Anne Frank: The Whole Story

This TV mini-series shows us the horrors resulting from the cold, clinical meeting dramatized in HBO's film CONSPIRACY.

But beyond the horrors, this film is a touching presentation of the events behind the book THE DIARY OF ANNE FRANK and goes far beyond the stage play and film of that title. Anne, her friends, her family, and her world are depicted before, during, and after the long, hopeful, but futile hiding in an attic. Various forms of the monstrosities of humans who forget their humanity are pitted against the perseverance of people who maintain their humanity.

This film should be seen in conjunction with CONSPIRACY, SCHINDLER'S LIST, VOYAGE OF THE DAMNED and other films that vividly show us what happened at a time when the human race was supposedly at a very highly civilized point. Such films show what horrors the human race can create when we forget who and what we are -- human.

We should see such horrors so that we do not forget. As the old saying goes, he who forgets the past...

This movie is so much more realistic than every other Anne Frank film. For starters it does not show Anne as a saint-like person and although she was a great, great person, she was just like every other girl (excuse me) young lady, she had her faults, and beyond Anne there were the others who had their problems.

Anne was magnificently played by Hannah Taylor Gordon. She is one of the best Annex that I have seen yet. She was perfect in her characterization and really made you love her. You looked at her on screen and you were caught in love with instantly, she was like magic on screen. She as well as Ben Kingsley and Brenda Blethyn both deserve Emmy nominations for their work.

Otto and Auguste van Pels were spot on. Ben playing Otto Frank not as a regal saintly savior of the Annex members (although in many respects he really was) but as a guiding light, the leader, and the most intelligent. Brenda Blethyn turns in another great performance as the spoiled and unadaptable Mrs. van Pels. Great in all her scenes you learn to give sympathy to this woman in a way you don't give anyone else, especially when you see her in the end.

The rest on the Annex members were also nice. Edith Frank was shown as she might really have been in real life. A woman going through a mid-life crises of sorts. Looking back and perhaps not being quite satisfied with her marriage and life. Peter van Pels was as I've never seen him before. The actor was excellent and gave life to Peter which is something I've always wanted to see from the Peter van Pels actors. Mr. van Pels and Mr. Pfeffer are wonderful too. And all of the Secret annex occupants really made a great relationship with the workers.

Lili Taylor pulled of a nice performance as Miep, very selfless and hard working. The rest were great too, including the warehouse worker. However, my main complaint was that Bep Voskuijl was shown to be an utter ditz. Maybe she was written this way because Miep said that that was the way she was, however, I did find it somewhat sad to see her portrayed that way.

The crew also pulled of excellent work. The costuming was nice. Barbara Lane was able to show with good quality how that Franks, van Pels, and Mr. Pfeffer were not poor. Never were they poor, they were very well off. I feel many costumers in the past have assumed that because they were all Jews being persecuted and in hiding that they were poor. Although the quality of clothing would have gone down with time (as shown) she still was able to put forth wonderful work. As did the art department going into nice detail to recreate the annex and the Frank house. Brilliantly filmed all around, power to the writer and producers for going outside the annex.

I was skeptical of this TV movie when I found out it was not based on Anne's diary, but on a biography of Anne Frank written by Melissa Muller. I am sure I am not the only one who wondered if any truth would be presented. I was pleasantly surprised.

I have just finished watching the second half of this movie on ABC. The scenes of the concentraion camps are horrific, and really tug at your heart. I can only imagine what these camps were like for the real people and how survivors live life today. Since the story wasn't told from Anne's diary, the viewers got another view of the short but significant life Anne lived, headed by a wonder all-star cast. The movie began with Anne in 1936 and ended upon her death at Bergen-Belsen in 1945.

Hannah Taylor-Gordon was excellent as Anne. At first I wondered if she was too young (at age 14) to portray such a dramatic role, but as Anne grew, Hannah grew as well. Ben Kingsley and Tatjana Blacher played Anne and Margot's parents wonderfully, and the rest of the cast added to the beauty, horror, and passion of the film: Lili Taylor, Rob Das, Brenda Blethyn, and many more.

This well-made TV movie is a very moving experience. Seeing in graphic detail how a well-adjusted and endearing teenage girl deals with the horrors of persecution as her family is forced into hiding to avoid the Nazi terror cannot fail to engage the heart and mind. It shows Anne before the Nazi invasion of Holland as a bubbling girl eager for education and socialisation. Her indomitable spirit is well portrayed during her family's long months of hiding in the back of a factory in Amsterdam. Her physical deterioration after her capture is shown graphically, as is her will to survive to make her mark upon the world. Ironically, she did make her mark upon the world posthumously through her diary, the most-widely read work of non-fiction in the world after the Bible.

For me, the virtual incarceration of her family in the factory was very sad and thought-provoking. Taken from their normal lives and stripped of all those things they held dear, Anne's family strives to remain positive of better times ahead. How would we fare if required to give up all that we possessed and go into hiding for fear of our lives? A totally depressing thought, and yet that is what happened to Anne and her family.

The later scenes, after the family was captured, humiliated, separated and sent to concentration camps, is simply tragic.

The fine performances of Hannah Taylor-Gordon in the title role and Ben Kingsley as her father, Otto Frank, deserve special mention, although the entire cast was believable. Hannah Taylor-Gordon's performance was a revelation - she conveyed a range of emotions that superbly captured Anne's spirit and also her human weaknesses.

The movie is not without its weaknesses. It is slow at times and could perhaps been improved by tighter editing, although this may have detracted from the accurate portrayal of the tediousness of living concealed behind closed doors for so long a period.

The concentration camp scenes are disturbing and Anne's gradual physical deterioration is depressing. It is not a movie to entertain but one to stir the emotions and the resolve to ensure that this sort of persecution and genocide is never again allowed to happen.

It is also a depressing reminder that it still is happening in various parts of the world.

Having read several books about Anne Frank and seeing the wonderful documentary, ANNE FRANK REMEMBERED, I was very curious about this film. I could not have been more impressed. The casting was excellent, and the acting superb, especially with Hannah Taylor-Gordon as Anne and the riveting presence of Ben Kingsley as Otto. Yes, it was difficult to watch and yes, it was not "entertaining" by definition. But if you want a very accurate portrayal of the before, during and after events of the group who inhabited the "secret annexe," you won't do better than this film. I'm sure it will be a treasure for years to come. Beware: Although it is an excellent educational tool, the last 45 minutes are quite intense and do include some brief nudity. Small children may find it too graphic.