Murder in Eden

Very good Brit B, with Ray McAnally (better known to me as a car connoisseur on BBC Entertainment, and here acting none at all anally) playing an effective Inspector Sharkey, and Feller trying to pass off as a French girl with bulging eyes in a cute bubble car, whilst the villainous vehicle is a magnificent Bentley with a weird "Spirit of the Wolf" metallic figurehead... ah, the saucy sixties!

Sexy Yvonne Buckingham is a palace playing the sadly short part of Vicky Woolf. Exquisite face, figure and legs - to die for!

Competent photography (despite the obvious painted background in the final sequence), excellent and very melodious French accordion soundtrack and capable direction by Max Varnel (whom I do not know from Adam but whose father was apparently a French director of some standing), all neatly packed into an economical 61 minutes. Definitely worth watching!

Art expert Robert Lepler tells gallery owner Mark Singleton that the old master he is about to deliver is a fine forgery. Someone switched it for the real one after Lepler authenticated it. He's working on a book on forgeries. He also tells Singleton that the latest painting he is touting is a forgery. Singleton pulls it, but Lepler dies in a hit-and-run, just as French journalist Catherine Feller shows up to interview him; she finds Inspector Ray McAnally crossing her path, as well as oil magnate and collector Jack Aranson, and restorer Michael Lucas.

It's a nice little script, fairly ambitious in its coverage of the hothouse world of art collection for a B movie, and always threatening to turn farcical when Miss Feller and McAnally cross paths. While director Max Vanel is good at covering the story and the visuals, the accents come and go, and a lot of the actors speak Received Pronunciation with what sounds to me like an Irish lilt. Some very smelly red herrings get dragged along the path, and it's a fair, although not too challenging mystery.

Murder in Eden is a quota quickie. A low budget B movie that has an early leading role for the great character actor Ray McAnally.

He plays Inspector Sharkey called into investigate the death of an art critic in a hit and run accident. The critic had earlier claimed that some paintings in an art exhibition were fake.

Sharkey finds himself paired up with a beautiful French journalist Geneviève Beaujean. It is not long before someone tries to run Sharkey over.

A brisk plot but it still feels padded. At least there is an interesting twist near the end but was Sharkey always one step ahead?

This might be the only time McAnally had a leading role in a movie. Then again the film was shot in Ireland but is supposedly set in London.

British B film with a run time of 61 minutes - let's give it a try. Fortunately, Murder in Eden didn't disappoint, at least not too much. It's actually kind of fun. The cast is all around solid and each plays their parts well, with most giving just the right touch. The story involving the art world, old masters, and forgery is fine, and even provides a little plot twist towards the end. The peppy score, cute little bubble car, all work together to give this little mystery just enough to keep the viewer engaged from beginning to end. I definitely think Murder in Eden is worth checking out if you tend to appreciate British mysteries, even those filmed in Ireland.

When an acclaimed art critic announces that a famous painting adoring an Irish gallery is a forgery, it's owner "Arnold Woolf" (Mark Singleton) is outraged. Shortly afterwards, said critic has come a cropper in a car accident and it falls to "Insp. Sharkey" (Ray McAnally) to get to the bottom of the accident, a theft and a fraud. Add to the mix the presence of the chic "Geneviève" (Catherine Feller) who potters around in her tiny bubble car and we have just about enough ingredients to make this crime drama entirely... forgettable. Indeed, aside from some rather jaunty accordion music the whole thing is curiously dull. McAnally exudes no screen presence at all (on the basis of this rather lacklustre effort you would never had had him succeed in later life). The story is pretty pedestrian - though there is maybe the merest hint of a twist at the end - and though prettily enough shot leaves little to remember.