the ending is just too perfect, especially concerning the mayor. I know the whole story has a fairy- tale undertone, but he completely reverse not only his view on the stranger, but also his demeanor and his religious views on the sanctity of marriage. It's too much.

Still, I recommend to everyone, especially if you like a bit of romance and tall tales.

We all have our vices. Vices make us complete human beings. We can surpress them and deny them, but we can't quite run away from them. Does it not strike you as a little humorous when someone looks at a menu, knows exactly what they want, but then decides not to get it for fear they will not only offend their God, but offend their own nature? Lasse Hollstrom's latest film, Chocolat, knows all about that person.

Juliette Binoche stars as Vianne Rosher, a chocolate shop owner who not only gets people to talk about their forbidden fruits, but also has the ability to make people happily indulge in them. She, along with her daughter, Anouk (Victoire Thivisol), moves into a quiet French village during Lent and opens her chocolate shop. The townspeople look in the window, admire the confections for a moment, then walk on by.

One diabetic woman, Amande (Judi Dench), decides to stay for a little while. Vianne puts a colorful ceramic plate on the table and spins it around. She asks what Amande sees in the image. Amande tells her and Vianne presumes to know exactly what kind of confection Amande would like the best. We could only dream of such customer service this time of year.

Amande's young grandson, Luc, an aspiring artist, also can't seem to stay away from the chocolate store, in spite of the wishes of his churchgoing mother (Carrie-Anne Moss). Actually, the whole town goes to the same church and it doesn't take long before the Mayor (Alfred Molena) has his say against the shop, since many of the chocolates have been carved into the shapes of naked women and have names such as Nipples of Venus. The chocolates also seem to be changing people's behavior. A sexless, joyless married couple all of a sudden can't keep their Butterfingers off each other.

The non-churchgoing Vianne eventually becomes the center of the town's controversy, but she soon has company after the arrival of the river rats, a group of Irish merchants who travel by boat to pawn off whatever they can, much to the dismay of the townspeople. Here, Vianne meets Roux (Johnny Depp), and they become fast friends and, well, you know the rest.

The story of Chocolat could be described in one sentence-Footloose, only instead of dancing, it's chocolates. However, in this film we have some magic realism to deal with. Unfortunately, the film does not quite develop its own `magical' ideas. It gets bogged down by the usual story elements an d sub-plots we often see with this kind of story. We get the battered wife who finds solace in Vianne's shop and we get the burning of a particular place (here, a boat) to further drive home the point that outsiders will not be tolerated. I would have liked a little more `magic.'

On the other hand, we do get some magic in the form of the performances. Juliette Binoche actually smiles and acts charming, as opposed to the sorrowful and pensive roles in which we usually see her. What a relief to finally see her carrying a picture with warmth, confidence and wit, as well as beauty. The guitar-twanging Johnny Depp (reuniting with his Gilbert Grape director), with a ponytail and an Irish accent, compliments her with a rugged look and easygoing charm that makes his fly-by-the-seat-of-his-pants character a perfect soulmate for Binoche.

I recommend stopping by the candy counter or sneaking in some Fannie May confections before the movie starts. This film does for chocolate what Big Night did for Italian food. In spite of its flaws, Chocolat makes for a far more rewarding and satisfying film experience than Hollstrom's last feel-gooder, the over-rated Cider House Rules. In the end, something about this film won me over. It could have been the irrisistable theme of great food being as close to Godliness as one could get. It could have been the sights of chocolates being created and turned into glorious, statuesque works of art. It could have been the enjoyable cast, each member dealing with their hidden anguish and repression. Or it could have been all of the above, combined with the captivating and alluring grace of Juliette Binoche.

We all have our vices.

First I borrowed this movie from videostore And loved it so much that soon I bought the DVD so I could watch it again. That's how much i love it. I truly regret not watching it, while it was in the cinemas, it would have been great to see it on the big screen. This movie has everything: humanity, love, magic (and gorgeous cinematography), comedy, sadness, great acting. There is depth and strength to the characters in the movie. The costumes and special effects are great too. I loved the acting and how all these story lines were woven into a beautiful, delightful fable. This movie has got the heart. The music is beautiful too, it is so enchanting. It is so wonderful and bittersweet, like chocolate for the soul :) I strongly recommend it