Serendipity

The plot premise, in a particularly streamlined nutshell: In holiday-season Manhattan, Sara Thomas (Kate Beckinsale) and Jonathan Trager (John Cusack) meet cute and, although they both have Significant Others, they end up spending a charming and romantic evening on the town (including coffee and dessert at the aptly-named Serendipity III restaurant). Despite their obvious chemistry, Sara insists on leaving their future up to fate (she turns out to be a therapist, so you'd think she'd know better, but more on that momentarily), whereupon they get separated in the Waldorf=Astoria. Years later, Sara and Jon are both engaged to other people, but can't stop thinking about one another, so they each take a last stab at finding each other again before their respective nuptials. Knowing what a big John Cusack fan I am, a friend of mine recommended I rent SERENDIPITY. Between a parade of people phoning us and our own busy schedules, however, I had almost as much trouble getting to finally sit down and watch the DVD from start to finish as Jon and Sara did trying to get back together in the film itself! But it was worth the effort: even though I was growling at Sara under my breath for being so stupid as to leave their budding romance up to fate instead of running off with Jon when she had the chance (and was Sara so new to NYC that it never occurred to her that other people might take Jon's elevator in the Waldorf=Astoria during their decisive elevator race? Do fate and common sense have to be mutually exclusive?), I found Cusack and Beckinsale so endearing and so full of romantic chemistry (and they both looked yummy, I might add) that I found myself forgiving a lot and rooting for them to get back together. Marc Klein's script is so chock-full of funny and frustrating near-misses that at times I found SERENDIPITY as suspenseful as a Hitchcock film! :-) NYC and San Francisco locations are used wonderfully (I was pleased to see that although the second floor of Serendipity III as shown in the film was quiet enough for Sara and Jon to hear each other talk, it was still as crowded as it usually is on a holiday week! :-). Cusack and Beckinsale are surrounded by a delightful supporting cast, too, particularly Jeremy Piven and Molly Shannon as their respective best friends and the scene-stealing Eugene Levy as an officious, self-serving Bloomingdale's salesman. I also found it refreshing that the filmmakers didn't take the obvious route of making the leads' current Significant Others so horrible that you can't imagine what attracted Our Heroes to these creeps in the first place (that sort of thing always makes me lose respect for both the protagonist *and* the screenwriter). Bridget Moynihan and John Corbett (did the casting directors just stroll on over to the set of SEX AND THE CITY one day and say "Who's free to make a movie?" :-) were appealing enough that I could understand what Cusack and Beckinsale saw in them, yet they were just self-absorbed enough and not-quite-on-our-heroes'-wavelength enough that I didn't feel bad when they got dumped. If romantic whimsy is your bag, give SERENDIPITY a try.

Often I spend my time with a movie outside of it, watching me watching it, imagining how and why it became what it is.

But every once in a while, I fall into the thing. It succeeds in its intent, to charm me. It happens almost never with date movie because the conventions and expectations are so rigid. That makes them obvious and invites me to step outside. But this worked for me, and it might for you.

I think it is because it does three things. The first is that it is remarkably competent; film-making — at least this kind — requires attention to so many elements. This is quite simply one of the most well engineered date movies I have ever seen in terms of those elements. No risks, no innovation, no real art except in the performances. Just polish, skill, craft.

The second is that it unashamedly touches on romance, the heart of romance as well see in movies. Its a rich notion that probably exists only in movies and a few magical times with the person you love — so you know it is real. But cinema inflates and freezes it for you to hold. Perhaps that is not so wise, but it is what romantic films are about and this plays those keys.

The third thing is what interests me the most. Mind you, I only suss this out afterward.

I have recently come to appreciate the invention of what I'll call noir, the noir world of fate. Its entirely a movie notion that as we watch, we become gods and goddesses that (perhaps against our wills) change the world we see so that coincidences apply. Often they are unhappy, but noir fate can work the other way as well. Not usually; it takes some clever invention which we have here. Its why there's mention of Cassiopeia. See? (I mean that literally.)

Its such an attractive idea, that two souls are fated to meet, (one a film producer, the other an analyst). They were born to be together, born alike in some fundamental way. The world will contrive to make the natural fit. Its something to yearn for, and that's what date movies are for: a pinnacle of happiness in love.

This captured me. I suppose it was fate. I wish something similar for you.

Ted's Evaluation -- 3 of 3: Worth watching.

Sarah is a girl who believes obsessively in destiny. So, according to her, if two people are meant to be together they'll be; the fate would decide the time though. Until then, they've to be content with signals that will remind them of their soulmates. Two perfect strangers bump into each other on a Christmas evening while shopping for gloves. Jonathan feels instant spark, but Sarah is not so sure. She would rather wait for an appropriate time. For now, they would spend a wonderful evening together. At the end of that, Jonathan gets to know her first name. Years pass by; they are about to get married to two different persons. But, hardly there have been a day when didn't think of each other. What they do now? It's a passionately romantic movie. Not too much drama like Titanic. It has the flavor 'Sweet November'. The comedy is kept to minimum. John Cusack and Kate Beckinsale have played their parts convincingly. Beckinsale is adorable, and Cusack has some bohemian charm. His disheveled look sometime contradicts his Romeo-like role. But it contributes positively to his constant confusedness. The ending is so predictable. Only that it may not happen when you think. Peter Chelsom deserves applaud for making a beautiful film, even though when you know what would happen next.

Magic happens, if you let it; and sometimes even fate or destiny-- or whatever you want to call it-- steps in to lend a hand. But when it concerns love, and finding that special person you're going to spend the rest of your life with, should you risk tempting fate with a test of that love or what is seemingly meant to be, or should you just follow your apparent destiny and embrace it? Such are the questions two people must face and answer in the romantic comedy/drama `Serendipity,' directed by Peter Chelsom. Jonathan Trager (John Cusack) is shopping for a gift for his girlfriend, and Sara Thomas (Kate Beckinsale) is looking for something for her boyfriend when they reach for the same pair of gloves on a rack at Bloomingdales. And the wheels of fate are quickly turning. Or are they? Jonathan and Sara proceed to spend the next few hours together, including a romantic interlude skating in New York's Central Park, and there are definite sparks flying between them. For Jonathan, it's a significant emotional experience, and he realizes something has happened, that something has changed in his life; Sara feels the same, but being a true believer in destiny, she needs a sign that this is meant to be before she'll consider pursuing whatever it is that's just happened between them. So she puts it to the test. And for Jonathan, knowing only that her name is Sara, it's the beginning of an odyssey-- a quest-- to find true love with the woman he already knows in his heart of hearts that he wants to share his life with. For Sara, it's the beginning of a search for love, and for that one special person she knows is destined to be her soul mate forever. They both find, however, that the path to pure love is filled with every obstacle the known universe could possibly place in their way. And is the journey worth it? Well, in the end, it all comes down to what fate has predetermined. Or does it?

In the tradition of such films as `Sleepless In Seattle' and `You've Got Mail,' Chelsom has fashioned a truly romantic tale of two people who are absolutely destined to be together, no matter what. And-- as the audience knows early on-- nothing less will be acceptable. Hanks and Ryan may be missing, but the charismatic Cusack and the beguiling Beckinsale more than make up for it, carving out their own niche in the genre with this outing, and Chelsom has just enough of that Nora Ephron touch (including the use of music, matching the perfect song with every situation) to make it work. The chances of things ever happening in real life the way they do in this movie are about twice as remote as winning the lottery, but who cares? This is a heartwarming fable about love-- about the way we `want' love to be-- and it's delivered with an endearing care that makes it emotionally involving, entertaining and a thoroughly satisfying experience. And there's not a whole lot more you can ask of a movie, I think.

Cusack is so likable, and manages to convey the bedevilment of his situation with such facility, that the viewer is unequivocally drawn in from the beginning. You want things to work out for this guy-- and Sara, as well; and, of course, you're pretty confident from the outset they are going to. But along the way they make you feel something; they enable you to share the frustration as well as the elation that comes with discovering love, and perhaps finding that better part of yourself at the same time. And the fact that Cusack makes Jonathan so believable, and someone with whom you can identify, has more than a lot to do with it. It's a quality performance from an actor with the flexibility and range to do just about anything, and who never disappoints.

The other half of the equation for success, of course, belongs to Beckinsale, who is not only beautiful, but a good actor who infuses her character with a touch of mystery and complexity that makes her winsome and interesting. Like Cusack's Jonathan, Sara is someone you can root for; you want to see her get what she wants and what she deserves. This isn't a perfect world we live in, and we all know it; but for Sara and Jonathan you want it to be. There's a chemistry between the two of them, and they make it so easy for you to project your own feelings and desires into their situation, that there's no getting around it. If they win, you win. It's that simple. And even though they take you over some rough spots along the way, it's a fun trip and Beckinsale and Cusack-- Sara and Jonathan-- make it a journey worth taking.

The supporting cast includes Molly Shannon, Jeremy Piven, Bridget Moynahan and Eugene Levy (who is terrific-- and hilarious-- as a sales clerk at Bloomingdales). A handsome film that touches all the right nerves and pushes all the right buttons, `Serendipity' has a gentle sensibility about it that addresses the notions of romance and love that reside within us all. And it's refreshingly presented in a way that is pure and inoffensive; and as such it allows you to open up and embrace something of value without having to apologize for it, and without implying you have to be `hip' to appreciate it. Because it's all about love and sharing love, which is something we can all use a little more of in this world we live in today. And that's the magic of the movies. I rate this one 9/10.

Since I have always wondered about fate/destiny and the alike, it was not for one moment, hard for me to embrace this movie. To me, this movie signifies the importance of saying what you feel and feeling what you say. All to often in life people pass each other by and subsequently up all because of being afraid to feel, say, think, and of what others will think. I have tried to become more honest in my life as a result of seeing this movie.