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The Center of the World

  • 2001
  • Unrated
  • 1 घं 28 मि
IMDb रेटिंग
5.8/10
5.4 हज़ार
आपकी रेटिंग
The Center of the World (2001)
Home Video Trailer from Artisan
trailer प्ले करें1:00
2 वीडियो
27 फ़ोटो
मनोवैज्ञानिक ड्रामास्टीमी रोमांसड्रामारोमांस

एक सफल कंप्यूटर इंजीनियर किसी कैफे में एक स्ट्रिपर (कपड़े उतारते हुए नृत्य करने वाले) से मिलता है. वह उसे 10000 डॉलर की पेशकश करता है और वह वेगास में बिना किसी भेदन के 3 दिन और रात का प्रस्त... सभी पढ़ेंएक सफल कंप्यूटर इंजीनियर किसी कैफे में एक स्ट्रिपर (कपड़े उतारते हुए नृत्य करने वाले) से मिलता है. वह उसे 10000 डॉलर की पेशकश करता है और वह वेगास में बिना किसी भेदन के 3 दिन और रात का प्रस्ताव देती है.एक सफल कंप्यूटर इंजीनियर किसी कैफे में एक स्ट्रिपर (कपड़े उतारते हुए नृत्य करने वाले) से मिलता है. वह उसे 10000 डॉलर की पेशकश करता है और वह वेगास में बिना किसी भेदन के 3 दिन और रात का प्रस्ताव देती है.

  • निर्देशक
    • Wayne Wang
  • लेखक
    • Wayne Wang
    • Miranda July
    • Paul Auster
  • स्टार
    • Shane Edelman
    • Balthazar Getty
    • Molly Parker
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.8/10
    5.4 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Wayne Wang
    • लेखक
      • Wayne Wang
      • Miranda July
      • Paul Auster
    • स्टार
      • Shane Edelman
      • Balthazar Getty
      • Molly Parker
    • 77यूज़र समीक्षाएं
    • 65आलोचक समीक्षाएं
    • 44मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 1 नामांकन

    वीडियो2

    The Center of the World
    Trailer 1:00
    The Center of the World
    Center Of The World: They Don't Look Like You
    Clip 2:01
    Center Of The World: They Don't Look Like You
    Center Of The World: They Don't Look Like You
    Clip 2:01
    Center Of The World: They Don't Look Like You

    फ़ोटो27

    पोस्टर देखें
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    पोस्टर देखें
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    + 19
    पोस्टर देखें

    टॉप कलाकार22

    बदलाव करें
    Shane Edelman
    Shane Edelman
    • Porter
    Balthazar Getty
    Balthazar Getty
    • Brian Pivano
    Molly Parker
    Molly Parker
    • Florence
    Peter Sarsgaard
    Peter Sarsgaard
    • Richard Longman
    Maryjane Green
    Maryjane Green
    • Lap Dancer
    • (as Karry Brown)
    Alisha Klass
    Alisha Klass
    • Pandora Stripper
    Mel Gorham
    Mel Gorham
    • Roxanne
    Lisa Newlan
    • Porn Site Woman
    Jason McCabe
    • Pete
    • (as Jason Mccabe Calacanis)
    Travis Miljan
    • Dog Owner
    Jerry Sherman
    • Old Man
    Carla Gugino
    Carla Gugino
    • Jerri
    Pat Morita
    Pat Morita
    • Taxi Driver
    Robert Lefkowitz
    • Motel Manager
    John Lombardo
    • Gondolier
    Kathy Florez
    • Maid
    Ian Gomez
    Ian Gomez
    • Delivery Man
    Alison Amberley
      • निर्देशक
        • Wayne Wang
      • लेखक
        • Wayne Wang
        • Miranda July
        • Paul Auster
      • सभी कास्ट और क्रू
      • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

      उपयोगकर्ता समीक्षाएं77

      5.85.4K
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      फ़ीचर्ड समीक्षाएं

      mdinfo1

      Very sensual and daring

      It's hard to find a truly erotic movie made in America. Most mainstream films have little sex/no nudity and a whole lot of violence. And what constitutes "erotic art" in films is made up horribly contrived, unbelievable Cinemax/Playboy movies. That lack any real heat and are amazingly unsexy and boring.

      So a film like "Center of the World" is a rare gem. It actually is sensual, erotic and the participants in the sex scenes seem comfortable and actually engaged in what they are doing. The scenes do not come off as awkward or simulated. Which is the challenge for any film director. To make the audience believe what they are seeing is real.

      What's special here is that a great actress who one would actually like to see do nudity/sexual material, has the lead female role. There's no body doubles here and Molly seems really comfortable with the nudity and explicit sex scenes. She looks absolutely gorgeous throughout the movie. And is not the traditional, cookie butter starlet that is churned out in a 1,001 Cinemax skin flicks.

      Hollywood should make more of these films. Unfortunately, I think during this age of "sexual repression" in the arts, our natural human sexual needs will continue to be hidden from view on both the big and small screens.
      jconner_1984

      Digital Verite...

      "You don't *look* like a stripper..." was the first clue. Director Wang, who clearly OK'd Zalman King/Adrian Lyne film style ad and packaging art, was hardly hiding the reality vs. fantasy (or real vs. fake) themes of his superb dot-com romantic tragedy much past the opening credits.

      Wang's use of hand-held camera, grainy 8mm, incandescent lighting color wash, high-definition close ups, and assorted traditional noir and verite style cinematography and direction is a breakthough exploration of digital media.

      Vegas visitors brave enough to leave their Strip casino/hotel cocoons during daylight hours will surely be struck by the almost surreal difference between how ugly and unglamorous the city is by day and how other-worldly beautiful after dark. Florence, however, is no Vegas...

      Get it? Florence (Italy), is *real*, and every flaw she (the city) may have simply adds to the unearthly beauty she emanates. Whether filmed in handi-cam, Fisher-Price pixelvision, or 70mm IMAX, at high noon or midnight, the beauty of Florence (Italy) is timeless and media-independent. At least in the hands of Wayne Wang, Florence glows with or without the lipstick and latex...I mean neon.

      Richard's visit to the Venetian Casino/Hotel near the end of the movie completes the tragic romantic (city) metaphor. The "canals" at the Venetian Hotel are truly as pathetic as the film depicts them.

      The problem is, these two tragic lovers have always kept a safe distance away from Florence (Italy), or *reality*, and are tragically resigned to a Vegas-reality. Or a dot-com reality...

      Filmed digitally and rendered as cinema verite, even duplicating the "grainy" silver halide crystal image artifact of low light film stock with a digital effect extends the film's theme to the medium communicating the artist's expression.

      Great film.

      I just wish my many shares of homegrocer.com were as valuable as a single used copy of a DVD of this film....or a single apple from an actual grocer.....
      animalmother78

      Worth one viewing

      "Center of the World" is a very well photographed drama and is highly worth a viewing, but has several flaws.

      "Center of the World", an almost mirror image of "Leaving Las Vegas" (better film), is about a computer whiz named Richard's (Peter Sarsgaard) three day escape from his everyday life to Las Vegas with a stripper named Florence (the lovely Molly Parker), who he pays to go with him under the conditions they won't have sex.

      But Richard's promise eventually gets the best of him and he begins to obsess about having the best sex of his life with Florence. Florence, meanwhile, holds Richard back with teases and a "Fire and Ice" (Don't ask me) routine off screen.

      With each tease, the characters' chemistry builds up and we begin to wonder if Richard and Florence are actually falling in love.

      "Center of the World" has beautiful cinematography. The entire film was shot on tape and a few scenes are in one of the best shades of black and white I've ever scene.

      Peter Sarsgaard is very good as the naive but extremely polite computer whiz and Molly Parker (although very better in "Pure") pours herself into the tough role of Florence almost as good as Jennifer Connely portrayed Marion in "Requiem for a Dream".

      The film does have several flaws though. It has far too many sex scenes (often gratuitous), the chemistry between the two characters blooms and dies at any given time and the surprise ending is almost ruined by two scenes directly after the surprise (you'll have to see for yourself).

      "Center of the World" is a good film worth watching once.
      7Rogue-32

      . . .is it money? is it sex?

      An extremely articulate and well-observed film from Wayne Wang, about what it means to have power - financial power, sexual power - and how shallow this power truly is, especially when it's detached from anything resembling true involvement, genuine passion. Both characters are obsessed with The Game, and they are both very good at it. Peter Sarsgaard and Molly Parker are both superb, letting us see enough of their characters' inner workings to completely understand them without showing too much, losing the edge. Each has what the other thinks he/she needs, and the film is basically a discourse on negotiation - what you will give up to get what you desire? Issues of control are central to the theme, and the cool thing is, both characters know it and they get off on that more than the actual sex itself.
      8kkcoold

      Love in the Time of Dotcoms

      A digital camera does not a movie make but Wayne Wang didn't rely on avant-garde technique alone when he decided to revisit the basic boy-meets-girl story. He simplifies the problem by choosing two people with very little in common and then taking them out of their natural settings and putting them in the unreal world of Las Vegas. The man is a socially inept but financially successful engineer so typical of our times and his character is developed and portrayed very realistically by Peter Saarsgard in a role very different from what he played in Boys Don't Cry. He's got it down even to the careless dressing and awkward laugh. I know - I work in the Bay Area. Molly Parker is equally convincing as the drummer-by-day-stripper-by-night career woman who has such a cool and invincible air about her that it makes quite an impact in the few occasions when she does let her armor down.

      It almost seems as if Wang has taken the Hollywood classic Pretty Woman and has decided to deHollywoodize it. And in that he has been quite successful. The graininess of the Blair Witch style digital camera coupled with innovative shots including unexpected close-ups follow no clichés. Equally cliché-free is the screenplay which follows a loosely linear narrative advanced primarily by the sexual encounters between a man and a woman who are placed in the near-equivalent situation of a desert island and come from different worlds. In this, one can discern shades of Last Tango in Paris, except that this movie is set in a more cynical time where love has been deconstructed and is not worth killing for. Sex becomes the center of their world but even as they escape into sex they cannot quite leave their personalities, their dreams, their insecurities behind and that is what ultimately saves them and their story from the mundaneness of a forgettable sexual encounter. Although they go into into the deal for purely selfish reasons - he desiring an escape from Internet porn and she looking for some extra cash - their encounter, like all good stories, becomes something of a journey of self-discovery.

      Mention must be made of the attention to detail which makes the setting very believable. The soundtrack is eclectic and follows the local Californian club scene rather than big label network music. And the dialogue is very boy-girl-next-door rather than being made up of grand lines. However, this movie is not everybody's cup of tea. The lack of a discernable narrative in some of the scenes risks losing the viewer's attention. And there's no simple message or tying up of loose ends here. But those who can brave that and the graininess will be rewarded with a contemporary look at love in our times.

      इस तरह के और

      Antares
      6.1
      Antares
      And God Created Woman
      4.4
      And God Created Woman
      You Are Alone
      6.1
      You Are Alone
      No Child of Mine
      7.3
      No Child of Mine
      Romance
      5.2
      Romance
      Passion simple
      5.4
      Passion simple
      68 Kill
      6.0
      68 Kill
      Shortbus
      6.4
      Shortbus
      Killing Me Softly
      5.4
      Killing Me Softly
      Jolene
      6.4
      Jolene
      Swingtown
      7.6
      Swingtown
      Cherry
      6.6
      Cherry

      कहानी

      बदलाव करें

      क्या आपको पता है

      बदलाव करें
      • ट्रिविया
        The scene of Florence's character engaging in masturbation was performed by porn actress Alisha Klass, not Molly Parker.
      • गूफ़
        When Jerri is yelling at Florence in the hotel room, the crew and equipment are reflected in the mirror.
      • भाव

        Florence: Women want to feel desired. And men love it when their women make that extra effort to be desirable. After all, without sex, none of us would be born. And we are all born out of a woman's cunt. It is the center of the world. And the more we can do to glorify that holy spot, the more we're doing for mankind.

      • क्रेज़ी क्रेडिट
        The opening credits are done as if they were just typed at the moment the image is on the screen. As such, there are typos which get back-spaced and then quickly fixed.
      • कनेक्शन
        Featured in Siskel & Ebert & the Movies: Freddy Got Fingered/The Body/Crocodile Dundee in Los Angeles/The Center of the World/Keep the River on Your Right (2001)
      • साउंडट्रैक
        Black Cat Bone
        Written by Guy Fixsen and Margaret Fiedler

        Performed by Laika

        Courtesy of Too Pure Records (Beggars Banquet)

      टॉप पसंद

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      साइन इन करें

      अक्सर पूछे जाने वाला सवाल17

      • How long is The Center of the World?Alexa द्वारा संचालित

      विवरण

      बदलाव करें
      • रिलीज़ की तारीख़
        • 18 मई 2001 (इटली)
      • कंट्री ऑफ़ ओरिजिन
        • यूनाइटेड स्टेट्स
      • भाषा
        • अंग्रेज़ी
      • इस रूप में भी जाना जाता है
        • El centro del mundo
      • फ़िल्माने की जगहें
        • Santa Clarita, कैलिफोर्निया, संयुक्त राज्य अमेरिका
      • उत्पादन कंपनियां
        • Artisan Entertainment
        • Redeemable Features
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      बॉक्स ऑफ़िस

      बदलाव करें
      • US और कनाडा में सकल
        • $11,01,344
      • US और कनाडा में पहले सप्ताह में कुल कमाई
        • $67,809
        • 22 अप्रैल 2001
      • दुनिया भर में सकल
        • $14,60,687
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      तकनीकी विशेषताएं

      बदलाव करें
      • चलने की अवधि
        • 1 घं 28 मि(88 min)
      • रंग
        • Color
        • Black and White
      • ध्वनि मिश्रण
        • Dolby Digital
      • पक्ष अनुपात
        • 1.85 : 1

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