IMDb रेटिंग
7.1/10
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आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA television remake of William Gibson's classic play about Anne Sullivan's efforts to draw Helen Keller from her world of darkness, blindness, deafness and silence.A television remake of William Gibson's classic play about Anne Sullivan's efforts to draw Helen Keller from her world of darkness, blindness, deafness and silence.A television remake of William Gibson's classic play about Anne Sullivan's efforts to draw Helen Keller from her world of darkness, blindness, deafness and silence.
- पुरस्कार
- 1 जीत और कुल 2 नामांकन
Hallie Eisenberg
- Helen Keller
- (as Hallie Kate Eisenberg)
Tom Bishop Jr.
- Carriage driver
- (बिना क्रेडिट के)
Tom Bishop Sr.
- Carriage driver
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
This very vanilla and completely unnecessary remake (the 2nd) of the 1962 film does manage to achieve some solid dramatic moments, but much of Gibson's play has been overly softened and sentimentalized to achieve what passes as "family entertainment" these days. This is one time when smoothing out all the rough edges for the sake of the children (or is it for the over-concerned adults?) has a negative impact.
The original play and movie are not absolute masterworks: some of Gibson's writing is too melodramatic and the supporting characters have few dimensions (not helped by the overacting of Victor Jory and Inga Swensen in the '62 film). But the taut direction of Arthur Penn and the sheer intensity of the Bancoft-Duke pairing resulted in an extraordinarily effective piece nonetheless.
Here we have the good Alison Elliott as Sullivan and Hallie Kate Eisenberg as a too-scrubbed-clean Helen (when one character remarks at how clean she is after Sullivan has her to herself for a week, you really don't see a difference). Eisenberg is competent, but not moving. Hers is a Helen that would work well in a Disney animated version of the story.
Elliot fares better, but the mediocre direction and script undermine her at times. In trying to give the other characters some added dimensions not in the play, the teleplay feels the need to konk us over the head about some of their issues. When confronted about his jealousy of Helen, half-brother James actually says, "If Helen gets better, who else can I blame for my unhappiness?" Yikes. Lucas Black looks very uncomfortable saying that clunky line, and you can't blame him.
David Strathairn should have better things to do than play Captain Keller, and his performance has little energy or impact. Kate Greenhouse as Kate Keller loses her southern accent after less than a minute and is rather amateurish at times.
Another vote to stick with the original. I've never seen the 1979 remake - which I gather is better than this one.
The original play and movie are not absolute masterworks: some of Gibson's writing is too melodramatic and the supporting characters have few dimensions (not helped by the overacting of Victor Jory and Inga Swensen in the '62 film). But the taut direction of Arthur Penn and the sheer intensity of the Bancoft-Duke pairing resulted in an extraordinarily effective piece nonetheless.
Here we have the good Alison Elliott as Sullivan and Hallie Kate Eisenberg as a too-scrubbed-clean Helen (when one character remarks at how clean she is after Sullivan has her to herself for a week, you really don't see a difference). Eisenberg is competent, but not moving. Hers is a Helen that would work well in a Disney animated version of the story.
Elliot fares better, but the mediocre direction and script undermine her at times. In trying to give the other characters some added dimensions not in the play, the teleplay feels the need to konk us over the head about some of their issues. When confronted about his jealousy of Helen, half-brother James actually says, "If Helen gets better, who else can I blame for my unhappiness?" Yikes. Lucas Black looks very uncomfortable saying that clunky line, and you can't blame him.
David Strathairn should have better things to do than play Captain Keller, and his performance has little energy or impact. Kate Greenhouse as Kate Keller loses her southern accent after less than a minute and is rather amateurish at times.
Another vote to stick with the original. I've never seen the 1979 remake - which I gather is better than this one.
I am SO proud of Disney for presenting us with movies with emotion, heart, and feelings, and not just another talking animal, or silly kids picture. On the heels of "Selma, Lord Selma", and "Ruby Bridges", comes this re-telling of the classic story of deaf, & blind Helen Keller, and her courageous teacher, Anne Sullivan.
Still not sure if the story was actually NEEDING another modern version, I gave it a chance because I love the story. I was very pleased and impressed with the acting talents of the two leads, and I enjoyed the gentle and touching way Disney presented them. a wonderful story (no doubt) but an even more wonderful presentation. Does it outdue the original? NEVER. Nor did "The Parent Trap" outdue it's original, but both versions are worthy of your attention. And this is no exception. A gem of a movie. Share it with your family.
And thanks AGAIN, Disney. You are slowly restoring my faith in your "family films" again.
Still not sure if the story was actually NEEDING another modern version, I gave it a chance because I love the story. I was very pleased and impressed with the acting talents of the two leads, and I enjoyed the gentle and touching way Disney presented them. a wonderful story (no doubt) but an even more wonderful presentation. Does it outdue the original? NEVER. Nor did "The Parent Trap" outdue it's original, but both versions are worthy of your attention. And this is no exception. A gem of a movie. Share it with your family.
And thanks AGAIN, Disney. You are slowly restoring my faith in your "family films" again.
The fact that Helen Keller would be played by that annoying girl in those ubiquitous Pepsi commercials did not give me much hope for this television remake of the classic tale. I'm happy to report that I found myself very pleasantly surprised. Hallie Kate Eisenberg did, in fact, create a Helen with both subtlety and nuance. As well, Alison Elliot's portrayal of Annie Sullivan showed both grace and intelligent restraint. This relatively gentle production never recreates the dense and claustrophobic tragedy of the 1962 movie (starring Patty Duke and Anne Bancroft) and thus the 'awakening' lacks the same glorious contrast. However, it does remain true to the spirit of the story and Helen's amazing triumph will no doubt continue to inspire a whole new generation.
I have enjoyed both of the earlier versions of The Miracle Worker so much so that I wanted to see this one. While the performance by Alison Elliott as Anne Sullivan was very well done, she was handicapped by the watered down dialogue and tension between her character and that of Helen. For someone who has never seen either the 1962 version with Anne Bancroft as Anne and Patty Duke as Helen or the 1979 version with Patty Duke as Anne and Melissa Gilbert as Helen (which is my favorite - probably because I saw it first), this version may be enjoyable, but I found it to be deflatingly understated. If you have seen either of the earlier renditions, do not expect the dramatic scenes to be as emotional or the dialogue to be as effective in this latest remake.
I came across the video of this movie and had to rent it. The story of "The Miracle Worker" is timeless and is always worth a look. This version, however, absolutely PALES to the 1962 version! Hallie Kate Eisenberg seemed too calm, especially during the so-called temper tantrums which were unconvincing, not to mention that her clothes made her look more like a polished doll. She seems too cutesy with the ruffles and bows and dimples and would have fared better in a remake of a Shirley Temple classic. The only performance really worth seeing is that of Alison Elliott who did an excellent job portraying Annie Sullivan, complete with the Irish brogue done to a "T". Nevertheless, if you really want to see a more accurate version of this movie, rent the version from 1962 with INCREDIBLE performances by Anne Bancroft and Patty Duke, who was nothing short of OUTSTANDING in her portrayal of Helen Keller - totally believable!
क्या आपको पता है
- ट्रिवियाHallie Eisenberg's own dog, a golden retriever named Tara, appears in this film.
- गूफ़Helen spits food at Annie who retaliates by throwing water in her face. Helen's hair and clothes stay dry, however.
- भाव
Anne Sullivan: Why should I talk to you? I'm teaching Percy!
- कनेक्शनVersion of Deliverance (1919)
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