Focus

Most people attending this film will have no idea of the great novel by Arthur Miller that is the basis of it. It's a novel that should be read by more people to see how prejudice affects and alters peoples lives.

At the beginning, Lawrence Newman is an ordinary man. The eyeglasses his boss makes him get change everything he has worked for and his whole world collapses around him, little by little. There couldn't have been an actor better suited to bring this intelligent performance to the screen than William H. Macy. Not only is he a talented stage and screen actor, but he projects honesty behind every character he plays. He is an everyday man caught in his own insecurities. His anxiety intensifies when he takes a stand and walks out of his job. Suddenly, he has to confront the issues he has tried to avoid all his middle class existence in the Brooklyn of the 40s. Is he Jewish, is he not? The cinematography in this brilliant and atmospheric film, directed with sure hand by Neil Slavin, kept reminding me of some Edward Hopper's paintings, especially a sequence at the beginning of the film when Newman steps outside a building and the night shot when he and his wife are being followed with long black shadows behind the couple, menacing and anticipating the confrontation with the bullies. Laura Dern, David Paymer, and especially Meat Loaf, who infuses incredible depth to the bully-next-door, are excellent, but they all pale in comparison with the stellar turn of William H. Macy (H must stand for HONEST..) If you haven't read the book, I would sincerely recommend it because no one has written more truly and convincingly than Arthur Miller has.

One of Arthur Miller's finest works, Focus, comes to the screen and while there was a lot to like about the movie, some of it seemed like it was almost unreal (though I'm not sure if that's in a good or bad way).

William H. Macy, great as always, plays Lawrence Newman, average Joe and good guy in Brooklyn, NY in the early 1940's who finds he needs a new pair of specs. Unfortunately, his choice of glasses makes him appear to be, well, Jewish, as this seems to his mother from the start. Lawrence tries to ignore the ignorance and bigotry in his neighborhood against the Jewish people, but with a string of events involving his neighbors (Meat Loaf, David Paymer), and a new girlfriend (Laura Dern in one of her best performances) who knows what trouble Lawrence is in, push him into the conflict of his life.

Often, Focus, delivers a poignant, startling and smart story in showing a character with so much at stake it is making him insane. Macy and the rest of the cast are so close to perfect and if only for them make this a must see. Not to dissapoint the fans of Miller's book, I suppose, but if it does then that is just another flaw. B+

This movie packs a punch. There are a few every now and then that make me think deeply, and disturb me a lot. I could see myself in this same predicament - passively allowing things to happen around me, not standing up for the right and decent thing, just trying to avoid trouble. How often do we avoid making waves or sticking our necks out? How often does our inaction condone the evil actions of others. We would never join them, we tell ourselves, we recognize that what they are doing is bad, but do we do anything about it?

Lawrence Newman (William H. Macey) is a low-key, nerdy office worker who has paid off his home in Brooklyn, NY in the waning days of World War II. He rarely gets engaged in what is going on around him, has never married, rarely socializes, just goes to work and cares for his invalid mother. Then a series of events in his very "white" little neighborhood pull him out of his complacent shell into a maelstrom of events. It starts as he witness from his bedroom window the rape of a Puerto Rican girl by the son of his neighbor. Soon after he gets glasses because of poor vision. As he is now better able to see, he becomes less able to deal with the circumstances of his life. The one bright spot is a new love in his life, and he marries, hoping to continue on in his normalcy. Then the virulent anti-semitism on that street catches him, despite his credentials as a Presbyterian WASP. As things spiral further out of control, he discovers he must make an important decision - does he take a stand or does he simply go away.

I cannot how anybody can view this movie without being affected and having to think very much about themselves and what they really stand for. Post war anti-semitism is the setting here, but there is injustice at all times and in all places. It is for the individual to decide where he or she stands.

First they came for the Communists, and I didn't speak up, because I wasn't a Communist. Then they came for the Jews, and I didn't speak up, because I wasn't a Jew. Then they came for the Catholics, and I didn't speak up, because I was a Protestant. Then they came for me, and by that time there was no one left to speak up for me.

Attributed to Rev. Martin Niemoller, 1945

When faced with intolerance or injustice, the easiest thing to do is nothing - speak up and you risk becoming an object of scorn. But when does enough become too much? Global anti-Semitic sentiments allowed Hitler's genocidal policies to thrive, and equal doses of fear-mongering and ignorance made it possible for the anti-Communist purges of McCarthyism to destroy thousands of peoples' lives. Inaction makes one no less culpable.

Lawrence Newman is a chameleon of a man: quiet and nondescript he blends seamlessly with his surroundings. Lawrence doesn't like to get involved - when he witnesses an attack on a young woman, he tells no one and goes about his business. His world spirals into chaos when he buys a pair of glasses, and is mistaken for one of "them." Lawrence's view of the world and its view of him is forever altered.

While the subject matter of this film is not new, its presentation is definitely unique. It is much easier to understand the irrational nature of prejudice, when placed within a certain context - Lawrence is more concerned with the assumptions that he is Jewish, than he is with the views of his attackers. He believes that if he corrects this "oversight" that everything will be all right, not realizing that logic and prejudice never go hand in hand.

Whether playing a schemer (the only thing I liked about "Fargo") or a down home nice guy sheriff, William H. Macy's roles are linked by a common thread -his characters share a subtle, deliberate countenance that gives them substance. Macy nails Lawrence down to the smallest detail, and says more with a furtive glance or tremble in his voice than a page of dialogue. By showing, rather than telling, Lawrence is able to share his fear and bewilderment with the viewer. The supporting cast brings the story together.

Laura Dern is compelling as Gerty, Lawrence's bombshell wife with a past. Trailer park rough, yet other worldly wise, she has also felt the wrath of prejudice as the result of "a mistake" and unwittingly exacerbates Lawrence's situation. Michael Lee Aday (aka "Meatloaf") is frightening as Fred, the prototypical redneck next door, equal parts ignorance and venom, rallying neighbours to his virulent cause. In the midst of the chaos is Finklestein (David Paymer), the focus of the aggression, and the voice of reason that raises the important questions. Paymer's even handed portrayal keeps Finklestein from becoming a stereotype or someone whose sole purpose is to engender sympathy, making his one of the strongest performances in the film.

The tight editing and close-cropped cinematography make for a clean picture with few distractions, and mixes an air of claustrophobia in with the small town USA feel - it is simultaneously comforting and disturbing. The deliberate use of harsh two-tone lighting to accentuate the malevolent aspects of the piece and the carefully scored soundtrack, are powerful without being overwhelming. Finally, the set and costume designs recreate the feel of the era, an essential component in the film's message.

"Focus'" unconventional approach in dealing with prejudice is reason enough to recommend this film. Just consider the excellent story, solid acting and look of the film as added bonuses.

This movie tells the story of prejudice against jews in New York City, during World War II. It's great in the fact that I never knew such prejudice existed in our own country, and tells this story well. I would have liked to give this movie 4 stars, the acting was incredible all the way around. The storyline, however, kinda went nowhere, and the ending left a lot to be said. Since this is a book adaptation, which I haven't read, but I almost think they left out the last chapter. If there was some kind of resolution at the end, this would be an even better, fantastic movie. Should you see this movie? Great performances and a driving story, but just nothing left at the end. 10-21-02