Snakeskin

It's a bit stunning to watch a film made in New Zealand, by New Zealanders, and not want to cringe. This is a fantastic piece of work. Kudos to the production team - when I think "road movie" made with a measly NZ budget I shudder to think of the result, especially when shot in a lightning fast 28 days. Yet this film looks like it cost three or four times as much to make. The visuals are stunning, and its cinematography award was well deserved. The story takes a nice big swipe and New Zealanders and their obsession with the USA. It may look on the surface to be your average american road film, and therefore a bit of a typical, stolen idea... but in truth this story rings sound as a uniquely New Zealand piece of work. It immediately promises to get quite dark... and then does... slowly sliding its way into that grim genre that New Zealand has created for itself that Sam Neill dubbed the "Cinema of Unease". This is a great New Zealand film, but better still, it's just a great film full stop. Great work to Gillian and Vanessa and all their team.

Kiwis have this really odd approach to our films. We automatically assume that if a film has come from the States, and if it's showing in Hoyts, then it's better than anything ever made in New Zealand, let alone the smelly ol' Mainland.

As Snakeskin aptly shows, this is damn wrong, and it's fitting that it uses the Kiwi appropriation (obsession) with the American Dream as its central theme. In fact, the characters know more about Elvis and Marrilyn ("The patron saints of America guiding us on our journey") than about the small plastic Tiki they have in their car.

It's a very clever, very well directed, *excellent* film. With a kicking soundtrack. This is very important.

I loved this film so much I've seen it several times, and with each viewing am rewarded with another layer of story telling, symbolism, character development and references to Kiwiana - & NZ v USA culture.

On first viewing it's a twisty road trip with lashings of humour and a sci fi flavour, but subsequent viewings reveal a much darker story and complicated characters - once you recognise clues delivered in short sequences, or understand that throwaway lines are crucial to the story.

Cinematically it's an eye popping feast of vast landscapes and gorgeous lush scenery, but it's the dark twisty story which satisfies the most. Melanie Lynskey as Alice blew me away in her first sexy lead role rather than as the usual "suburban friend" she gets cast as; even Dean O'Gormon surprised as I'd only ever seen him acting in a soap before.

The soundtrack deserves special mention - especially the mood inducing soundscapes as the road trip progresses.

Overall this is a classic NZ film which will affect an entire generation of New Zealanders as Goodbye Pork Pie did in the 70s. Well worth a look.

I was not surprised when i saw the rating because i always viewed Snakeskin as a film that you have to watch multiple times in order to understand. The first time i watched it, i really liked how the story built up the characters in the first half of the movie, while the second half left me with a lot of question marks. Although, when i watched it for the third time, i really grasped the symbolism and profound thoughts presented in the third act.

Snakeskin starts off as a fun action film, but then it turns into a thriller with very suspenseful scenes in claustrophobical environments. I also liked how the director chose to have all the minor characters shown in previous scenes, reappear later on to show that everyone is heading in the same direction. The music is really well chosen, the landscapes shown in both day and night scenes are really beautiful, and the actors, especially Oliver Driver, give the film an even higher level. I definitely recommend watching it, but as i previously said, you need to watch it multiple times in order to understand it.

Superb acting and cinematography compliment a fresh writing style that skillfully guides us through this modern-day "Alice in Wonderland" set in New Zealand. Lynskey especially takes us on an ultra-realistic joy/horror ride, as the subtle changes in her character hook us almost subconsciously, and before we know it, drag us forever down the rabbit hole, screaming for more!