IMDb रेटिंग
6.4/10
14 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA young Scottish woman joins the French Resistance during World War II to rescue her Royal Air Force boyfriend who is lost in France.A young Scottish woman joins the French Resistance during World War II to rescue her Royal Air Force boyfriend who is lost in France.A young Scottish woman joins the French Resistance during World War II to rescue her Royal Air Force boyfriend who is lost in France.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 6 कुल नामांकन
Rupert Penry-Jones
- Peter Gregory
- (as Rupert Penry Jones)
Mathew Plato
- Jacob
- (as Matthew Plato)
फ़ीचर्ड समीक्षाएं
Is Cate Blanchett the best actress today? I start believing it. She just performed superbly in all the last films I saw. Almost any critic I read compares her with Meryl Streep, and no wonder - she has the interior strength and beauty that makes her shine in all roles, without being of a remarkable physical beauty.
Unfortunately, 'Charlotte Gray' cannot offer Cate Blanchett a good script to turn it in a Big movie. The story is quite un-believable, and if it has any logic it is Hollywood logic. Hard to believe an anonymous girl can train and become a spy just because she wants to search for her disappeared lover, and we never get any sense of the reasons she is being sent for. The Holocaust story is spoiled and sentimental a la Hollywood, and the characters behave without any real interior reason, just as the cliches of big studios American movies ask. Most awful is the treatment of the language. Blanchet is a Scot, lives in London, and then is sent to France because she is speaking fluent French. All the movie is spoken in English. Why? Language plays a role in the spying game, and if French was used in the scenes happening in France, much credibility could have been added.
Despite all the film is watchable, and I enjoyed every second Cate Blanchett is on screen. I am looking forward for the great movies and the Oscars to come, as she deserves.
Unfortunately, 'Charlotte Gray' cannot offer Cate Blanchett a good script to turn it in a Big movie. The story is quite un-believable, and if it has any logic it is Hollywood logic. Hard to believe an anonymous girl can train and become a spy just because she wants to search for her disappeared lover, and we never get any sense of the reasons she is being sent for. The Holocaust story is spoiled and sentimental a la Hollywood, and the characters behave without any real interior reason, just as the cliches of big studios American movies ask. Most awful is the treatment of the language. Blanchet is a Scot, lives in London, and then is sent to France because she is speaking fluent French. All the movie is spoken in English. Why? Language plays a role in the spying game, and if French was used in the scenes happening in France, much credibility could have been added.
Despite all the film is watchable, and I enjoyed every second Cate Blanchett is on screen. I am looking forward for the great movies and the Oscars to come, as she deserves.
Pretty dreadful adaptation of Faulks' novel.
Gillian Armstrong presents a sanitised version of the book, with much of the meat of Charlotte Gray's relationships removed. Unfortunately the story hangs off the intensity of these relationships she has - with Cannerly and Lavade in particular who are never really given screen time to develop. The acting is pretty dull, and the actors are not really helped by the witheringly dull script. Gambon does his best with what little he is given in the role of Lavade, as does Ron Cook as Mirabel, but Crudup and Blanchett are just not firing on all cylinders. Maybe this is because the story has been so acutely edited, paring away all the extraneous parts of the story but in the end offering a sequence of events that create no tension either as a thriller or a romance.
My other gripe is the art direction. This looks like a made-for-TV drama, with the costumes and mis-en-scene looking fresh, clean and unused. This drama is based in the 1940s during a war, life was dirty and shabby. Armstrong and her production designer give us an unrealistic picture of wartime France and Britain.
Unfortunately this is really just an average British Television Period Drama.
Gillian Armstrong presents a sanitised version of the book, with much of the meat of Charlotte Gray's relationships removed. Unfortunately the story hangs off the intensity of these relationships she has - with Cannerly and Lavade in particular who are never really given screen time to develop. The acting is pretty dull, and the actors are not really helped by the witheringly dull script. Gambon does his best with what little he is given in the role of Lavade, as does Ron Cook as Mirabel, but Crudup and Blanchett are just not firing on all cylinders. Maybe this is because the story has been so acutely edited, paring away all the extraneous parts of the story but in the end offering a sequence of events that create no tension either as a thriller or a romance.
My other gripe is the art direction. This looks like a made-for-TV drama, with the costumes and mis-en-scene looking fresh, clean and unused. This drama is based in the 1940s during a war, life was dirty and shabby. Armstrong and her production designer give us an unrealistic picture of wartime France and Britain.
Unfortunately this is really just an average British Television Period Drama.
Charlotte Grey is the title character of this movie, set in WW2 Britain and France. Played by the extremely gifted Cate Blanchett, Charlotte is a young Scottish woman who, after having fallen in love with an army pilot, Peter Gregory (Rubert Penry-Jones), decides to participate in the English efforts to help the French resistance. A fluent French-speaker, Charlotte takes on the identity of Dominique, a married Parisienne, who's moved to the Vichy-governed part of France.
As Dominique, Charlotte gets involved with Julian Lavade, his father and two young Jewish boys, whose parents have just been taken away by the Vichy police. She soon realizes how serious the situation is, and that no one is to be trusted. And her courage and determination sees her through.
Cate Blanchett shows yet again what an amazing actress she is, the new Meryl Streep, but with a warmer aura. Watching her on the screen never gets boring, and even though the movie is somewhat slow moving at times, it really left me craving for more. 4 out of 5!
As Dominique, Charlotte gets involved with Julian Lavade, his father and two young Jewish boys, whose parents have just been taken away by the Vichy police. She soon realizes how serious the situation is, and that no one is to be trusted. And her courage and determination sees her through.
Cate Blanchett shows yet again what an amazing actress she is, the new Meryl Streep, but with a warmer aura. Watching her on the screen never gets boring, and even though the movie is somewhat slow moving at times, it really left me craving for more. 4 out of 5!
In the midst of WWII, Charlotte Gray (Cate Blanchett) falls for dashing pilot Peter Gregory. She is recruited into the secret service since she spent time in France and is fluent. When Peter is lost behind the lines, she pushes to get the courier job for the French Resistance. Only she has the ulterior motive to find her missing love. Once on french soil, she finds french communist fighter Julien Levade (Billy Crudup).
This is an utterly old fashion melodrama. That has less to do with the setting or time period. It has more to do with the style and the subject matter. The romance has no time to develop and has a very superficial manufactured old romance novel feel. Other than a pretty face, there is nothing to justify the grand romance being depicted. It would probably be more compelling to have this about a family member. Cate Blanchett is a truly wonderful actress, and any positives from this movie are all due to her. There is a sense of danger but it doesn't persist. Director Gillian Armstrong has made a beautiful movie. It just doesn't have better passion or excitement.
This is an utterly old fashion melodrama. That has less to do with the setting or time period. It has more to do with the style and the subject matter. The romance has no time to develop and has a very superficial manufactured old romance novel feel. Other than a pretty face, there is nothing to justify the grand romance being depicted. It would probably be more compelling to have this about a family member. Cate Blanchett is a truly wonderful actress, and any positives from this movie are all due to her. There is a sense of danger but it doesn't persist. Director Gillian Armstrong has made a beautiful movie. It just doesn't have better passion or excitement.
This film has a genuine feel for the grand old tradition of Hollywood war romances. It's elegantly crafted escapism of the highest order, beautiful to look at, with the added bonus of an intelligent script and great performances all around. As I've seen time and again where poor endings mar otherwise good films, I'm always keen on how the curtain falls. This one had what I felt was a great curtain line that nicely tied in the heroine's odyssey of identity confusion and moral ambiguity in the shadow world of undercover war espionage (a "gray" that was more than just her name) to her eventual discovery of self, strength, and purpose as her true character is slowly forged in the crucible of danger and strife. As war brings out the very worst of qualities in humanity, so too can heightened expressions of bravery, compassion, and loyalty serve to greatly ennoble the human spirit in times of blood and sorrow. The movie does a nice job of highlighting that theme in several of its characters. Cate Blanchett does a wonderful job with the title role and this film is a strong 9 out of 10.
क्या आपको पता है
- ट्रिवियाThe true story of Nancy "White Mouse" Wake inspired Sebastian Faulks' 1999 novel Charlotte Gray upon which this movie was based. Australian Prime Minister Julia Gillard said Mrs. Wake was "a truly remarkable individual whose selfless valor and tenacity will never be forgotten." Born in New Zealand, but raised in Australia, she is credited with helping hundreds of Allied personnel escape from occupied France. Working as a journalist in Europe, she interviewed Adolf Hitler in Vienna in 1933 and then vowed to fight against his persecution of Jews. After the fall of France in 1940, Mrs. Wake became a French Resistance courier and later a saboteur and spy, setting up escape routes and sabotaging German installations, saving hundreds of Allied lives. She worked for British Special Operations and was parachuted into France in April 1944 before D-Day to deliver weapons to French Resistance fighters. At one point, she was top of the Gestapo's most wanted list. "Freedom is the only thing worth living for. While I was doing that work, I used to think it didn't matter if I died, because without freedom, there was no point in living", Mrs. Wake once said of her wartime exploits. It was only after the liberation of France that she learned her husband, French businessman Henri Fiocca, had been tortured and killed by the Gestapo for refusing to give her up. She was Australia's most decorated servicewoman, and one of the most decorated Allied servicewomen of World War II. France awarded her its highest honor, the Legion D'Honneur. She also received Britain's George Medal, and the U.S. Medal of Freedom. In 2004, she was made Companion of the Order of Australia. She died in London on August 8, 2011 at the age of ninety-eight.
- गूफ़The German colors during the Nazi Regime were actually Black, White and Red. These were also the colors of the N.S.D.A.P. and were present on the shield of the German helmets of the Wehrmacht and all of the flags at this time. So the Bundesrepublik Deutschland (West German) colors of Black, Red and Yellow are not appropriate for the film.
- भाव
Psychiatrist: Of these three, which in your view is the most important: Faith, hope or love?
Charlotte Gray: Hope.
- साउंडट्रैकBlack Eyed Susan Brown
Master performed by Phil Harris and his orchestra featuring The Three Ambassadors
By courtesy Hindsight Records
Written by Al Hoffman and Al Goodhart
Published by Keith Prowse Music Publishing Co Ltd
टॉप पसंद
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- How long is Charlotte Gray?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
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- इस रूप में भी जाना जाता है
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बॉक्स ऑफ़िस
- बजट
- $2,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $7,41,394
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $46,271
- 30 दिस॰ 2001
- दुनिया भर में सकल
- $53,23,109
- चलने की अवधि2 घंटे 1 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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