Girlfriends

I love this series way back in 2000 still wholesome 22 years later. I kinda find Joan controlling, bossy, judgmental, thinking she's better than everyone else, lowkey narcissistic. Everything had to happen at her house or she wouldn't attend or it wasn't as good as it would have been if it was to be at her house. Then turns around and make everyone feel like she's always there for them. She's that bourgeois friend with the money, status, right family and money connections, who's always there to help her friends out but later uses it to gaslight them about how good she always is to them. She's a victim of her very restricted/protected privileged conservative upbringing.

Toni is the insecure girl who tries too hard to breakfree from poverty and the smalltown countrygal image, she ends up materialistic, self-centered, selfabsorbed narcissistic, but in reality all that is just a front for her fears, insecurities&low selfworth. I feel the others ganged up on her most of the time, they're just plain mean to her, made her the ass of jokes, I can see why "she" left the show. The show lost it's pepper after Toni keft, Jill-Marie nailed that role, it was never the same after she exited.

Lynn was the typical Aquarius. She's over-educated, whimsical, philosophical, but lots of talent&potential. She's hopelessly incapacitated by her identity crisis. She's the open-minded, sexually liberated and artistic woman, very smart, intelligent, acting lazy, spoilt brat, hoochymomma airhead as a way to fit in, deal with her identity crisis and fit in. She seems to have fear of rejection, using sympathy to sponge on her friends. She is the one whose easy to talk to and you can turn to because she's not judgmental.

Maya, the typical ghetto fabulous teen mom, who married too young, yet grounded with some solid values. She's ambitious and determined to rise above her past mistakes and follow her dreams, nonetheless. She's the levelheaded, wiser one among the four.

This show is, in my opinion, a very funny well written well acted program. I find it to be sophisticated and not your typical "urban" comedy. The chemistry between the four actresses is wonderful and believable. I must admit that there is a familiar feeling to the format of the show but, so what there are many sitcoms that are "like" other sitcoms that doesn't necessarily mean they are bad. Girlfriends brings a fresh approach to a old format. I like the fact that all the characters are in different places in their lives and that they are different in their approach to life, I find most of the story lines to be very truthful and realistic. This show is worth your time!

This is the show that taught me to look at TV shows for what they are: writers' impressions of what life "somewhere" for "someone" is like. No, this show doesn't portray all of my personal experiences as a Black woman, but it also doesn't portray what I think my life is going to be like as an attorney, either.

If it's funny, then it's funny - and 'Girlfriends' is funny. Just because the stars are Black doesn't mean that it is necessarily there to represent the "Black" experience. Nor does it have to. No more double standard for me. I recommend this show to everyone - not just Black women.

This show is really funny but sadly underrated. The lead actors are good though the changing supporting cast is not fantastic. I'll be very sad if this show gets cancelled because I stay up till late to watch it and its definitely worth it.

The show lasts about 20 minutes minus ad breaks and tackles some real-life issues like children, marriage, career aspirations, therapy. I wouldn't compare it to Sex and the City though that may have been how the concept for the show began.

I await its move from late night television show to prime time sitcom but doubt it will be happening too soon. All four female leads are quite beautiful...contrary to previous comments.

This show started out good, and has gotten better and more assured throughout its run. Comparisons to "Sex and the City" and "Living Single" are fair, but only tell half of the story. As the show has developed, it has made such comparisons necessarily reductive: "Girlfriends" combines the best of both of those predecessors and throws in other elements to make a series which is both thought-provoking and one of the most raucously funny projects on TV today. Its location in UPN's Monday night "ghetto" is both a blessing and a curse: it gives "Girlfriends" a firm foundation within the target African-American audience, but it limits the show's ability to reach out to other audiences. I wish more people would seek it out; I'm pretty sure they'd love it as much as I do. During the third season, scripts have continued to tackle serious subjects with greater and greater success, while keeping the laugh count as high as ever (much higher than 90% of comedies on the air). The performances remain strong as the characters are taken through much more than usual sitcom paces. This show actually has the nerve to tell real stories, rather than growing stale out of fear of change. The producers have managed to keep the viewers laughing while becoming the leading fictional forum for racial issues and simultaneously earning its feminist bona fides (including an A+ rating from NOW).