IMDb रेटिंग
6.1/10
76 हज़ार
आपकी रेटिंग
द्वितीय विश्व युद्ध में दो अमेरिकी मरीन को नवाजो मरीन की रक्षा के भार सौंपा गया है, जो अपनी मूल भाषा का उपयोग करते हैं जो दुश्मनों की समझ से परे एक अभेद रेडियो साइफर बन जाती है.द्वितीय विश्व युद्ध में दो अमेरिकी मरीन को नवाजो मरीन की रक्षा के भार सौंपा गया है, जो अपनी मूल भाषा का उपयोग करते हैं जो दुश्मनों की समझ से परे एक अभेद रेडियो साइफर बन जाती है.द्वितीय विश्व युद्ध में दो अमेरिकी मरीन को नवाजो मरीन की रक्षा के भार सौंपा गया है, जो अपनी मूल भाषा का उपयोग करते हैं जो दुश्मनों की समझ से परे एक अभेद रेडियो साइफर बन जाती है.
- पुरस्कार
- 3 जीत और कुल 6 नामांकन
Clayton J. Barber
- Hasby
- (as Clayton Barber)
फ़ीचर्ड समीक्षाएं
I thought this was a film about Navajo code talkers. Well, it's not. While there are a couple of Navajos in the film, the story revolves around Nicolas Cage winning WWII all by himself. This guy's incredible and makes John Wayne look like a wimp. Every time the Marines are in trouble, up jumps good old Nicolas Cage with his Thompson and POOF! the battle is WON! I wonder how we won WWII without Nicolas Cage? The film has a LOT of combat footage and most of that is very well done. That alone is worth a watch but don't expect to learn much of anything about the Navajo code talkers. You should read about them, because theirs was an important part of history, but they're a minor part in this film. I gave it a 6, only because of the good combat footage.
I finally watched this movie, it long caught my interest but fell of my radar for years. I do recommend watching this movie--at least until some independent filmmakers (or streaming studio) makes a worthy version of this story. The story is incredible. As an high-tech engineer, I am blown away by the fact that the human brain and unusual language was able to solve a real-time encryption problem decades ahead of any possible other technology. Sure, machines like enigma could be used, but, that is a heavy and vulnerable asset to drag around on the front lines. Really heroic story, and even more moving given the lack of respect shown to native Americans since the European invasion of their homelands.
Incredible human drama. Great performances by the lead Navajo actors. Cage was his usual fantastic self, despite the flimsy lines he was given. The rest of the movie was---meh. Typical Hollywood narcissism. Spend most of the budget blowing things up and sending people careening in all directions in bits and pieces. Zero depth to any other characters, including the Japanese, who were little more than animated cardboard cutouts screaming and shooting. This movie should be a poster child for the imminent demise of the Hollywood glory days, following in the path of cable TV as they chase each other down in a great swirling flush. The best thing about the streaming media revolution is that it busted up the Hollywood empires, and with that I have hope in a retelling of this story by more intelligent, skilled hands.
Incredible human drama. Great performances by the lead Navajo actors. Cage was his usual fantastic self, despite the flimsy lines he was given. The rest of the movie was---meh. Typical Hollywood narcissism. Spend most of the budget blowing things up and sending people careening in all directions in bits and pieces. Zero depth to any other characters, including the Japanese, who were little more than animated cardboard cutouts screaming and shooting. This movie should be a poster child for the imminent demise of the Hollywood glory days, following in the path of cable TV as they chase each other down in a great swirling flush. The best thing about the streaming media revolution is that it busted up the Hollywood empires, and with that I have hope in a retelling of this story by more intelligent, skilled hands.
Woo's heightened maximalist style doesn't always translate smoothly to a rugged war movie and at no point is it more clear than with Windtalkers. I've definitely gained a better appreciation for it upon a second more expanded viewing as I'd seen this once before, but it was the rather lacking Theatrical Cut, so when gearing up for this mini US Wooathon I knew I wanted to give the Director's Cut the time of day it deserved. While it definitely lacks the raw emotional power that underlines Bullet in the Head, it feels more tonally consistent than Heroes Shed No Tears, but Windtalkers is replete with Cage's finest angsty acting, James Horner's gorgeous score, John Woo's exceptional attention to detail and requisite concerns of friendship and rivalry staring in the face of violence. This is not a story about heroes. It's a story about a man and his own demons, trying to redeem himself from war. Windtalkers is far from perfect, but heavily underrated for what it is, the kind of film where you think you can predict everything that's going to happen upon the first shot and you spend the rest of the film praying that you're wrong.
The film is actually quite good. One of the main drawbacks about this film however is its focus. The timing seems off regarding some aspects in my view, which is the fault of the director. John Woo is better at creating beautiful looking battle scenes than he is at letting characters capture their moments and develop. At times the war violence definitely also looks too impressive and choreographed, which in another way slightly takes away from the film. Are we watching a ballet, or a war film here? At the same time the story is mostly very good and Cage in my view was excellent. Even despite a director who's not overly great with developing characters and allowing us to feel them fully. Somehow, Cage still manages to create something special here. Despite what anyone may say about Cage, the guy, when given the right role can knock it out of the park. He pretty much does here. The film and his character in some ways are certainly a little Hollywood cartoonish one could say, but you also have to give some credence to the fact that some people really were and are brave war heroes. Extraordinary events like war can lead to extraordinary actions by human beings, sometimes both good and bad.
I have heard there is now a Director's cut of this film available, and to be honest I'm not sure what version I saw, since I just streamed it. Anyway, even so, there's little doubt in my mind that the best Cage/Woo film will probably always be, Face/Off. Nonetheless, this film is well worth checking out too. 7/10.
I have heard there is now a Director's cut of this film available, and to be honest I'm not sure what version I saw, since I just streamed it. Anyway, even so, there's little doubt in my mind that the best Cage/Woo film will probably always be, Face/Off. Nonetheless, this film is well worth checking out too. 7/10.
Although the intentions are very noble (showing the world how Navajo Indians helped in the war ... through their native language as code), the movie is not that good ...
You would love to give it more kudos (at least I would), but even Nicolas Cages performance just doesn't really grip you ... you are left emotionless/cold. You don't really care for them or what will happen to them. And that is a death certificate (excuse the pun) for this movie. The fact that he had to cut down the movie, so that it would be cinema-friendlier, didn't help either ... so if you're going to watch this movie anyway, go watch the Director's Cut, because you will get more back story and emphasis on the characters.
You would love to give it more kudos (at least I would), but even Nicolas Cages performance just doesn't really grip you ... you are left emotionless/cold. You don't really care for them or what will happen to them. And that is a death certificate (excuse the pun) for this movie. The fact that he had to cut down the movie, so that it would be cinema-friendlier, didn't help either ... so if you're going to watch this movie anyway, go watch the Director's Cut, because you will get more back story and emphasis on the characters.
क्या आपको पता है
- ट्रिवियाWeapons coordinator Robert "Rock" Galotti amassed over 500 vintage World War II-era firing weapons and 700 rubber replica weapons for the film from private collectors and prop houses. Also featured moving across battlefields are vintage Sherman tanks, their smaller Stuart brethren, and Japanese Hago tanks.
- गूफ़When Ben Yahzee is leaving his family he shares a firm handshake with an elder. In Navajo culture personal contact is very limited. The handshake would have been a brief, light touch if given at all.
- भाव
Private Ben Yahzee: Radio Man:
[to Private Ben Yahzee]
Private Ben Yahzee: Remember Marine, ours is not to question why, ours is but to do or die. Semper Fi. Over
- इसके अलावा अन्य वर्जनA few scenes and lines of dialouge were either altered or missing from the finished film. An early scene of Joe and a nurse in their car on the beach has them two talking about the world being a pretty place and joe says it's not. Another scene of Joe and Yazi talking. Joe asks "seen any combat?" Yazi answers "No, but i am looking forward to getting into some" There are a few other small lines of dialouge that was left out. These were most likely cut because of pacing.
टॉप पसंद
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विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Códigos de guerra
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $11,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $4,09,14,068
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,45,20,412
- 16 जून 2002
- दुनिया भर में सकल
- $7,76,28,265
- चलने की अवधि
- 2 घं 14 मि(134 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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