The Price of Milk

I have already seen the movie. I found it really complicated to understand and I'm not sure if it was a message there, but I really like it. It was funny,romantic, sad,...all the emotions in one. I got to say this; it's the first time I have seen Karl Urban smiling in a film, he should do it more.

I like the movies that make you think. Our minds need to work hard because in my opinion we are not going for the right way in this world. As the majority we like the cinema, which is the best way to start doing it?

Sorry if somebody has problems for understand me, sometimes it's difficult to express in English my thoughts.

The Price of Milk is a movie that can only be viewed on its own terms. Strange things happen, sometimes revolving around a curse (moral: drive carefully), sometimes just because. There's a quilt, there are cows, and there's New Zealand mysticism (or something). Realism isn't the point.

A coherent plot is hiding in there somewhere, but the movie is as much a collection of unexpected events as it is aanything else. This is at first charming and cute; an early scene with Rob and Lucinda sharing a bath, for example, is particularly clever.

The amusement level is high at first, but eventually the movie just gets tiring. After a certain point, I started to wish that they would just get on with it and stop throwing in so many additional complications. Fortunately the producers came to their senses somewhere along the line, as the movie is short enough that it doesn't wear out its welcome completely by the end.

This movie is a fairy tale in the same vein as Alice In Wonderland: extremely psychadelic and not interpretable -- so don't even bother trying to interpret it, there's no point. You drop down a rabbit-hole and life makes no sense anymore. Just sit back and enjoy the wierdness.

One of the warmest worlds I visit is the expanded world of Spanish extrareality. It is supported by a whole class of intelligent artists. Though it is potentially rich we usually have this world delivered in order to surround sex in some way not usually available.

I find myself wishing for other filmmakers to use this -- what is usually called magical realism -- in different ways.

Hal Hartley, Atom Egoyan, Guy Maddin, even early Cronenberg Maddin made me hope that a Canadian tradition would sustain a second tradition, one with more powerful emotional abstractions not so dependent on genitals.

Here in New Zealand films, I may have discovered another possible home for my constructive retreats.

This little film tries all sorts of magical things. That they often are unsuccessful and often have no connective logic makes them more attractive, more engaging. All the magic here is cinematic, every device.

Three shots were pretty memorable. One had a long red silk fabric train while our actress walked diagonally across the bright green hill we were by then familiar with. One was when we re-enter the world of physical touch that we had hoped for. Her hand appears from nowhere to caress his head. Very rewarding.

The third is of a different order. I won't describe it in detail but it is the payoff, built up through many images. It is of a young woman reaching for the shod foot of a toddler sticking out of a cloud and not quite reachable. Its really quite lovely.

The woman in question is truly a striking actress, Danielle Cormack, who seems to limit herself to local indie films and stupid TeeVee. Well, she is one of the best mouth actresses I have seen.

I really liked this. It seems to be a voyage through womanhood for men, and I learned.

Ted's Evaluation -- 3 of 3: Worth watching.

This movie is definitely the strangest I've seen in a long time. But it made me laugh. A lot. In a slightly ironic matter (as in, oh my god, what an art school movie). I'm not sure if that was the original intent of the writer/director, but I enjoyed it. On the downside, it can get a bit long sometimes and I think could have been edited a little better, i.e., cutting short some scenes, and at times Lucinda's character seems unrealistic and even downright stupid. But the payoff is some hilariously absurd scenes and concepts--my favorite was the dog in the box. I'd recommend this movie, but don't go into it expecting something breathtaking. It's first and foremost absurdist.